Call for papers: A World in Making: Cities Craft Design

craft + design enquiry is pleased to announce a new call for papers for the fifth issue of the journal to be published in 2013.Guest Editor, Suzie Attiwill is calling for papers for this on the theme of A World in Making: Cities Craft Design as outlined below.On 12 March 1913, a naming ceremony took place in an empty paddock on a hill. This rural environment was to become a city, the capital city of Australia, the city of Canberra. The aspirations and the projections of the Griffins’ winning design for Canberra are an example of a world-in-making involving the practices of design and craft. This issue of craft + design enquiry will be published in 2013 – 100 years after this event and when, for the first time in history, more than half the world’s population live in cities. By 2030, this will increase to at least 60% with significant growth happening in cities of developing countries and the emergence of meta-cities with 20 million inhabitants. ‘The twenty-first century will be known as the century of the city’.1 This next issue of craft + design enquiry will focus on and highlight the role, contribution and potential of craft and design practices to the urban environment as well as the transformation of these practices – a world in making. ‘The thing is what we make of the world. … Things are our way of dealing with a world in which we are enmeshed rather than over which we have dominion. … It is our way of dealing with the plethora of sensations, vibrations, movements, and intensities that constitute both our world and ourselves’ … ‘We make objects in order to live in the world’.2 Situated in a journal published by Craft Australia, the nuances of craft – a practice which values making and materiality – will guide the selection of papers for publication. This emphasis on craft does not exclude design so much as bring focus to practices of design which engage ideas of making and materiality, where there is a sense of a hand(s) in making, a valuing of haptic encounters and an attention to the relation between people and surroundings. From small to large scale projects, from individuals to communities, an intimate approach to the question of how people inhabit and transform the urban environment is invoked. What are the potentials in this century of the city for craft and design practices? What is the contribution of craft and design to cities and liveability? What might a craft sensibility bring to urban inhabitation? What of an expanded idea of craft practice as a way of working and thinking which addresses spatial and temporal urban conditions? What of the emergence of new forms of practices to engage in the condition of the urban environment and the social, political and cultural forces of the twenty-first century?
Academics, practitioners, research students and others are invited to submit research papers and critical project works. A definition of research as ‘the creation of new knowledge and/or the use of existing knowledge in a new and creative way so as to generate new concepts, methodologies and understandings’ 3 is reiterated here to highlight the criticality of ‘new and creative’ in relation to research and to encourage the submission of research through craft and design practice, as well as about craft and design practices situated in a world in making – ‘the century of the city’. Authors are also encouraged to consider the inclusion of visual material as research. This issue of craft + design enquiry will be published in mid-2013. The CDE#5 Call for Papers closes on 30 June 2012.To submit a paper please register online by the closing date of 30 June 2012. Refer to author guidelines for further information.For inquiries relating to this issue or submission of papers, please contact the Guest Editor, Suzie Attiwill Administrative enquiries, please contact Jenny DevesVisit the website here.

Call for entry: Fourth Annual Cup Show: Form and Function

Gulf Coast State College Amelia Center Gallery is hosting a juried exhibition that explores the idea of the drinking vessel. The exhibition will focus on the function and concept of the drinking vessel, including its relation to history, politics, craft, technology, utility, and narrative. The exhibition will be a survey of the wide variety of approaches to contemporary ceramics through the lens of the most intimate and accessible vessel, the cup.

Juror
Linda Arbuckle is a professor at the University of Florida, Gainesville. Her work in majolica-glazed earthenware has been recognized through an Artists’ Fellowship from the National Endowment for the Arts, as well as a Florida Individual Artists’ Fellowship. Artist-in-residence positions in Wales and the People’s Republic of China have provided further balance of Eastern and Western resources in her works.

Eligibility
The exhibition is open to both functional and sculptural work that addresses the idea of “the cup”. Please submit only original work that has been completed in the last three (3) years. Amelia Center Gallery reserves the right to reject any work that is not suitably prepared for exhibition or that differs from the original submission.

Calendar
Application Due October 21, 2011
Notification Begins November 3, 2011
Accepted Work Due November 22, 2011
Opening Reception December 2, 2011
Show Closes December 22, 2011
Unsold Work Shipped January 3, 2012

Entry Fee. There is a non-refundable entry fee of $15 payable to Visionaries Ink.
Mail CD, completed entry form, and entry fee to our mailing address:
Gulf Coast State College
Visual and Performing Arts, Attn: Pavel Amromin
5230 West U.S. Hwy 98
Panama City, FL 32401-1041
850-769-3886 | www.gulfcoast.edu/arts/art/gallery/default.htm | [email protected]
Please visit their website or email them for full entry details and form.

Notification
Email notification will begin on November 3, 2011. Please be sure to include your email address on your entry form to ensure timely notification.

Shipment of Work
All artwork must arrive at the Amelia Center Gallery no later than November 22, 2011. All

Commission
Amelia Center Gallery will receive commission of 30% on all sales.

Call for entries: 3rd Biennial Central Time Ceramics juried exhibition

Bradley University Galleries, Peoria, IL

This exhibition is open to all ceramic artists over the age of 18, who currently reside in the Central Time Zone. Artwork submitted must have been completed within the last three years. All forms of ceramic expression are encouraged. The show will be judged by Delores Fortuna, MFA, a ceramicist with over 30 years of experience.

Entry Deadline: November 11, 2011

For more information download prospectus at
http://art.bradley.edu/bug/wp-content/uploads/2011/06/CTCfinal.pdf

NCECA 2012 Projects Space: On the Edge

ENTRY DEADLINE: Friday, November 4th, 2011 (midnight MDT) To be “On the Edge” is to be balancing yet changing, openly vulnerable and possibly ephemeral, about to plunge into a place that is undefined, unconventional and unexpected. “On the Edge” can be applied to virtually anything, from an impeding natural force to a chemical process, to a human emotion, memory, or condition. The dynamic and ever-changing landscape of the Pacific Northwest is a geographical manifestation of this concept and is at its most vigorous along the shores of Seattle and the Puget Sound-the site of NCECA’s 2012 Conference. “On the Edge” can also easily be applied to the medium of clay. Of all the materials that artists reach for, it can be argued that clay holds the most fundamental potential: able to immediately respond to the force of a touch, constantly changing and moving on to the next edge of expression. For the 2012 Projects Space in Seattle, artists are invited to consider the possibilities that lie within the medium of clay and submit works that consider the concept of “On the Edge.” Now in it’s third year, NCECA’s Projects Space is a platform for ceramic artists to present works that embrace the medium not as an end, but as a means of embracing the material as a physical metaphor, allowing it to communicate beyond the expected. Jurors Linda Ganstrom, Marianne McGrath, and Jeffry Mitchell are looking for submissions that not only actively embrace the concept of “On the Edge” using the medium of clay as a central focus, but also engage their materials, processes, and audience in unique and unconventional ways. Artists should keep in mind that the Projects Space Exhibition lies in the Central Hall at the heart of the NCECA Conference, and works are meant to grow and change throughout the duration of the conference. Five juried and invited artists will be assigned a 10’ x 19’ raw space in the Central Hall of the Seattle Convention Center to create their works during the week of the 2012 NCECA Conference. Artists will have from 9am to 4:30pm Tuesday, March 27th to install their materials and begin their piece. The artists will be featured guests at a reception Tuesday evening. Artists will continue to interact with their materials and piece throughout the conference ending Friday, March 30th at 5pm. Artists will de-install and clean their spaces from 5-9pm that evening.

Want more details? Find them all here.