by Carole Epp | Dec 12, 2009 | Uncategorized
tokkuri (sake bottle) , porcelain, fired for 9 days in our Little River Anagama, no applied glaze
Today’s artist, Yolande Clark, is actually an artist whose blog I’ve been following for a while now. So I was naturally thrilled to see the submission and to have the opportunity to share her work with you all. There are definitely times in which, although the internet is an indispensable tool for linking our vast and varied community – sometime when I read about the context in which each artist works, all I really want to do is hop in the car and stop by for a coffee and a chat around the kiln. Artist really do live some of the most interesting lives…and here’s Yolande’s story:
Amitabha Buddha–porcelain, fired for 3 days in our Bourrigama, all natural ash glaze
“My husband and I live in a tiny strawbale solar-powered cottage in the backwoods of rural New Brunswick, Canada. We fire a 27 foot long anagama and a bourrigama with a focus on natural ash glaze, and although we occasionally use shino, for the most part we don’t use any applied glaze. We fire intuitively, without the use of cones or pyrometers. My inspirations include the tradition of yakishime tea-ware, buddhism, and the rhythms of our daily life. The worlds and constellations of colour and texture that result from the woodfire process, and the magic of the ritual of firing itself, are our passions.
Cedar Wood Buddha–porcelain, fired for 3 days in our Bourrigama, all natural ash glaze
vase, porcelain, fired for 9 days in our Little River Anagama, no applied glaze
I apprenticed with my husband, Lee Horus Clark for 3 years, and now we work together. Two weeks ago we completed the construction of our new bourri-gama.
vase, porcelain, fired for 9 days in our Little River Anagama
All of the pieces attached here, are all natural ash glazed, with no applied glaze.”
by Carole Epp | Dec 11, 2009 | Uncategorized
Just a wee note regarding Artist of the Day Month. As promised I will include everyone that has sent me images – and we have more than enough now, so as a special bonus the month will continue into the new year. Which in my opinion is the best way to start out the year. Could you imagine if we had artist of the day all year long? Oh how fantastic…Anyhow my dear readers you are always welcome to send me more images and statements and I will always share them with the Musing community. However in regards to the giveaway contest – any entries received by midnight on Saturday Dec 12th will be eligible (that means that even if you are showcased in the new year you are still eligible so log as you get in by this deadline). I do need some sort of a cut off day, so there you go. Otherwise at this rate I might have to add another prize!!! You’re all so worthy!!!
For those that didn’t get around to sending in their stuff this time round not to fear another Artist of the Day month will rear its head again sometime in 2010 so get your stuff ready to go. And don’t forget the second prize is won by writing comments and the comments have been pretty quiet so far, so some of you have a much better chance of winning! : )
But now on to the important stuff – our talented artist of the day!
“Brief Statement
For as long as I can remember I have loved clay. I am both captivated and enraptured by it. It leaves me feeling in awe of life. I have always felt connected to this wondrous soft and sensuous material and it inspires me to acknowledge the depth of the human spirit and soul. When I made the decision to enter into this field, there was an instant acknowledgment within that this was what I had longed for my whole life through.
My primary focus revolves around functional forms, pieces that are lovely to look at, to hold, and to use. I believe that through handling and using pottery, that its true beauty is revealed; it’s amazing how a piece of mother earth can be transformed into something that has a spiritual connection, a functional purpose, and an everlasting impression. Hence, the pieces I specifically design for people are always created with their daily rituals in mind. Because I primarily work in oxidation (electric kiln), it seems necessary to give more attention and thought to surface design and decoration. I love to explore glazes and reactions to one another.
I recently took a week long course on slip decoration, which not only enhanced my skills as a potter, but gave me the opportunity to connect with other potters; such connections are inspiring because it gives more clarity to where I am at creatively and also direction to where I hope to be in the future.
