call for entry: PLAYDATE: a Juried Show

The
Ceramics Center is now accepting submissions for “Playdate”, a juried
show exploring the role of games, toys, and childhood memories as
inspiration in the creative process.   Artists working primarily in
clay, glass, or a combination of both are invited to submit work.  
Submissions must have been completed in the last two years and reference
or be inspired by toys, games, or childhood memories.  Mixed media and
all traditional or innovative clay and glass forming techniques are
welcome, but artwork must be primarily clay and/or glass.

Jurors

“Playdate”
will be juried by the current Resident Artists at The Ceramics Center:
Gratia Brown, Teresa Childers, Tammy Kopecky, Amy Nichols, Will Rimel,
Wendy Thoreson, Lauren Tucchi, and Amythest Warrington, Lindy Ethier

Awards

Best of Show and two Honorable Mentions will be awarded by Coe College Faculty John Beckelman and Jen Rogers.
CASH prizes will be awarded to a “Best of Show” and up to two “Honorable Mentions”

Calendar

April 4th-  2014 – Deadline to apply.  
April 25th – Accepted Work Due at The Ceramics Center
May 2nd – June 5th – “Playdate” is exhibited in The Ceramics Center Gallery.
July 15th – All work returned to artists.

Entry Fee

Artists pay a $25 entry fee for up to three images of three submissions.

The Ceramics Center

Located In The Cherry Building
329 10th Ave. SE, Suite 117
Cedar Rapids, IA 52401
Phone: 319.365.9644
[email protected]

call for entry: Ceramics Biennial (Belgium)

Opening of applications call : November 1, 2013 > Closing June 30, 2014

  • For the Exhibition of COntemporary ceramics (May 24 > June 7, 2015)
  • For the Thematic Exhibition of Contemporary ceramics (May 24 > June 7, 2015)
  • For the Market of ceramists (May 24 & 25, 2015)
Duration of the event

The 14th Biennial of Ceramics Andenne will be held on 24 and 25 May 2015. The exhibitions of contemporary ceramics will be extended until 7 June 2015.

The Ceramists market will run on May 24 & 25, 2015.

Eligible applications

There is no restrictions of nationality or age to participate .

The main medium must be ceramic.

Applications delivered by individual artists are welcome. Groups of
artists are not accepted ; an artist belonging to a group may, however,
submit a file individually.

The artist must specify whether he wishes to
participate to the Exhibition of Contemporary Ceramics , the thematic
exhibition of contemporary ceramic, or the ceramists market .

Each artist can apply only once for the same exhibition.

If the artist wishes to apply for more than one exhibition,
he have to submit a file for each one, specify for which exhibition the
file is submitted for and join the specific related documents
(pictures).

Details on submissions for the Contemporary Exhibition and for the Ceramists Market

Applications must be submitted electronically (e -mail ) or on
digital media (such as CD- ROM) or by the online form. The file can also
be submitted on paper but the pictures of the works printed on paper
are not accepted .

Any media (projection , soundtrack, etc. . ) accompanying the works must be mentioned in the file .

The artist must ensure that the works can be packed , moved or transported.

There is no participation fee for the exhibition of contemporary
ceramics. The participation fee for the ceramic market is 135 € .

For the Exhibition of Contemporary Ceramics, four works (max) may be presented during the exhibition.

For the Cermaists market, there no limitation of exhibited works. This is left to the good sense of the participant.

Important information : during the exhibitions of contemporary
ceramics, works can be sold with a 30% commission for the organizer. At
the Market, once the registration fee paid, the sales profit returns
fully to ceramists.

A Jury will reward some artists participating the exhibition of contemporary ceramics and also to Ceramists market.

Details on submissions for the Thematic Exhibition of Contemporary Ceramics

A new section is open into the exhibition of contemporary ceramics.
The Biennale is calling for proposals for an exhibition of works created
specifically for the 2015 edition .

The theme of this year is “FRONTIER“. For further details see this page.

By artists, it is understood artists developing a contemporary approach using ceramics, regardless of age or nationality.

The submitted works may be part of a new project or an existing
process, but the works that have been exposed before are not accepted.
Only original works, with ceramics as primary medium, are accepted.

The artist must propose between 2 and 4 works or one installation. If
the artist proposes an installation, this one should be able to be
shown indoor or outdoor.

The file must contain drawings, plan drawings or pictures of the
project, and contain complete information on the technical
specifications of the work as well as the statement of intent explaining
the link with the given theme (use the attached inscription form) .

Important information : there is no participation fee for this
exhibition, but during the exhibitions of contemporary ceramics, works
can be sold with a 30% commission for the organizer.

A Jury will reward some artists participating to the exhibition.


For full details please visit their website: http://en.biennaledelaceramique.be/candidatures/procedure/

call for entry: The 2014 Indigenous Ceramic Art Award (ICAA)

The 2014 Indigenous Ceramic Art Award
(ICAA) applications are now open and Indigenous ceramic artists
from across Australia are encouraged to apply.

The ICAA encourages and stimulates excellence in this sphere,
providing cultural exchange opportunities for Indigenous artists
from around Australia and regional Victoria. This biennial award
exhibition surveys current Indigenous ceramic art practise,
demonstrating current developments in the field, including
contemporary and traditional works. Established under the patronage
of acclaimed artist Dr Gloria Thanakupi Fletcher, this Award
celebrates and supports the rich and diverse use of the ceramic
medium by Indigenous artists and acknowledges the special industry
of ceramic art.  
SAM is a regional Art Museum with a unique focus. It
collects Australian ceramics from the 19th and 20th century and its
ceramic collection is one of the best in Australia. SAM’s
collection of Australian and International ceramics now spans over
3000 works. Due to the Indigenous Ceramic Art Award, SAM now
has a growing collection of contemporary Aboriginal ceramics.

