call for entry: The Cup, The Mug: A National Juried Exhibition of Drinking Vessels (USA)

Juror: Peter Pincus, ceramic artist and instructor living

and working in Rochester, NY.
A total of $1,000 in cash awards, “Best in Show”
receives $500!
In addition to the juried show, 5 artists were selected by the
juror and invited to be showcased along side the juried work.
Invited artists include: Birdie Boone, Chandra Debuse, Mike Helke,
Ted Neal, and Adam Posnak
Click here to submit  |  Deadline to submit: October 17, 2016
Main Street Arts Contemporary Art and Fine Craft
20 West Main Street
Clifton Springs, New York 14432

call for proposals – Open Engagement Conference

Open Engagement (OE) is an annual, three-day, artist-led conference
dedicated to expanding the dialogue around and creating a site of care
for the field of socially engaged art. The conference highlights the
work of transdisciplinary artists, activists, students, scholars,
community members, and organizations working within the complex social
issues and struggles of our time.

Since 2007, OE has presented seven conferences in two countries and
four cities, hosting over 1,300 presenters and over 5,000 attendees.
Annual programming is selected by committees comprised of artists,
educators, professionals, and community members from a free, open call
for proposals.

Curatorial Statement

“The only standard for judging socially engaged art should be how much justice it creates in the world.”  –– Rick Lowe

Justice is the theme of the 2017 Open
Engagement Conference. The weight of historical injustice interrupts
daily life nationally and internationally. There is no better time than
now, and no better city than Chicago, for examining pathways to create
justice and exploring the manifold artistic strategies that demand and
enact fairness, and equality. Chicago is a city that is under the
spotlight and in the news for horrific gun violence, devastating public
school closures, and police brutality that is carried out with impunity.
These are conditions, of course, that have been a part of black and
working class peoples’ lives in our city and across this nation for a
long time, but only most recently with the rapt attention of the media.

As the co-curators for OE 2017, we
are committed to an exhilarating and expansive exploration of this
year’s theme. We are equally committed to OE’s mission of creating a
site of critical care and
critical inquiry for the vast, complex and diverse field of individuals
and organizations working at the intersections of art and activism.

There is a fierce urgency of now
for artists and cultural workers who audaciously believe in the immense
capacity of art to help shift our sense of what is possible, to unleash
our radical imaginations, to model and experiment with new ways of
being in the world, to enact social change.

We believe socially engaged art and artists challenge us and one
another to ask trenchant questions, to reflect, to seek creative
solutions, to hold nations and institutions and each other accountable.
Some of the questions we encourage participants to grapple with,
formally and informally, during the conference include the following:

  • What does it mean to work in
    solidarity with communities that are marginalized and the most
    challenged by racial, economic, and gender injustice around issues that
    impact them?
  • As artists, curators, and cultural
    producers, how are we implicated in the particular conditions we are
    working in, all the while engaged in challenging and changing these
    conditions?
  • The radical power of social practice
    has come in many respects from its inclusivity. But this promise has
    not yet been experienced in the lived realities of most people who make
    up the field. How do we push for more fair and equitable distribution of
    resources?
  • Is it possible to advance solutions
    and encourage actions in a social movement for justice while preserving
    one’s individual artistic practice?
  • What is the unique contribution that
    art and artists can make to the efforts to create a more just society?
    In what ways do we want to continue to insist on the differences between
    artistic practices committed to social justice and the organizing that
    is taking place in grassroots communities?

In solidarity with the organizers of
Open Engagement, we will relentlessly push to ensure that the diversity
of people who make up the ecology of social practice can be present at
this year’s OE. Arundhati Roy has provocatively suggested the following:
“There’s really no such thing as the ‘voiceless’. There are only the
deliberately silenced, or the preferably unheard.” We want to hear from
the widest possible range of stakeholders.