Brief Bio
Janson Pottery was started by Janet Holson Mazzer in 1995 after she completed a full-time ceramic art & design program at George College in Toronto, Ontario, Canada. “I remember my first encounter with clay as a young child making mud pies at the side of our home. I loved the feel and the texture of it.” “When I entered high school, I sought out the ceramics programs and remember feeling totally enraptured by the process. I left it behind and always kept that connection in the back of my mind and knew that someday I would return to it.” “After many years of working in the accounting field, I had an opportunity to take a part-time course at George Brown College. I remember trying to recall what I was so taken by. It wasn’t long before I felt the return to the place that I felt captivated by. I decide to enroll in the full time program. After completing my studies, Janson Pottery was born.” In October of 2002, her functional work was featured on Sue Warden’s “Craftscapes” and in the November of 2003, Janet was also featured on Sue Warden’s “Creative Spirit” on the Home & Garden Television Network. “In 2004, we relocated our family to a quieter life in beautiful Midland, Ontario. Today, I still have the affection for this wondrous material and now divide my love for pottery and sculpture with my love for family.”
My website address is www.jansonpottery.com
by Carole Epp | Dec 10, 2009 | Uncategorized
Well today just happens to be the perfect day for posting some gorgeous pots with flowers and botanical themes, as where I live we’re in the midst of an early deep freeze which is making most of us contemplate moving to warmer climate (any one got a job for me??? anyone???) My thanks to Carol for at least warming up my computer screen! Enjoy her beautiful work and words:
“I’m Carol Barclay, from Rochester, NY, and I’ve been playing in the mud for almost 30 years! My studio overlooks my large perennial and annual garden, and the botanical influence is strong in my work.I see my porcelain forms as freezing a moment of fluidity. Each hand-built piece involves rolling out thin sheets of porcelain, coaxing the clay into shape, and tending the work through weeks of careful drying, burnishing, and carving. The last steps of glazing and firing in an electric kiln finally yield the finished piece.
I’ve been excited to have my work shown at the Renwick Gallery of the Smithsonian, and in the Corning Glassworks Executive Club collection.
I’m often asked about my fascination with making functional porcelain. I think that a handmade pot is a most satisfying possession. It can make any meal a celebration, as one savors the shape, the glaze and the decoration that make each piece unique and personally pleasing. I myself have an extensive collection of pottery and I select with care when I pick a vessel for my cereal, or salad, or soup. I enjoy the connection to the potter and the opportunity to add beauty to my daily routine.
Working with porcelain is a heady delight for me and I’ve been energized with ideas for elegant form and joyous decoration. I love my work!’
I have two websites:
http://www.BarclayStudios.com (where my husband, a photographer: my daughter, a playwright: and my son-in-law, a novelist also have sites)
by Carole Epp | Dec 9, 2009 | Uncategorized
I’m just captivated by the work (and glazes) of Gwendolyn Yoppolo, one of the new members of Artaxis.
Check out her work and statement here on Artaxis.
And more here at her website.
by Carole Epp | Dec 9, 2009 | Uncategorized
So nice to see and include a familiar face as well – John was part of the last Artist of the Day month (see the post here.) Always interesting to see a follow up of what the artist has done next. In John’s case – continued on making objects of exquisite beauty!
John Shirley – Artist’s Statement
My fascination with the ceramic process is a major influence in my work. I work in bone-china with soluble salts as surface treatment. These salts have a tendency to permeate the surface of the work adding subtle water colour effects and creating an ethereal quality. My aim in this work is to produce one-off pieces integrating technique and personal expression.
For more info on John’s research and technique:
2009 Ceramics Technical, no 29, ‘Exploring Local Materials in the Development of Translucent Bodies’
2008 Ceramics Technical, no 27, ‘Soluble Salts as a Surface Treatment on Bone China’
Contact John by email at:
[email protected]
his website at:
http://www.johnshirleyceramics.com
visit his blog at:
http://johnshirleyceramics.blogspot.com
or his facebook page at:
http://facebook.com/johnshirleyceramicspage
tokkuri (sake bottle) , porcelain, fired for 9 days in our Little River Anagama, no applied glaze
Amitabha Buddha–porcelain, fired for 3 days in our Bourrigama, all natural ash glaze
Cedar Wood Buddha–porcelain, fired for 3 days in our Bourrigama, all natural ash glaze
vase, porcelain, fired for 9 days in our Little River Anagama, no applied glaze
vase, porcelain, fired for 9 days in our Little River Anagama