An exciting public program of cultural activities also
accompanies the exhibition and typically includes: ceramic
workshops with artists, exhibition floor talks, ceramic workshops
for children, and ceramic workshops for Indigenous men and
women.

The prizes for the 2014 Indigenous Ceramic Art Award
are:

First Prize $20,000 Acquisitive
Second Prize $10,000 Acquisitive
Encouragement Award (for a Victorian artist) $3,000
Acquisitive

Please note below the following important dates;

APPLICATIONS CLOSE Friday 7th March
2014

ARTISTS ADVISED OF SELECTION Friday 28th
March 2014

DUE DATE FOR DELIVERY OF ART WORKS 5.00pm
Friday 25th April 2014

ANNOUNCEMENT AND OFFICIAL OPENING
Saturday 24th May 2014

CULTURAL PROGRAM WEEKEND Saturday 24th –
Sunday 25th May 2014

EXHIBITION DATES Friday 16th May – Sunday
10th August 2014

ARTWORKS DISPATCHED FOR RETURN TO ARTISTS
From Friday 29th August 2014

 
The Indigenous Ceramic Art Award is proudly supported by major
partners; Sir Andrew and Lady Fairley Foundation, Margaret Lawrence
Bequest and Mr Allan Myers AO QC, and sponsor S & J Rothfield
Family Fund. Shepparton Art Museum is proudly provided by Greater
Shepparton City Council.

call for entry: Edible Provisions

February 13 – February 24, 2014

Opening reception February 12 @ 530 – 7PM
NSCAD Port  Loggia
Bridget Fairbank is a Nova Scotian food activist concerned about food, aren’t you? Edible Provisions is
a collection of cutting edge work from various Artists working in
various mediums that address how and what we eat today. The works
exemplify the complexities of our eating in an epoch where dinner is
dubious. 

Curatorial Statement – Edible Provisions
It
has come to my attention that there are many artists making work about
food. These artists are actively questioning how we manufacture, grow,
procure and eat every day. There is a rich history to mine when it comes
to food relations sensual, domestic and industrial. I propose a call to
students and alumni who make such food oriented work for a group
exhibition: Edible Provisions. This past year I have seen ceramic
sculpture meat cuts hanging from rafters, portraits of people’s
fridges, pottery for the seasonal splendor and prints of farm machinery
that beckon questions of Cold War technology- all talk about our current
and crucial relation to food. 
At
NSCAD now Sandra Alfoldy is teaching a seminar on craft and food a
marker of the relevancy of such an exhibition. Dine by Design is this
week, Hungry Bowls the next, Art and Food Activism are linked as ever.
We have the opportunity now to showcase such work going on at NSCAD.  Edible Provisions
would bring together the many ideas, experiences and critiques of food
culture into a single exhibition space complicating the food
conversation in a dynamic visual manner. 
The
use of the gallery space is highly dependent on the works submitted and
their individual requirements and group requirements, all will be
managed by me as curator/coordinator and all managed in such a way to
deepen the conversation about food and the facets there in embracing and
showcasing the many opinions we have in regards to food carnivores,
omnivores, vegans and vegetarians, fast foodies, foodies, industrialists
and small scale farmers alike. The intent of the exhibition to make us
think about food.
Please note: The
PortLoggia is an open space gallery that students have access to at
night with out security and in no way will I or NSCAD/AnnaLeonOwnes
Gallery be responsible for damage or theft, the gallery is however
equipped with 24hr video surveillance. 
Shipping to and from the gallery will not be subsidized.

“I am very
excited about this show and know that so many of your blog readers make
work while thinking about food. As an odd side project to make the show
more feasible for non-Haligonians I’d be happy to accept mugs from your
readers and mail them a mug of mine in exchange at no cost. That way the
mug is displayed and in the show and becomes part of my collection as a
trade!” – Bridget

emerging artist weekends…..

hey all,
can we chat a minute?

so i’m loving having the emerging artist weekends on the blog. i love the idea of sharing work by new and upcoming artists and the search to find these artists is fun, like unwrapping a lovely gift when you find them. but….

i’m sure you’ve had this thought before as well: what defines an emerging artist?

the reason i’m asking this again is that unless someone submits their work (or that of a friend, etc) for the “emerging” catagory i don’t like to make assumptions and put people there. i would never want to offend someone. but if you do a search for emerging artists the range is pretty substantial. for example when i look at a list like this on at Ceramic Arts Daily i think wow, it’ll be years before i’m the level of emerging! is there a name for pre-emerging??? I don’t think i would have put any of these fine folks in an emerging catagory, but that’s me.

so i guess what it comes down to is that i’d like to enlist your help. i need academics to encourage their students to submit images. i need students to get together and take photos of their work and submit it. i need all of you out there who aren’t students but who consider themselves emerging to send in images. i need people from all over the world to submit and share the word.

and i need you to send those images to [email protected]
i need you to label the email as “emerging artist submission”
i need you to include a website, and an artist statement if you have one (but if you don’t then i need you to not stress and just send in images.)
i need you to consider the fact that this is an opportunity for good exposure with over 100k hits last year, which is over 40k unique visitors. but i also need you to not be intimidated by those numbers and just submit. 

and most importantly i need you to understand how thankful i truly am for your help and contributions to musing. i really can’t do it without you all.

xoxox
carole