by Carole Epp | Jun 12, 2017 | workshops
You are Invited: The grand opening for all exhibitions is on Friday, September 15th, 6:00 pm, at the Art Gallery of Burlington (1333 Lakeshore Rd., Burlington). |
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Can Craft? Craft Can!
This national exhibition will be showcasing seventy makers from across Canada with a focus on the themes of identity, sustainability and materiality
Nothing is Newer than Tradition
A feature exhibition of emerging Ontario artists that reflect the way in which craft materials, tools and processes of creativity are reiterated through the hands of a new generation of makers
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International Ceramic Exhibition: Anton Reijnders
Anton is internationally renowned for his site-specific ceramic installations
Setting Ontario’s Table:
Once Upon a Time
The Art Gallery of Burlington’s permanent collection’s exhibit will explore functional ware from Ontario ceramists, and juxtapose each artist’s early work with their recent work to explore the progression in their practice |
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The two-day symposium is where scholars and enthusiasts alike will come together to discuss a wide variety of topics related to the exhibition. Over two days split between Burlington on September 15th and Toronto on September 16th, participants will have the chance to learn, discover, and gain insight into the past and future of Canadian craft. |
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Craft Ontario members save $50 on symposium registration
Register in advance to secure your place
If you would like to take advantage of the shuttle bus service on Friday evening from the Burlington Holiday Inn to the Art Gallery of Burlington for the reception, and/or for Saturday from the Burlington Holiday Inn to OCAD University, it will be an additional $20 that can be selected on the online registration form.
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Why Attend the Biennial? The Canadian Craft Biennial is a chance to unite those who make, appreciate, and study Canadian craft. For the first time, Burlington will host a national celebration of craft on the international stage, shining a spotlight on the immense creative spirit of our country. |
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by Carole Epp | Mar 30, 2017 | residency opportunity
12-month Residency Program
The primary goal of the Carbondale Clay Center’s Residency Program is to provide emerging ceramic artists time and space to develop a body of work that will take them to the next level in their careers while gaining important technical skills and teaching experience. The focus is on creative development and defining one’s artistic voice and individual statement.
There are three residency programs that run for a 12-month period of time (September 1–August 31). A residents will have opportunity to apply for a second year based on their first year of participation. Residents will share a semi-private studio space and 24/7 access to the Carbondale Clay Center. Residents can expect to be mentored by experienced, talented ceramic artists who are part of the vibrant Carbondale Arts community. Please download and read a copy of the Resident Artist Handbook prior to applying for this residency. It will give you a greater understanding of the experience, expectations and requirements of a CCC artist resident.
Application for Residency
Application Deadline(not postmarked): April 7, 2017
Applicants advised by May 1, 2017
Email materials to [email protected] or send to:
Carbondale Clay Center
Residency Application
135 Main St.
Carbondale, CO 81623
Please send:
- Application form including the outlined list of materials (click here to download)
- $30 application fee (checks payable to the Carbondale Clay Center, or click our Buy Now button below to pay online)
Feel free to call or email with questions: 970-963-2529 or [email protected]
www.carbondaleclay.org/residency-program/
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by Carole Epp | Feb 13, 2017 | call for entry, emerging artist, job posting, monday morning eye candy, movie day, residency opportunity, technical tuesday
When considering the murky reservoir of human history, it is
difficult to separate legend from reality. Through my work, I examine
human myth in the modern age, specifically on characters that emerge
from our society’s underbelly; the less popular folk. Using their
“legends”, I feel compelled to tell stories that illustrate analogies in
life; blending together archetypes, shared experiences, and my own
personal mythology. Who we are in the world is a kaleidoscope of
interpretations, biased memories, and personal connections.
Ceramic sculpture and portraiture, in particular, are
forms of a visual narration that I use to satisfy my urge for
documenting what I see in human nature. Evocative of well-loved toys and
obsolete artifacts, I use the implied history of these objects to
encourage the viewer to disconnect from the present situation and
conjure their own individual narratives from my sculptures.
Working with concepts that are personal and sometimes
narcissistic perceptions of the gloomy side of life, dark humor is my
buffer. Dry or irreverent, it is humor that mystifies the tragic. – Thaddeus Erdahl