ARTIST-IN-RESIDENCE AT RED DEER COLLEGE



Red Deer College has expanded its Visual Arts facility in the newly opened Center for Visual Art in the Four Centers Building and now has three purpose built Artist-in-Residence Studios. The studios are designed to attract artists to Red Deer and to give an opportunity for emerging and professional artists alike to engage in research in an inspiring environment with equipment that they would not otherwise have access to. The ambition of the program is to promote meaningful interaction between the students, the resident artists and the community at large. The AIR studios are available during two 15 week periods; September to December and January to April coinciding with the academic year.


IMMERSE YOURSELF
The new studios are designed to offer interested artists an opportunity to chart some new territory by stepping outside of their usual studio routine. Through the interaction with students and staff in the Visual Art Department and beyond the resident artist can take advantage of the opportunity to research and produce new work that contributes to their discipline. Collaborations across media and with the RDC’s Centre for Innovation in Manufacturing, where there is access to rapid prototyping, water-jet cutting, and CNC milling offer up possibilities that will prove to be fruitful and position RDC to be a destination for innovative art research.

Who is Eligible?
We are interested in hosting both emerging and established artists of all disciplines, practices, and nationalities. Artists applying should have a current and active practice and have completed their basic training and able to work in a self-directed manner.

Artist-in-Residence Coordinator: Trudy Golley
Contact Info:
Office: 403-342-3453
email: [email protected]

What is provided:
• dedicated studio space approx. 250 sq ft
• residency for 1 to 3 months
• Access to fully equipped studios:
Ceramics, Painting, Sculpture and Printmaking.
• 24 hour access
• Library and Internet privileges
• Materials budget up to $200.00
• Exhibition opportunity at the conclusion of residency
• Public lecture opportunity
• Letter of support to pursue individual funding
• Assistance with finding accommodation

To submit an application: We are currently accepting Digital Applications only – please ensure all images are readable on a Mac or PC and are in a suitable format (1024 x 768) – doc, jpg or pdf preferred.

Send by e-mail to the address above
Please send the following:
1) 10 images of work and an image list
2) One letter of interest outlining both your artistic history and how you would use your time as an artist in residence (including preferred dates and length of residence)
3) A current CV (3 pages max.)
Deadlines
– October 1 for the January – April period
– March 1 for the September – December period

RED DEER COLLEGE VISUAL ART DEPARTMENT
100 College Blvd.
Red Deer, Alberta
Canada T4N 5H5
www.rdc.ab.ca

Studio Tech and Resident Artists positions for 2011-2012

Carbondale Clay Centre will be looking for a new Ceramic Studio Tech Residency for June 2011-June 2012. Deadline for applications and supporting material is April 4th and notification is April 20th. Click here to download information. We are also looking for Ceramic Resident Artists for our Twelve Month Residency Program. Application deadline is April 4th and notification is April 30th. Click here for information. Please email us at [email protected] for any other questions. Please look for us at NCECA to interview for the positions!!

GICBiennale 2011: International Competition

Ceramic artists from across the world are invited to the Gyeonggi International Ceramix Biennale 2011.
The biennale, which will start on September 23, 2011 and run for 30 days, will be staged in three cities of Gyeonggi Province – the heart and soul of Korean ceramics.

Since 2001, the World Ceramic Biennale Korea (CEBIKO) has become a major international art festival for ceramic artists. Now we embark on a new adventure for decade ahead, taking up challenges along the way. To celebrate the change and innovation we have achieved since becoming the Korea Ceramic Foundation we proudly announce our Ceramix Art Festival. Here all genres of art will join with the world of ceramics under the theme ‘Journey from Fire’, and together will seek a new vision of ceramic art internationally.

This biennale will bring us together for a special journey into our collective imagination. In this journey, hearts and minds of creative people from across the globe will be united as one: ‘clay’ as the medium, and passion for creation will be the ‘fire’. We hope that this grand design will establish a new and important aspect of mass culture, enabling artists – and art aficionados – to realize a new form of integrated and visionary communication.