No justice, no peace,
Romi Crawford & Lisa Lee

Find out more on the website: http://openengagement.info/

Call to Artists: TWISTED Form and Function

London Potters Guild Biennial Exhibition: Juried by Angelo DiPetta and
Lesley McInally highlighting the ceramic work of artists residing in
Southwestern Ontario. All works must be primarily ceramic. Mixed media
works will be accepted only if clay comprises at least 80% of the
artwork. For complete information please visit our website: http://www.londonclayartcentre.org/exhibitions.html

Submission Deadline: September 15, 2016
Exhibition: November 3 to November 12, 2016 at the ARTS Project
Opening: November 3 from 7pm to10pm

Awards
Best In Show: $1000 in cash
Design Award: one year membership and conference package($400) – FUSION: The Ontario Glass and Clay Association
1st Place: $500 – Tucker price
Runner Up: $200 �- Pottery Supply House
People’s Choice Award: $100 – Jonathan Bancroft-Snell Gallery (London Ontario)

call for entry: $10,000 Awards for Emerging Ceramic and Glass Artists (Canada)

Are you an emerging artist? Do you want to develop your artistic practice? We have two opportunities for you!

The
Canadian Clay & Glass Gallery is calling for submissions to the
2016 RBC Award for Glass and Winifred Shantz Award for Ceramics.

These
prestigious national awards allow practicing early career ceramic and
glass artists to undertake a period of independent research, or other
activities that advance their artistic and professional practice. The
winner of each Award will receive $10,000. The selection is made by a
jury comprised of respected contemporary glass and ceramic artists and
other arts professionals. Winners will be celebrated and the awards
presented at a ceremony in Waterloo, Ontario on November 12, 2016.

To
be eligible for the Winifred Shantz Award for Ceramics or the RBC Award
for Glass, artists must be Canadian citizens or have Permanent Resident
status. They must have developed skills through training and/or
practice in the field (not necessarily in academic institutions) and be
recognized by other artists working in the same artistic tradition.
Successful candidates seek payment for their work and actively practice
their art. All applicants have maintained a professional practice for no
more than 10 years prior to the date of application.

Application Guidelines:

To download the complete guidelines for the RBC Award for Glass or the Winifred Shantz Award for Ceramics, visit www.theclayandglass.ca/awards. In order to be considered, applications for either award must be received electronically by Monday, September 5, 2016.

About the Awards:

The
RBC Award for Glass is supported by RBC as part of the RBC Emerging
Artists Project. The Winifred Shantz Award for Ceramics is supported by
The Keith and Winifred Shantz Fund for the Arts, held at The Kitchener
and Waterloo Community Foundation.

Past
recipients of both awards truly represent the best of the emerging
ceramic and glass artists in Canada. Alwyn O’Brien of Salt Spring
Island, British Columbia was the winner of the 2015 Winifred Shantz
Award for Ceramics. Ito Laïla Le François of Rimouski, Quebec was the
winner of the 2015 RBC Award for Glass.

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Contact Information:

For additional information, contact Andrew Bucsis, Curatorial Assistant at 519-746-1882 ext. 227 or [email protected]

Canadian Clay & Glass Gallery
Galerie canadienne de la Céramique et du Verre
25 Caroline Street North
Waterloo, Ontario N2L 2Y5
519-746-1882
www.theclayandglass.ca

Hours:
Monday to Friday 11 am to 6 pm
Saturday 10 am to 5 pm
Sunday 1 pm to 5 pm

Twitter: @CdnClayandGlass
Facebook: www.facebook.com/theclayandglass

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grant for artist parents: Sustainable Arts Foundation

The Sustainable Arts Foundation is offering awards of up to
US$6000 to writers and artists with children. The money can be used for
costs such as child care, workspaces, new equipment, research and
travel.

The Sustainable Arts Foundation was founded in 2010 with the aim of
encouraging parents to continue pursuing their creative passion, and to
rekindle it in those who may have let it slide.

There are two funding rounds each year and typically a total of ten
grants are made in each round: five Sustainable Arts Foundation Awards
valued at $6000 each and five Sustainable Arts Foundation Promise Awards
valued at $2000.

To be eligible to apply for a grant you must have at least one child
under the age of 18.  Applicants can be based anywhere in the world and
there are no citizenship restrictions.

Writers may apply in one of the following categories:

  • Fiction
  • Creative Nonfiction
  • Poetry
  • Long Form Journalism
  • Playwriting
  • Picture Books
  • Early and Middle Grade Fiction
  • Young Adult Fiction
  • Graphic Novel

Visual artists are also eligible able to apply.

Applicants are advised that for the upcoming funding round the
organisers are committed to offering half of its awards to applicants of
colour. Further information about this initiative is available on the
Foundation’s website.

Applications for the Fall 2016 round close on Friday 2 September. For further information visit the Sustainable Arts Foundation website.