A World in Making: Cities Craft Design – Issue #5 Call for papers

craft + design enquiry is pleased to announce a new call for papers for the fifth issue of the journal to be published in 2013.A World in Making: Cities Craft Design
Guest Editor, Suzie Attiwill is calling for papers for this on the theme of A World in Making: Cities Craft Design as outlined below.On 12 March 1913, a naming ceremony took place in an empty paddock on a hill. This rural environment was to become a city, the capital city of Australia, the city of Canberra. The aspirations and the projections of the Griffins’ winning design for Canberra are an example of a world-in-making involving the practices of design and craft. This issue of craft + design enquiry will be published in 2013 – 100 years after this event and when, for the first time in history, more than half the world’s population live in cities. By 2030, this will increase to at least 60% with significant growth happening in cities of developing countries and the emergence of meta-cities with 20 million inhabitants. ‘The twenty-first century will be known as the century of the city’.1 This next issue of craft + design enquiry will focus on and highlight the role, contribution and potential of craft and design practices to the urban environment as well as the transformation of these practices – a world in making. ‘The thing is what we make of the world. … Things are our way of dealing with a world in which we are enmeshed rather than over which we have dominion. … It is our way of dealing with the plethora of sensations, vibrations, movements, and intensities that constitute both our world and ourselves’ … ‘We make objects in order to live in the world’.2 Situated in a journal published by Craft Australia, the nuances of craft – a practice which values making and materiality – will guide the selection of papers for publication. This emphasis on craft does not exclude design so much as bring focus to practices of design which engage ideas of making and materiality, where there is a sense of a hand(s) in making, a valuing of haptic encounters and an attention to the relation between people and surroundings. From small to large scale projects, from individuals to communities, an intimate approach to the question of how people inhabit and transform the urban environment is invoked. What are the potentials in this century of the city for craft and design practices? What is the contribution of craft and design to cities and liveability? What might a craft sensibility bring to urban inhabitation? What of an expanded idea of craft practice as a way of working and thinking which addresses spatial and temporal urban conditions? What of the emergence of new forms of practices to engage in the condition of the urban environment and the social, political and cultural forces of the twenty-first century?
Academics, practitioners, research students and others are invited to submit research papers and critical project works. A definition of research as ‘the creation of new knowledge and/or the use of existing knowledge in a new and creative way so as to generate new concepts, methodologies and understandings’ 3 is reiterated here to highlight the criticality of ‘new and creative’ in relation to research and to encourage the submission of research through craft and design practice, as well as about craft and design practices situated in a world in making – ‘the century of the city’. Authors are also encouraged to consider the inclusion of visual material as research. This issue of craft + design enquiry will be published in mid-2013. The CDE#5 Call for Papers closes on 30 June 2012.To submit a paper please register online by the closing date of 30 June 2012. Refer to author guidelines for further information.For inquiries relating to this issue or submission of papers, please contact the Guest Editor, Suzie Attiwill Administrative enquiries, please contact Jenny Deves Biographical details of Guest Editor: Suzie Attiwill is Associate Professor and Program Director, Interior Design, RMIT School of Architecture and Design. Suzie has an independent practice involving the design of exhibitions, curatorial work, writing and working on a range of interdisciplinary projects in Australia and overseas. Publications include: ‘Urban and Interior: techniques for an urban interiorist’ Urban Interior. Informal explorations, interventions and occupations Germany: Spurbuchverlag, 2011; ‘Spatial Relations’ in Making Space: artist run initiatives in Victoria Australia: VIA-N, 2007; co-editor with Gini Lee, ‘INSIDEOUT’ IDEA Journal 2005, Brisbane: QUT Press, 2005. From 1996 to 1999, she was the inaugural Artistic Director of Craft Victoria and editor of Craft. Suzie is the current chair of IDEA (Interior Design/Interior Architecture Educators Association) – www.idea-edu.com, a founding member of the Urban Interior research group – www.urbaninterior.net and a member of the Design Institute of Australia.
1. Tibaijuka, A.K., 2010. Inaugural Address UN Pavilion Lecture Series, Shanghai World Expo 2010 – Better Cities, Better Life. Available at: http://www.unhabitat.org/content.asp?cid=8273&catid=560&typeid=8&subMenuId=0 [Accessed April 24 2011]. Tibaijuka was then Executive Director of UN-HABITAT, the United Nations agency for human settlements. 2. Grosz, E., 2009. ‘The Thing’. In F. Candlin & R. Guins, eds. The Object Reader. London & New York: Routledge, pp. 126 & 128. 3. Australian Research Council March 2011 http://www.arc.gov.au/pdf/2011_presentations/decra0311.pdf. [Accessed 13/04/2011].

