by Carole Epp | Aug 23, 2017 | call for entry

Applications due September 15, 2017
We are pleased to announce the international call for entries for the tenth annual Beyond the Brickyard. Juried by Kristen Morgin, 2017 Volkous Visiting Artist, selected works will be exhibited at the Archie Bray Foundation in January 2018.
Specifications and Applying
Application specifications and information are listed on our website. Click here for details >
Only online submissions to Beyond the Brickyard will only be accepted.
Submissions must be received online by September 15, 2017, midnight MDT.
Entry Fee
The entry fee to Beyond the Brickyard is $35 USD for up to 3 works. All major credit cards are accepted.
Awards
From the successful entrants, three awards will be selected:
Juror’s Choice Award: $400
Director’s Choice Award: $400
People’s Choice Award: $100
Sales Commission
Artists will receive 55% commission of their work sold during exhibition, while Archie Bray Foundation will retain 45%.
Exhibition Schedule
By applying all applicants agree to the following schedule if selected to exhibit:
► Applications due September 15, 2017
► Entrants notified of jury results by email no later than October 31, 2017
► Work to be received by Archie Bray Foundation by November 18, 2017
► Work exhibited in Beyond the Brickyard,
January–March 2018
Questions about your application?
► For technical support please contact [email protected]
► For questions about submission information please contact [email protected]
By clicking on the link below you will be taken to Slideroom.com which will allow you to register and upload your images.

Your completed application must be received on or before September 15, 2017.
by Carole Epp | Aug 15, 2017 | call for entry
Me, Myself, and I
Clay Art Center
40 Beech Street
Port Chester, NY 10573
|
Entry Deadline: 9/22/17
Days remaining to deadline: 38
REQUIREMENTS:
Media
Images – Minimum: 1, Maximum: 3
Total Media – Minimum: 1, Maximum: 3
Entry Fee (I: Clay Art Center National Juried Exhibition): $25.00
Description
The 2018 gallery year will feature 4 Degrees of Separation, a series of four exhibitions featuring artists whose works examine the intricacies of maneuvering life, lifestyles and living within a global society with its political and social ramifications. The first exhibition is titled Me, Myself and I and will be followed by THEM, US and ALL. CAC is committed to exhibiting emerging, mid-career, and established artists, as it seeks to become a platform for the field to express potent ideas and relevant topics of our time.
Me, Myself and I will be the opening exhibition of the Clay Art Center’s gallery and will start the year’s themed exhibitions. This open juried show invites artists to submit vessel based work that explore issues surrounding identity. Artists are asked to think about such passionate issues such as who we are and how do we see ourselves within the context of society, family, relationships, and most importantly within our own skin? What role does culture, lineage, inheritance, and other characteristics of personality and sub-personalities play in how we see ourselves and define who we are?
This exhibit seeks submissions from artists who use their vessel-based art to explore concepts around self, experiences, and the triumphs and challenges faced either in the daily tasks of living or one’s place in society. This national call for entries will be juried by Kathy King, a renowned artist and educator whose own work reflects the very core theme of the show. As guest juror, she has invited kindred artists Mark Burns, Cheyenne Rudolph, Beth Lo, and Matt Nolen who also use their art to reflect identity and self-awareness.
Juror, Kathy King is currently a studio artist in the Boston area and is an Instructor and the Director of Education at the Ceramics Program – Office for the Arts at Harvard in Allston, MA and is a Visiting Faculty at the Massachusetts College of Art in Boston. She has given workshops and lectures at over fifty colleges, schools and art centers throughout the USA.
“I hope to find work that truly expresses and shares the individuality of the artist. In contemporary ceramics, we have such a long history to reference the individual with a myriad of processes; though technique and design is the building block to many works – concept is what communicates with the viewer. I’ll be looking for strong narratives that look inward and trust what they see.” –Kathy King |
by Carole Epp | Aug 14, 2017 | call for entry
Media: Ceramic, glass, metal, wood, mixed media
Entry Fee: $25 for 3 images
Butler Art Center is hosting an exhibit honoring the drinking vessel and the containers used to store all things spirited. This exhibit is paired with a beer label design show and the closing reception will host a beer tasting by Butler Brew Works, Cellar Brew Works and Reclamation Brewery.
Media:
Drinking and storage vessels (cups, mugs, yunomis, tankards, tumblers, goblets, tea bowls, growlers, flasks, jugs, etc.) must be made from all food safe materials. All exhibited work must be for sale. Pieces must be available for the duration of the exhibition.
Specifications:
The application is open to all artists 18 years and older. An artist may submit 1-3 original works, which have been completed in the last two years. Works not gallery-ready or not exhibiting good craftsmanship, may be omitted from the exhibit. Accepted works that differ significantly from the entry images will be disqualified from the exhibition.
Juror: Didem Mert
Didem Mert was born and raised in Cincinnati, OH. She received her BFA in Ceramics from Northern Kentucky University in 2014. Mert has exhibited nationally in places such as Companion Gallery, Charlie Cummings Gallery, AKAR, The Erie Art Museum and over forty other venues. Her work was published in Ceramics Monthly’s 2014 Undergraduate Showcase. She was featured on the cover of Pottery Making Illustrated’s January/February 2016 issue. Mert was also featured on Architectural Digest’s 10 Ceramic Artists Giving Pottery A Modern Update. Didem is currently attending Edinboro University’s MFA program.
Awards:
All accepted entries will be eligible for “Best in Show,” “People’s Choice” and sponsor purchase awards. Artists need not be present to win. The winners will receive monetary rewards totaling up to $250. “Best in Show” will be determined through the jurors and announced during the closing night festivities. The voting for the “People’s Choice” will continue through the duration of the exhibition and be announced at the end of the show.
Closing Reception:
Exhibition opens October 11, 2017. A closing reception/beer tasting event will be held November 3, 7-9. All artists are invited to participate in the festivities.
Submission deadline : August 25, 2017
Submission payment must be made here (insert link to payment here) After registration is compete, email the following information to [email protected]
Download the entry form here.
by Carole Epp | Aug 3, 2017 | call for entry