With a view to supporting ceramic artists around the world, the Korea Ceramic Foundation (KOCEF) also has in train plans to create art parks in the three Gyeonggi Province cities of Icheon, Yeoju, and Gwangju. Works by artists participating in the biennale will be permanently exhibited at these parks, which in turn will become a sort of ceramic utopia: Cerapia.

International Deadline: May 31, 2011 – The Korea Ceramic Foundation (KOCEF) would like to announce the Gyeonggi International Ceramix Biennale 2011 International Competition call for entries. Open to ceramic artists the world over.

The International Competition, one of the main parts of the biennale, has been a dynamic forum where the latest issues facing contemporary ceramics are explored since 2001. In the previous competition in 2009, we received big attention the world over; 1,726 artists from 70 countries submitted 3,196 artworks.

The events will be held for 30 days from September 24, 2011.

International Competition 2011 Eligibility
Open to ceramic artists the world over. Works in collaboration with other genres are all welcome but the majority of the works should be ceramic.

Awards
The winners of the competition will receive the large cash prizes. Total: KRW 223,000,000 ($193,900)/ Grand Prize: KRW 50,000,000 ($43,500)

Submissions
Submission of Images for Preliminary Screening, from April 1 to May 31, 2011

Only online submissions will be acceptable. (www.kocef.org) Digital images of the work, minimum 1,100 pixels wide in jpeg format are necessary. A single entry should be – when displayed – within these specified dimensions: 250cm (width); 250cm (depth); 250cm (height).

Submission of Actual Works for Final Selection, from July 21 to August 15, 2011.

At the final selection, all prizewinners will be determined. All entries that make it to the final round of screening may not be awarded. In this case, these works will be returned by KOCEF.

We invite you to let your imagination and creativity run wild!

Apply-online.

For Inquiries

Korea Ceramic Foundation Biennale Secretariat
406 Gwango-dong, Icheon-si Gyeonggi-do 467-020
Republic of Korea
Tel: +82 31 645 0682 / 645 0687
Fax: +82 31 631 1614
Webpage : www.kocef.org

via ArtDeadline.Com

Got Craft? Spring Show

Sunday, May 8th, 2011 from 10:00 a.m. to 5:00 p.m. Royal Canadian Legion
2205 Commercial Drive (@ E.6th Ave), Vancouver
Got Craft aims to bring together a community that fosters handmade and D.I.Y.
(do-it-yourself) culture. Founded in 2007, Got Craft is held twice a year in May and December featuring 50 local handmade artists and an average attendance of 3000+ a year.

Each individual fair is juried to curate a show that best represents the indie nature of Got Craft. Our goal is to have a good number of vendors in each category – jewelry, clothing, bath and body, paper goods, ceramics, housewares, accessories, wall art, plush, food, etc. Got Craft also makes sure that there are a fair number of new vendors accepted, so that people don’t keep attending the same show year after year. Interested in joining us? Click here for more details.Find out more… Vendor infodirections: Google Map transit info: Translink

