call for students: Fusion Magazine

Are you a clay or glass student, looking for a way to show the world your work?

FUSION invites submissions from STUDENT artists for our Spotlight column that will feature one clay and one glass artist in the Spring issue of the FUSION magazine. Being selected for the featured Spotlight column is an opportunity to show your work in broader provincial, national and international audiences.

FUSION magazine is available in public libraries, schools, galleries and museums throughout Canada and the USA.

Applicants should be currently enrolled in a post-secondary institution for ceramics or glass, or have graduated in the past year. Those previously selected for the Student or any other FUSION Featured Artist Column in last 36 months are ineligible to apply.

Applications will be accepted until 5PM, March 6, 2020.

APPLY HERE

Questions? Feel free to contact our Office Administrator at [email protected] for information.

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INSTAGRAM: @FUSIONClayGlass

TWITTER: @FUSIONClayGlass

FACEBOOK: FUSION: The Ontario Clay and Glass Association

make sure to check out Critical Function @ NCECA

In 2018, Alex Kraft and Melanie Shaw produced Critical Function, a stunning exhibition for the Pittsburg NCECA. Four internationally recognized critics and curators: Gail M. Brown, Janet Koplos, Paul Mathieu, and Anthony Merino each selected ten functional artists, whose work they admired. The exhibition engaged artists, students, collectors, and educators equally; making for a critical and commercial success. For 2020, Kraft and Shaw have kept the essential framework but reworked the selected guest jurors to reflect the NCECA theme: multiVAlent: clay, mindfulness, and memory. Bernadette and Neil Mansfield, Jill Foote-Hutton, Carole Epp, and Garth Johnson agreed to contribute their expertise and experience to this endeavor.

In the last 40 years there has been a continued pattern of exponential growth of engagement in the field of ceramic art. Without question, all four jurors have played important and mindful roles in promoting contemporary ceramics. Taking the main theme of multiVAlent into consideration—one characteristic connecting this diverse jury is the following: each person meaningfully expands the way ceramics are examined and promoted locally, regionally, nationally, and internationally. Each of the jurors pioneered new ways to promote ceramic art and ceramic artists. Bernadette and Neil Mansfield edit Ceramics: Art and Perception and Yarrobil, continuing Janet Mansfield’s vision of producing truly international ceramic journals. Jill Foote-Hutton, a maker in her own right, is Editor of The Studio Potter. She promotes social craft practice through www.whistlepigtales.com, sociallyengagedcraftcollective.org, and created the MJ Wood Residency as well as an Artists as Writer’s Residency at Red Lodge Clay. Carole Epp compiles the well-known Musing About Mud blog and Instagram feed, created makeanddo.ca to promote Canadian ceramic artists, and is an internationally celebrated artist (caroleepp.com). Garth Johnson is the Curator of Ceramics at the Everson Museum with writing contributions such as the blog extremecraft.com and 1000 Ideas for Creative Reuse. All were early pioneers in the use of social media and the world wide web to promote ceramics. Each juror carries forward a personal mission that promotes contemporary ceramics through community-oriented educational outreach. They inform their audience of current practice in relation to historical tradition and technical memory in the field of ceramics.

As with the first iteration of the exhibition, none of the jurors were given directions as to how they should make their selections. The only restrictions placed were not to include any of the artists who took part in the 2018 exhibition, and to consider their own interpretation of “functional ceramics” in their decisions. Critical Function 2 takes the memory of the previous exhibition forward in this exciting new iteration.

NCECA Concurrent exhibition. Sponsored by Visual Arts Center, 1812 W Main St, Richmond, Virginia 23220

Exhibition dates: March 23 to 28, 2020

 

 

job posting: Art Centre Manager – Hermannsburg Potters

Hermannsburg Potters, Hermannsburg

Applications close March 13, 2020

Hermannsburg Potters have an exciting position available for an Art Centre Manager

The Hermannsburg Potters belong to a small community 130 kilometres south-west of Alice Springs. They are famous for their colourful terracotta pots which tell stories about their culture and where they live; their Country, the mission days, bush tucker and their daily community life.

The role of the Art Centre Manager at Hermannsburg Potters is the management of the Art Centre including arts and artist support, administration, financial management, servicing an Aboriginal governing body, marketing, sales, promotion, funding, supporting cultural maintenance and project support as instructed by the Hermannsburg Potters board of Directors. The Manager also supervises and works with part-time Aboriginal Arts worker and support staff.

If you would like to apply or find out more about this exciting opportunity please download the job package below.

Please email applications to [email protected]. All applications must include a cover letter, current CV, and letter addressing the above selection criteria.  Applications must reach our office by 5:00pm CST on Friday 13th March 2020.

Full Details on Job HERE.

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