The American Museum of Ceramic Art is pleased to announce a call for entries for Fahrenheit 2018. The selected works will be exhibited at the AMOCA from March 10 – July 22, 2018
Juror: Patti Warashina
Patti Warashina was born in Spokane, Washington in l940. She received her Bachelor’s and Master’s of Fine Arts degree from the University of Washington in l964. While in college she studied with sculptors Robert Sperry, Harold Myers, Rudy Autio, Shoji and Shinsaku Hamada, and Ruth Penington. Early influences in Warashina’s art include California Funk, Surrealism, and experimental West Coast ceramic sculpture from the 50’s and 60’s. Her work is best known for satire, humor, and dream state figures, expressed through low fire polychrome ceramic material.
Warashina has received several awards for achievement including the Twining Humber Lifetime Achievement Award in 2002 granted by Seattle’s Artist Trust, and the Distinguished Alumnus Award from the University of Washington College of Arts and Sciences in 2003. She received the Governor’s Award of Special Commendation for the Arts in l980, in addition to grants from the National Endowment for the Arts in both l975, and l986. In l978, Warashina was awarded through the World Craft Council Travel Grant, the Japan/U.S. Friendship Committee, and Ford Foundation to participate at the World Craft Conference in Kyoto, Japan, with travels in SE Asia.
Her work is featured in museum collections around the world, including the Museum of Art & Design in New York City, the Seattle Art Museum, the Tacoma Art Museum, Henry Art Gallery, Seattle, Los Angeles County Museum of Art, the Smithsonian’s American Art Museum, Renwick Gallery, Washington DC, the Art Gallery of Western Australia in Perth, Ichon World Ceramic Center in South Korea, Kyoto National Museum of Modern Art and the American Museum of Ceramic Art in California.
Apply
Submissions to Fahrenheit will only be accepted online. Click here to apply!
Entry Fee
$35 USD for up to 3 works.
Specifications
– The exhibition is open to ceramic artists 18 years of age or older.
– Artists may submit up to 3 works for consideration, and up to 2 images of each piece (one complete photo plus one detail or alternate angle).
– Artwork may be available for sale. Artists will receive 50% of the retail price on any sales.
– The artwork exhibited must be the same piece(s) submitted for consideration.
– Submitted artwork must not exceed 36” in any direction.
– The artwork entered should be prepared for exhibition and the artist must provide any necessary mounting fixtures. Pedestals will be provided.
– Artists are responsible for cost of shipping and insurance of selected work(s) to AMOCA.
– AMOCA will pay for return shipping and insurance for the return of any unsold work.
Exhibition Schedule
By applying to Fahrenheit, applicants agree to the following schedule if selected to exhibit:
– Applications due September 30, 2017.
– Entrants notified of jury results by email no later than October 31, 2017.
– Work to be received at AMOCA no later than February 1, 2018.
– Exhibition Dates: March 10 – July 22, 2018
– Artwork will be shipped back no later than September 30, 2018.
www.amoca.org/fahrenheit