REMINDER: Nceca Emerging Artist deadline is right away!

ENTRY DEADLINE: OCTOBER 1, 2012 (midnight MDT)

Overview
NCECA’s Emerging Artists program recognizes exceptional early
career artists through a monetary award, and the opportunity to present
their work to an international audience during NCECA’s Annual
Conference. The monetary awards as well as opportunities for increased
exposure through exhibition and special events are made possible in
part through the generous support of the Windgate Charitable
Foundation.

NCECA defines an Emerging Artist to be one who is beginning to
receive recognition for his/her work but is currently underrepresented,
does not have representation by a nationally prominent gallery, and
is creating work that offers new/exciting/thoughtful perspectives that
expand upon a genre of creative production and inquiry. 

Because the concept of emergence in the arts does not readily
correlate with a specific age, or other easily quantifiable terms,
NCECA requires applicants to briefly describe why they perceive
themselves to be at an emergent point in their careers and how they
anticipate the award will impact the trajectory of their endeavors. The
review committee, at their discretion, may eliminate candidates that
are considered to be beyond “emerging.”  Applicants are also required to
provide letters of support from two figures in the field who
are familiar with their work and drive to create. Letters should
provide the selection committee with a sense of confirmation of the
candidates’ seriousness of commitment and potential for continued
development.

Eligibility
Applications are welcomed from artists working with ceramic
materials/processes as a significant component of their work.
 Applicants may not be students.  A current NCECA Membership, at the
time of application, is a required to be eligible to apply for NCECA’s
Emerging Artists. NCECA Membership fees are not included in event
registration. Membership requires payment of an annual fee. CLICK HERE to apply for or renew your membership.

Selection
NCECA’s 2013 Emerging Artists selection committee will consist
of NCECA Director at Large, Sam Chung and two additional members,
distinguished internationally exhibited artists Denise Pelletier and
Chris Antemann.  The committee will select six (6) Emerging Artists
who will receive complementary registration in NCECA’s 47th Annual
Conference and be awarded an additional year’s membership. Applications
will be due October 1, 2012 and the review committee will reach its decisions before the end of October 2012 after which applicants will be notified.

Awardee Benefits and Requirements
A formal agreement outlining terms and conditions associated with
this honor will be sent to the selected artists soon after jurying is
completed. Selected artists’ images and application materials will be
retained by NCECA and will be held in the NCECA archives. Images may be
used to promote NCECA’s Emerging Artists program and may be posted on
NCECA’s website and contributed to a new NCECA image community being
developed in cooperation with AccessCeramics. Emerging Artists will be
considered conference presenters and will therefore be ineligible for a
presenter role or honorarium in the year following the award.

Artists selected as 2013 Emerging Artists are required to provide a
written summary of their presentation for the NCECA Annual Conference
for publication in the NCECA Journal by December 18, 2012. This summary
must be accompanied by five 300 dpi images appropriate for print
publication. Also required by this date is a 50-word abstract of this
submission to be included in the 2013 NCECA Conference Program Guide. 
The selected artists will be required to attend the 47th Annual NCECA
Conference, participate in special “meet and greet” events with
collectors, prepare remarks and make presentations (approximately 10
minutes in duration) during the Second Members’ Business Meeting on
Saturday, March 23, 2013.  Emerging Artists will receive a $2500 award
that will be presented during the closing ceremonies of NCECA’s 47th
Annual Conference at the George R. Brown Convention Center in Houston,
TX. Emerging Artists will also be eligible for a shipping reimbursement
to transport work for a featured exhibition at the conference center
from March 19-22, 2013. Artists are required to help install/de-install
their work and be present periodically during the course of the
Emerging Artists Exhibition.  Emerging Artists will also be required
to participate in individual interviews to be posted in the
NCECA/Crafthaus Blog. Emerging Artists will be expected to contribute
periodic postings to blog.nceca.net
during the year following their presentations at the conference.
Images of their work will also be incorporated in a new NCECA image
library that will be developed in cooperation with accessCeramics.org.

Application Submission Checklist

Applications must be submitted completely electronically. Please prepare the following BEFORE starting the ONLINE submittal form as you will need to UPLOAD the following:

  1. Two (2) 1-page Letters of Recommendation from
    professionals in the field of ceramic art. Applicants will be
    required to provide the following contact information for
    Recommenders: First Name, Last Name, Relation to applicant, Phone #, and
    Email address.