CALL FOR ENTRIES – MUG Shots: National Juried Cup Exhibition 2012

CALL FOR ENTRIES – MUG Shots: National Juried Cup Exhibition 2012
April 6 – May 26
Opening Reception: April 6, 5-8pm Gail Kendall juries LUX Center for the Arts’ fourth annual National Juried Cup Exhibition. Kendall, a local potter and retired professor from the University of Nebraska-Lincoln ceramics program, has become known for her hand-built earthenware pottery. Her work has been written about in Ceramics: Art & Perception, Ceramics Monthly, and Studio Potter Magazine. She chose a wide range of functional and non-functional ceramic cups from across the country for this exhibition. Download prospectus Application deadline: March 1, 2012Visit their Website for more info.

Call For Artists in Residency Program in Ceramic Creative Center 2012

Artists who are willing to participate in Ceramic Creative Center’s 2012 Artist-in-Residency Second-term program are welcome to submit an application. The residency program is hosted by the Clayarch Gimhae Museum and will be carried out in connection with the museum’s diverse programs, such as exhibitions, academic events, workshops, education programs, and architectural ceramics projects. The program will foster active exchange among artists at home and abroad. Ceramic Creative Center’s Residency is the only one of its kind in Korea to specialize in ceramic art, and is looking forward to the participation of domestic and foreign artists who possess passion for ceramic art.

Application Procedure Deadline : January 16(Mon). 2012, 6pm
Documents
to be
submitted
• by online
Upload to server : www.webhard.net (ID: clayarch / password: 7000)
click! Upload only> Artist In Residency> You may upload application after
creating NEW FOLDER of your name

• by E-mail : [email protected]

• by post : (Attn: Ceramic Creative Center Residency Program)
Clayarch Gimhae Museum, 275-51, Jillye-ro, Jillye-myeon, Gimhae-si,
Gyeongsangnam-do, 621-883 South Korea

※ Application must arrive by January 16, 2012.

For all the details please visit their website here.
Ceramic Creative Center Seung-Taek Kim
Tel. 055) 340.7006 | Fax. 055) 340.7077 | E-mail [email protected]

Call for artists: Sidney Myer Fund Australian Ceramic Award


Closing date: 1 February 2012

Entries for the 2012 Sidney Myer Fund Australian Ceramic Award (SMFACA) can only be submitted online via our Online Entry Form. With $55,000 in prize money, the SMFACA cements its place as the premier Australian / International acquisitive ceramic art award. Three artists will be shortlisted in each category; Australian, International and Emerging Australian. One recipient artist will be chosen from the shortlisted artists in each category and receive a significant stipend to produce a body of work for exhibition on the understanding that the gallery will select part of the work for its collection. There will be six months between the announcement of award recipients and the delivery of works to the gallery.

Find all the details here.

Call for artists: Red Gate Residency Opportunity

Closing date: 31 December 2011

Red Gate Residency is an international artists residency program providing artists, curators, writers, and academics with the opportunity to live and create work in China. Our objective is to provide facilities for artists to easily start their projects and offer a community in which they can participate as much as they like. As a member of RES ARTIS, the International Association of Residential Arts Centers, we are committed to the promotion of multicultural arts dialogue within an immersion setting. Red Gate assists all participants to connect with the art scene, meet local Chinese artists and to source art materials. We provide the necessary support and encouragement to help you get the most out of your stay here. We help get you settled, show you around, tell you where to buy the best Peking Duck, which part of the Great Wall not to go to, and where and when the latest openings are. All residents are invited to Red Gate Gallery events, including private dinners after the openings.Find more details here.