Reid Flock and David Thai: Neo-Modernism


 
 

Two artists working with silica-based
materials – one clay (Reid Flock), the other glass (David Thai).  Both
artists are pushing the boundaries of the media making it lighter and
thinner while working with highly demanding surface treatments.  This
exhibition explores the similarities of contemporary design aesthetics
arising from advanced production methods, while contrasting the
characteristic of these two related silica materials.  Flock (Hamilton,
Ontario) brings his experience of working in Hitachi, Japan to his
designs, while Thai (Toronto, Ontario) has made a name for himself in
Canada.

 


David Thai and Reid Flock


What: Neomodernism

When: until Oct. 21

Where: Burlington Art Centre, 1333 Lakeshore Rd., Burlington

Phone: 905-632-7796

Curator:
Jonathan Smith
Reception:
September 30, 2012 2 – 4pm

Artist Talk:

September 30, 2012  2:30pm

BAC Website

REMINDER: Nceca Emerging Artist deadline is right away!

ENTRY DEADLINE: OCTOBER 1, 2012 (midnight MDT)

Overview
NCECA’s Emerging Artists program recognizes exceptional early
career artists through a monetary award, and the opportunity to present
their work to an international audience during NCECA’s Annual
Conference. The monetary awards as well as opportunities for increased
exposure through exhibition and special events are made possible in
part through the generous support of the Windgate Charitable
Foundation.

NCECA defines an Emerging Artist to be one who is beginning to
receive recognition for his/her work but is currently underrepresented,
does not have representation by a nationally prominent gallery, and
is creating work that offers new/exciting/thoughtful perspectives that
expand upon a genre of creative production and inquiry. 

Because the concept of emergence in the arts does not readily
correlate with a specific age, or other easily quantifiable terms,
NCECA requires applicants to briefly describe why they perceive
themselves to be at an emergent point in their careers and how they
anticipate the award will impact the trajectory of their endeavors. The
review committee, at their discretion, may eliminate candidates that
are considered to be beyond “emerging.”  Applicants are also required to
provide letters of support from two figures in the field who
are familiar with their work and drive to create. Letters should
provide the selection committee with a sense of confirmation of the
candidates’ seriousness of commitment and potential for continued
development.

Eligibility
Applications are welcomed from artists working with ceramic
materials/processes as a significant component of their work.
 Applicants may not be students.  A current NCECA Membership, at the
time of application, is a required to be eligible to apply for NCECA’s
Emerging Artists. NCECA Membership fees are not included in event
registration. Membership requires payment of an annual fee. CLICK HERE to apply for or renew your membership.

Selection
NCECA’s 2013 Emerging Artists selection committee will consist
of NCECA Director at Large, Sam Chung and two additional members,
distinguished internationally exhibited artists Denise Pelletier and
Chris Antemann.  The committee will select six (6) Emerging Artists
who will receive complementary registration in NCECA’s 47th Annual
Conference and be awarded an additional year’s membership. Applications
will be due October 1, 2012 and the review committee will reach its decisions before the end of October 2012 after which applicants will be notified.

Awardee Benefits and Requirements
A formal agreement outlining terms and conditions associated with
this honor will be sent to the selected artists soon after jurying is
completed. Selected artists’ images and application materials will be
retained by NCECA and will be held in the NCECA archives. Images may be
used to promote NCECA’s Emerging Artists program and may be posted on
NCECA’s website and contributed to a new NCECA image community being
developed in cooperation with AccessCeramics. Emerging Artists will be
considered conference presenters and will therefore be ineligible for a
presenter role or honorarium in the year following the award.

Artists selected as 2013 Emerging Artists are required to provide a
written summary of their presentation for the NCECA Annual Conference
for publication in the NCECA Journal by December 18, 2012. This summary
must be accompanied by five 300 dpi images appropriate for print
publication. Also required by this date is a 50-word abstract of this
submission to be included in the 2013 NCECA Conference Program Guide. 
The selected artists will be required to attend the 47th Annual NCECA
Conference, participate in special “meet and greet” events with
collectors, prepare remarks and make presentations (approximately 10
minutes in duration) during the Second Members’ Business Meeting on
Saturday, March 23, 2013.  Emerging Artists will receive a $2500 award
that will be presented during the closing ceremonies of NCECA’s 47th
Annual Conference at the George R. Brown Convention Center in Houston,
TX. Emerging Artists will also be eligible for a shipping reimbursement
to transport work for a featured exhibition at the conference center
from March 19-22, 2013. Artists are required to help install/de-install
their work and be present periodically during the course of the
Emerging Artists Exhibition.  Emerging Artists will also be required
to participate in individual interviews to be posted in the
NCECA/Crafthaus Blog. Emerging Artists will be expected to contribute
periodic postings to blog.nceca.net
during the year following their presentations at the conference.
Images of their work will also be incorporated in a new NCECA image
library that will be developed in cooperation with accessCeramics.org.

