Low-Fire Soda by Justin Rothshank available NOW!

After years of experimenting with earthenware in wood, soda, and salt kilns, Justin Rothshank has compiled all his know-how into this helpful guide. Low-Fire Soda is a start-to- finish resource that outlines everything from the different types of clay bodies to use, to decorating and glazing techniques, wadding and loading strategies, firing tips, post-firing ideas, and much more.

Whether you’re interested in learning about faster, more economical atmospheric firings, or you’re intrigued by the expanded color palette of low-fire clay materials, Low-Fire Soda has the information you need to start exploring low-temperature atmospheric rings. Justin also covers health and safety, recipes, and kiln firing strategies.

Five articles contributed by guest authors, along with helpful insights from practicing artists round out the book. Low-Fire Soda has a wealth of information for ceramic artists interested in learning more about the potential of soda at low temperatures. This book is published by Ceramic Arts Network.

Buy it HERE!

 

job posting: Emily Carr University of Art and Design

Assistant or Associate Professor
Emily Carr University of Art + Design invites applications for a full-time tenure track Assistant or Associate Professor position in Ceramics within the Audain Faculty of Art. Situated on unceded, traditional and ancestral xʷməθkʷəy̓əm (Musqueam), Sḵwx̱wú7mesh Úxwumixw (Squamish), and səl̓ilw̓ətaʔɬ (Tsleil-Waututh) territories in Vancouver, Canada, Emily Carr University is a world-renowned learning and research community dedicated to the education of artists and designers.

The Ceramics area at Emily Carr University focuses on developing critically engaged and contextually aware ceramic work. Situated within the interdisciplinary Visual Arts BFA in the Audain Faculty of Art, the Ceramics area fosters the development of student practice within the context of contemporary art discourse, with a strong technical and conceptual foundation, and a keen awareness of the relationship between ceramics and a range of disciplines and practices.

SUMMARY OF RESPONSIBILTIES

Candidates should be able to teach ceramics at multiple levels, from Foundation to Graduate Studies, and will be expected to contribute to developing curriculum in an institution that is committed to the interrelation of theory and practice. The successful candidate will join a rigorous and committed team of Art faculty that also includes the following curriculum areas: Ceramics, Painting, Photography, Illustration, Drawing, Print Media, Sculpture + Expanded Practices, New Media + Sound Arts, Performance, Interdisciplinary Visual Art and Praxis, as well as minors in Curatorial Practices and Art + Text. Candidates should be equally fluent in contemporary ceramics discourse and studio practice and in balancing the conceptual, aesthetic and technical demands of the discipline. Additionally, faculty are expected to participate in portfolio reviews, upper-level critiques, provide graduate student supervision, serve on administrative committees, engage in research, and to be an active member of the Emily Carr community. The successful candidate will have an active artistic research practice and a substantial exhibition and/or publication record with a solid, demonstrable foundation in ceramics. The successful candidate will have an established career profile and be active in national and international contexts.

QUALIFICATIONS

The ideal candidate will have:

The ideal candidate will have:
• Master of Fine Arts degree (or terminal degree in related discipline);
• minimum of two years of related post-secondary teaching experience that includes proven experience in curriculum development;
• strong evidence of excellence in ceramics practice;
• expertise in a range of traditional and contemporary methods of making; and
• significant evidence of active engagement with discourse within contemporary ceramics practices, histories and theories of ceramics, and more broadly in contemporary art discourse.

Candidates will have:
• expertise in a range of traditional and experimental ceramics techniques, which may include non-Western and/or Indigenous approaches;
• knowledge and ability to teach a range of material processes, including substantial knowledge of ceramic materials and glaze chemistry;
• the ability and interest in developing contemporary and innovative forms of curriculum and enthusiasm for planning and the participation in area responsibilities;
• a practice that may include hybrid and/or expanded ceramics-based work intersecting with other areas such as: sculpture, site-specificity and installation, performance, socially-engaged practice, public art, and other areas of enquiry.

Expertise in the following areas will be considered an asset:
• the ability to integrate new tools, media and methods into ceramics curriculum, including new and emerging technologies, digital 3-D prototyping software and output methods;
• demonstrated ability in advanced model making and mold making, design methodologies and production methods.

For more info please visit their website.

Smithsonian American Women’s History Initiative- Paid Summer Internship Application Now Open

Smithsonian American Women’s History Initiative

2020 Summer Cohort Internship Program

Application Deadline: March 15, 2020, or when 350 applications are received (please see details below)


This summer, be a part of a transformational experience that goes beyond just another internship. Through hands-on activities and original research, you will contribute to a national effort to share a diversity of women’s voices from the past and present. You will learn to use unique tools for civic engagement and representation in museum and other community spaces. You will develop familiarity and experience with museum practice and American women’s history.

Who? Undergraduate and recent graduates with a commitment to women’s history

What? Eight-week long cohort internship experience, with paid group housing, reimbursable travel to and from Washington D.C., and a weekly $382.50 stipend. The total value of this internship, including the weekly stipend and the paid group housing, is $6,300 (not including travel reimbursement).