    Options to submit letters:
    a. Receive the letters from your recommenders in .doc or .pdf format and upload them to the ONLINE application. OR
    b. If the recommender prefers to send their letter
    directly to NCECA please have them email their letter to NCECA.EA.LETTER @gmail.com stating the NAME OF THE ARTIST in the subject line.  
    If this option is selected
    , applicants will need to upload a document in .doc or .pdf format to the Online submittal form stating “Letter of recommendation from (RECOMMENDER NAME) will be e-mailed to
    [email protected].” *** Please note:
    The application will not submit successfully unless a document
    has been uploaded to each Letter of Recommendation box.

  2. Resume (two page maximum) in .doc or .pdf format (file size must be under 1mb)
  3. Artist Statement describing your work and work process. (250 word maximum, paste or type)
  4. Statement articulating why you believe you are at an
    “emerging” point in your career, and how this award will benefit
    your studio practice (150 words maximum, paste or type)
  5. Exactly 10 images-(Image Preparation Guidelines) The following details are required on each
    image: Title, Brief image description, Type of clay, Firing/
    Decoration method, Date, Size, Weight, Insurance value, Retail
    value.

    Click here to view the ONLINE FORM

call for entries Peaceable Kingdom: Animals, Real and Imagined

March 3 – May 19, 2013

Deadline: January 9, 2013


Peaceable Kingdom invites artists to investigate our
storied and rich relationship with the animal world. The exhibition
will explore the ways in which animals have been a presence in the
visual arts as metaphors, totems, objects of fear, and sources of
emotional attachment and affection. The history of human and animal
interaction is filled with tales of love, unusual friendships,
failed domestication, and fearsome predators. From Kipling’s
ferocious Shere Khan to the early imperial menageries, human fascination

with the animal kingdom has run the gamut from emotional connection,
to economic exploitation, and even scientific curiosity. Throughout
all of these interactions, however, the sense of wonder we feel when
we encounter animal life has been an enduring theme that has
informed their continual and abiding presence in the visual arts. Peaceable Kingdom
encourages artists to meditate on
these complex and diverse relationships, addressing such issues as
antagonism, admiration, attachment, and even the politically
charged issue of animal rights.

jurors

Stephanie Cannizzo, Assistant Curator, Berkeley Art Museum

Ms. Cannizzo has organized numerous BAM/PFA exhibitions including Andy Warhol: Polaroids/MATRIX 240 (co-curated with
Fabian Leyva-Barragan in 2012); Ari Marcopoulos: Within Arms Reach (2009–10); Yoko Ono: Grapefruit (2007); and
Black Panthers 1968: Photographs by Ruth-Marion Baruch and Pirkle Jones (2003). She overseas the museum’s Conceptual Art Study
Center, making accessible the museum’s conceptual art archives to artists, writers, scholars, and the public.

Cathy Kimball, Executive Director and Chief Curator, San Jose Institute of Contemporary Art

During her tenure at the ICA, Cathy Kimball has implemented a number
of new programs including an annual NextNew presentation, focusing
on emerging Bay Area artists, as well as the ICA’s Night Moves
program, which includes multi-media installations in the front window.
She has curated several dozen exhibitions at the ICA, and has
authored numerous exhibition catalogues. Ms. Kimball came to the ICA
from the San Jose Museum of Art (SJMA) where she served as curator
for four years.

awards

$5,000 in cash awards, plus prizes to be selected by jurors.

Bedford Gallery would like to recognize Diablo Regional Arts
Association, the Bedford Gallery Guild, and the Bedford Gallery Docent
Council
for their generous contributions to this exhibition.

entry information

Printable version of entry information and guidelines (PDF)

Find the full details here: http://www.bedfordgallery.org/artopportunities/juried.shtml

Call for entry: Drink This! The Workhouse International Ceramic Cup Show

Drink This! The Workhouse International Ceramic Cup Show

Deadline: November 8, 2012

Drink This! will showcase ceramic drinking vessels by contemporary
artists around the globe. The focus of the exhibit is on the variety of
ways artists explore the cup, in functional, sculptural, traditional and
non-traditional forms.

Juror – Linda Arbuckle

Linda Arbuckle is a professor of Ceramics at the University of
Florida, Gainesville. She is recognized as one of the preeminent makers
of contemporary majolica ware, and has exhibited and lectured around the
world.

Ms Arbuckle is a member of the International Academy of Ceramics,
Geneva, Switzerland, and in 2011 received the Honors Award for Service
to the Field by the National Council on Education for the Ceramic Arts.
Among her many recognitions is the National Endowment for the Arts
Visual Arts Fellowship.

She currently serves as an advisory Board Member for the magazines Ceramics Art and Perception and Ceramics Monthly.

In 2013, she will be a resident at The Archie Bray Foundation, and
teach workshops in Burnaby, B.C., Canada, and Curaumilla, Chile.