Application Submission Checklist

Applications must be submitted completely electronically. Please prepare the following BEFORE starting the ONLINE submittal form as you will need to UPLOAD the following:

  1. Two (2) 1-page Letters of Recommendation from
    professionals in the field of ceramic art. Applicants will be
    required to provide the following contact information for
    Recommenders: First Name, Last Name, Relation to applicant, Phone #, and
    Email address.

    Options to submit letters:
    a. Receive the letters from your recommenders in .doc or .pdf format and upload them to the ONLINE application. OR
    b. If the recommender prefers to send their letter
    directly to NCECA please have them email their letter to NCECA.EA.LETTER @gmail.com stating the NAME OF THE ARTIST in the subject line.  
    If this option is selected
    , applicants will need to upload a document in .doc or .pdf format to the Online submittal form stating “Letter of recommendation from (RECOMMENDER NAME) will be e-mailed to
    [email protected].” *** Please note:
    The application will not submit successfully unless a document
    has been uploaded to each Letter of Recommendation box.

  2. Resume (two page maximum) in .doc or .pdf format (file size must be under 1mb)
  3. Artist Statement describing your work and work process. (250 word maximum, paste or type)
  4. Statement articulating why you believe you are at an
    “emerging” point in your career, and how this award will benefit
    your studio practice (150 words maximum, paste or type)
  5. Exactly 10 images-(Image Preparation Guidelines) The following details are required on each
    image: Title, Brief image description, Type of clay, Firing/
    Decoration method, Date, Size, Weight, Insurance value, Retail
    value.

    Click here to view the ONLINE FORM

“The Necessity of Unnecessary Stuff” with Beth Lo and Steven Young Lee

 Beth Lo

 Steven Young Lee

“The Necessity of Unnecessary Stuff”
A “round table”
conversation to discuss the machinery of creative discourse with Beth Lo
(Professor-University of Montana/Missoula) and Steven Young Lee
(Resident Director – Archie Bray Foundation, Helena, MT) will discuss
their attitudes, roles and significance of living in the arts. The event
will be led by Jim Ibur (Prof. of Art,
St. Louis Community College/Meramec)
Friday, Sept. 14, 2012
10:00 AM – 2:00 PM
Duane Reed Gallery
Space is limited
$35/person or $25/students with ID.

Please RSVP for this event
to 314-361-4100 

Exhibition of their work runs September 13 — October 13, 2012 at the Duane Reed Gallery

Guest Artist in Residence Lecture – Peter Beard

Peter Beard

Thursday, September 13, 6pm
Please join us for a reception and
lecture for our new Guest Artist In Residence, Peter Beard, on
Thursday, September 13th. Reception for the artist will start at 6:00pm
followed by the lecture at 6:30pm. This event is open to the public,
free of charge. Visit HERE to register.

Peter Beard creates works of art in ceramics, bronze and stone which combine
technical skill with innovation, craftsmanship with ingenuity, passion with
intellect. Each piece is unique and intriguing, each invites us to look
and feel, to make associations with personal experiences and recall memories
from our past. They truly feed the senses and give delight.
Much of the work is inspired by nature, particularly landscape and its
formation by the forces of wind and water. There are echoes of the ripples
left in the sand by the retreating tide, of the growth of lichens and
fungi, of the patterns in fossils, shells and seaweed. Nothing is treated
literally; these are the starting points for explorations which Peter
develops in his studio, sometimes over many years.
An equally powerful influence in his work has been the art of ancient
Egypt, evident in many of the forms of his vessels and particularly in
their glazes. The result can be a striking blend of ancient and modern,
timeless objects which will resonate in a thousand years as strongly as
they do now.
His is an evolutionary process, using a limited number of basic forms
but working with pattern and layers of colour, pushing the glazes through
different firing processes to achieve subtle variations in shading and
blistering. His colour palette shifts between pale greens and soft blues,
the cool, delicate shades of nature so that although some of the pieces
are massive and heavy, they can appear light, even fragile.
These qualities resonate in his bronze and stone work but rely on the
boldness of metal and the qualities of the natural materials.
Peter Beard’s work demonstrates conviction and power. This is the
work of a mature artist, drawing on years of experience and yet it is
ever innovative and inventive. The winner of many prestigious international
awards, and with works collected and shown by major galleries and museums
across the world, Peter Beard’s reputation as an exceptional artist
is well established and his works are highly acclaimed and sought after.

~ David Dewing
Historian and Director of the Geffrye Museum London

www.theclaystudio.org