Where?  Smithsonian Institution, Washington D.C.

When? June 14 – August 8, 2020

Why? Opportunity to explore various career paths, networks, leadership and mentorship experiences, and build practical professional skills.

Application deadline: Be advised that this application will close on will close at 11:59 p.m. Eastern Time on either: (A) Sunday, March 15, 2020, at 11:59 p.m. Eastern Time or (B) The date that 350 applications are received; whichever occurs first. If the announcement closes on the date that 350 applications are received, all applications submitted by 11:59 p.m. Eastern Time that day will be given consideration, including those in excess of 350.


Program Information

Because of Her Story 2020 Summer Internship Program Description 

Because of Her Story 2020 Summer Internship Project Descriptions

Because of Her Story 2020 Summer Internship Application Guide


Application Process

To apply:

  1. Create an account on the Smithsonian Online Academic Appointment System (SOLAA).
  2. Search under “Provost and Under Secretary for Museums, Education and Research” and select the “Because of Her Story Internship Program” from the drop-down menu.
  3. Start an application for this program.
  4. Be sure to complete all sections and include the email addresses for your references before you click submit.

For questions: Email [email protected]

call for students: Fusion Magazine

Are you a clay or glass student, looking for a way to show the world your work?

FUSION invites submissions from STUDENT artists for our Spotlight column that will feature one clay and one glass artist in the Spring issue of the FUSION magazine. Being selected for the featured Spotlight column is an opportunity to show your work in broader provincial, national and international audiences.

FUSION magazine is available in public libraries, schools, galleries and museums throughout Canada and the USA.

Applicants should be currently enrolled in a post-secondary institution for ceramics or glass, or have graduated in the past year. Those previously selected for the Student or any other FUSION Featured Artist Column in last 36 months are ineligible to apply.

Applications will be accepted until 5PM, March 6, 2020.

APPLY HERE

Questions? Feel free to contact our Office Administrator at [email protected] for information.

Follow us on social media for news and updates!

INSTAGRAM: @FUSIONClayGlass

TWITTER: @FUSIONClayGlass

FACEBOOK: FUSION: The Ontario Clay and Glass Association

make sure to check out Critical Function @ NCECA

In 2018, Alex Kraft and Melanie Shaw produced Critical Function, a stunning exhibition for the Pittsburg NCECA. Four internationally recognized critics and curators: Gail M. Brown, Janet Koplos, Paul Mathieu, and Anthony Merino each selected ten functional artists, whose work they admired. The exhibition engaged artists, students, collectors, and educators equally; making for a critical and commercial success. For 2020, Kraft and Shaw have kept the essential framework but reworked the selected guest jurors to reflect the NCECA theme: multiVAlent: clay, mindfulness, and memory. Bernadette and Neil Mansfield, Jill Foote-Hutton, Carole Epp, and Garth Johnson agreed to contribute their expertise and experience to this endeavor.

In the last 40 years there has been a continued pattern of exponential growth of engagement in the field of ceramic art. Without question, all four jurors have played important and mindful roles in promoting contemporary ceramics. Taking the main theme of multiVAlent into consideration—one characteristic connecting this diverse jury is the following: each person meaningfully expands the way ceramics are examined and promoted locally, regionally, nationally, and internationally. Each of the jurors pioneered new ways to promote ceramic art and ceramic artists. Bernadette and Neil Mansfield edit Ceramics: Art and Perception and Yarrobil, continuing Janet Mansfield’s vision of producing truly international ceramic journals. Jill Foote-Hutton, a maker in her own right, is Editor of The Studio Potter. She promotes social craft practice through www.whistlepigtales.com, sociallyengagedcraftcollective.org, and created the MJ Wood Residency as well as an Artists as Writer’s Residency at Red Lodge Clay. Carole Epp compiles the well-known Musing About Mud blog and Instagram feed, created makeanddo.ca to promote Canadian ceramic artists, and is an internationally celebrated artist (caroleepp.com). Garth Johnson is the Curator of Ceramics at the Everson Museum with writing contributions such as the blog extremecraft.com and 1000 Ideas for Creative Reuse. All were early pioneers in the use of social media and the world wide web to promote ceramics. Each juror carries forward a personal mission that promotes contemporary ceramics through community-oriented educational outreach. They inform their audience of current practice in relation to historical tradition and technical memory in the field of ceramics.

As with the first iteration of the exhibition, none of the jurors were given directions as to how they should make their selections. The only restrictions placed were not to include any of the artists who took part in the 2018 exhibition, and to consider their own interpretation of “functional ceramics” in their decisions. Critical Function 2 takes the memory of the previous exhibition forward in this exciting new iteration.

NCECA Concurrent exhibition. Sponsored by Visual Arts Center, 1812 W Main St, Richmond, Virginia 23220

Exhibition dates: March 23 to 28, 2020

 

 

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