Entry Guidelines

Work shall have been completed within the last two years. Mixed media
works will be permitted if clay is the primary component. Selections
will be conducted from images of works. Artists may submit up to three
entries with two images including one detail) of each, not to exceed six
images.

Accepted art work must be available for the entire exhibition.

Entry fee

$25 for one entry, $30 for up to three entries.

(Fee is non-refundable – payable thru Paypal when applying)

Awards

Best of Show – $250

1st Place – $150

2nd Place – $100

Honorable Mentions

More info and to apply: http://www.juriedartservices.com/index.php?content=event_info&e…

2012 Ceramics Biennial Call for Entry

*** I just came across this and the deadline is tomorrow. Sorry! From what I’ve read there is a rumor that the deadline has been extended slightly. Please don’t take my word on, contact them asap if you’re interested in applying.

The New Hampshire Institute of Art is pleased to announce the Ceramics Biennial Exhibition 2012, a national juried exhibition for clay artists. This exhibition will be on display in the Amherst Street Gallery.

Click to download the submission form as a PDF

The Juror, James Lawton

James Lawton is currently a Professor of Ceramics and Chair of the
Artisanry Department at the College of Visual and Performing Arts, Umass
Dartmouth. Lawton’s work is in the collections of the Renwick Gallery,
Smithsonian Institution, Washington, DC; the Victoria and Albert
Museum, London; L.A. County Museum of Art, Los Angeles, CA; the Mint
Museum, Charlotte, NC; the Museum of Ceramic Art, Alfred, NY; and the
Icheon World Ceramic Center, South Korea, among others; and in numerous
private collections. He maintains studios in both Massachusetts and
South Carolina and frequently leads workshops and presents lectures
across the country and abroad.

Calendar

Sept. 12, 2012         Entry must be received by this date
Oct. 10, 2012          Notification of accepted works sent
Oct. 25, 2012,
4 – 6 pm              
         Hand delivery of artwork  
Oct. 25, 2012,
6 pm                   
All work delivered by carrier  
must arrive by this time  
Nov. 7 – Dec. 5, 2012                                                   Exhibition Runs
Nov. 15, 2012,
5 – 7 pm               
Reception and award ceremony  
Dec. 5, 2012        Close of exhibition  
Dec. 10, 2012,
4 – 6 pm
Pick up of artwork in person
Dec. 11, 2012  All work to be returned by
carrier will be sent out  

ABOUT THE INSTITUTE
The New Hampshire Institute
of Art was established as the Manchester Institute of Arts and Sciences
in 1898. From the Institute’s outset, it has had a firm commitment to
educating diverse traditional and nontraditional students in the fine
arts. As the only independent college of art in the state accredited by
the National Association of Schools of Art and Design (NASAD), the
Institute offers a Bachelor of Fine Arts degree, Certificate Programs,
and a strong Continuing Education program. A dedicated faculty promotes
intellectual and artistic development and teaches students to respond
artistically to contemporary social, political, and aesthetic issues.

Call for entry: Beyond the Brickyard

btb_call_for_entries

 
We are pleased to be holding our fifth annual international call for entries, Beyond the Brickyard.
The selected works will be exhibited at the Archie Bray Foundation in
January 2013. This year’s exhibition will be juried by 2012 Voulkos
Fellow Andrea Gill.
 
Specifications and Applying
Specifications and information about applying are listed online at www.archiebray.org/news/BTB_call_for_entries.html. All submissions to Beyond the Brickyard will only be accepted online.
Submissions must be received online by September 15, 2012, midnight  MST.
 
Entry Fee
The cost of entering Beyond the Brickyard is $35 USD for up to 3 works. All major credit cards are accepted.

Awards
From the successful entrants, three awards will be selected:
Juror’s Choice Award: $400
Director’s Choice Award: $400
People’s Choice Award: $100

Sales Commission
Artists will receive 55% commission of their work sold during exhibition, while ABF will retain 45%.
Exhibition Schedule
By applying all applicants agree to the following schedule if selected to exhibit:
 
► Applications due September 15, 2012
► Entrants notified of jury results by email no later than October 31, 2012
► Work to be received by Archie Bray Foundation by December 14, 2012
► Work exhibited in Beyond the Brickyard,   January/February 2013
Questions about your application?
► For technical support please contact [email protected]
► For questions about submission information please contact [email protected]

By clicking on the link below you will be taken to Slideroom.com which will allow you to register and upload your images. 
Apply Now
 
Your completed application must be received on or before September 15, 2012.

Click here to see past 2012 Beyond the Brickyard Exhibition.

archiebrayfoundation | 2915 Country Club Ave, Helena, MT 59602 | 406/443-3502 | www.archiebray.org