CALL FOR ENTRIES: Fired, A View of Ceramics, Manifest Gallery, Ohio due Mar 2

DEADLINE: MARCH 2, 2011

Exhibit Dates: April 15 to May 13, 2011

For millennia people have made things out of burnt earth. From bowls and jars essential for preserving foods to ensure survival, to written documents and official seals, to talismans of devotion for various deities and other ritualistic purposes. Ancient kilns were one of humanity’s earliest forms of factory-based mass-production. Today the role of fired earth persists in both old and new ways. FIRED is an invitation for artists to submit works that in some way represent the use of the medium of ceramics. There is no other thematic restriction, and our jury fully expects to consider a range of types of work, from the very traditional to highly unexpected ‘contemporary’ interpretations of the medium. Manifest’s goal is to assemble a diverse array of works of ceramics for an exhibit spanning our Drawing Room and Parallel Space galleries that will be unified by virtue of its exploration of the medium, but intriguing and insightful due to the wide variety of approaches taken by artists working in ceramics. Eligibility: FIRED is open to everyone. Professionals as well as students are encouraged to enter. The only limitation is that entries must represent original works of art and represent the incorporation of ceramics as an essential part of the work. Media: Open to all traditional and non-traditional genre and media, including mixed media, which incorporate ceramics in some significant way. Jury and Curator: Manifest’s selection process involves a complex two-part system. This exhibit will be juried by a 5-9 member panel of professional and academic advisors with a broad range of expertise. The jury will then pass along their recommendations to the exhibit curator who will make the final selections from the jury-approved pool. Catalog: Manifest will produce a full-color catalog documenting the work selected for exhibit. Each exhibiting artist will receive one free copy of the catalog. Manifest is unique among galleries and museums around the world for designing and producing a high-quality full-color book for every exhibit produced. By offering one complimentary copy of the catalog to exhibitors, Manifest continues to expand how it serves its non-profit mission and the artists who make it all possible. Artists will receive their copy either in person when picking up work after the exhbit, or with the return shipment of their artwork. Additional copies can be purchased via the online bookstore. For examples of past catalogs visit Manifest Press. Delivery and Return of Work: All work accepted for the exhibition must arrive ready to install. Works not gallery-ready, or not exhibiting good craftsmanship, may be omitted from the exhibit. Accepted work that differs significantly from the entry images or suffers from poor presentation, will be disqualified. Please note that professional-level presentation is a must. Work may be hand delivered or shipped. Shipped works must be sent in an easily reusable container/packaging with return shipping prepaid. Works will be returned in the same manner as delivered or via UPS/USPS. All work must arrive at Manifest by the specified date (see calendar below). Accepted work will remain on display for the duration of the exhibition. Works not claimed within 30 days of the end of the exhibit will become the property of Manifest. The artists are responsible for all shipping costs. Calendar:

March 2 March 14 March 21 April 9 April 15 May 13 May 14-20 Deadline for receipt of entries Notifications sent by email Hi-res images needed for catalog and PR Artwork due to Manifest by this date Opening reception Final Day of Exhibition Pick-up/ship artwork

Insurance: Works will be insured while on gallery premises. Insurance covers theft, vandalism, damage caused by gallery patrons or staff (in accordance with insurance policy). PLEASE NOTE: Insurance does not cover damage caused during shipping due to any reason, including mishandling by carrier or failure of packaging to protect works in transit. Also not covered is damage caused to work by failure of the work itself, its mounting systems installed by the artist, or disintegration/degradation due to the nature/quality of materials or craftsmanship. Entry Fee: Each work submitted must be accompanied by a $10 non-refundable entry fee. Number of entries is unlimited. Entry fee must be paid by U.S. check or U.S. or International money order made payable to MANIFEST, or by credit card via PayPal. (If paying by PayPal PLEASE use the paypal link provided on the page that follows the submission of the online entry form.) Detail images may be included at no additional cost, but should only be included if necessary for understanding the nature or quality of the artwork. How many works should I submit?
The average number of works submitted to typical Manifest calls is 3. Some artists like to submit several more, especially if they have a couple different bodies of work which they’d like our jury to consider, or if they have a suite of works that are interrelated. While we have absolutely no minimum number required (other than one), nor do we give an advantage to those who submit more, it is helpful to have a few options to select from. Our jury often gains insight into one work by seeing it in context with a few others by the same artist. And we do routinely accept pairs or sets of work by artists once they are determined to be a finalist. Sale of Work: All work, unless indicated as not for sale (NFS), will be available for sale during exhibit. Manifest Gallery will retain a commission of 30% on all artwork sold during the exhibition. Images: In an effort to conserve resources Manifest accepts only digital images/files for consideration. See specifications below. The Gallery will retain the submitted images of accepted artwork and reserves the right to use the images in publications and gallery publicity. CD’s of works not selected will only be returned if accompanied by a SASE. SUBMISSION DETAILS / TO ENTER >>
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