Add another to the blog roll.

Just recently I posted some beautiful pictures of my work and the work of Laura B. Cooper in site (see here), which were sent to me from a collector who had purchased both of our works. Well I’ve discovered that said collector has a blog: The Ridou Report, where they showcase works from their gorgeous art collection as well as some images that are making me question yet again why I moved back to the cold north from the beaches of Australia. You should make sure to find the time to check it out, just make sure you’re also okay with images of spiders….it is Australia after all!

Art of Craft: Canada.BC.Korea Exhibition

Exhibition Runs January 14th – April 11, 2010.Curators Talk January 14th 7pm at the Museum of Vancouver. From the Craft Council of BC website:”Minds and hands work together to bring beauty to everyday objects. The Art of Craft explores the use of traditional craft techniques to explore complex contemporary issues of identity and culture, meaning and metaphor. But the pieces still call to mind the ancient, bodily pleasures of craft making – plunging hands into clay, burnishing metal until smooth, exhaling breath into hot glass – process as art. The Art of Craft is an exploration of the breathe and depth of Canadian contemporary craft – exploring the supposition that there is “no such thing as a particularly “Canadian” type of craft, there is no such thing as a single, unifying field of “Craft.” Nostalgic ideas about comfort and safety do not exist in the lived reality of Canadian craft. But this is not a negative. Rather, this is a powerful reminder of the fluidity and openness of craft materials and techniques.”(Alfoldy). Canadian craft and process is given an international context by the parallel exploration of the use of ancient Korean craft techniques in contemporary Korean art. Canada is this year’s official guest country at the Cheongju International Craft Biennale. Over one thousand artists from more than forty countries participate in the Biennale. The Canada Pavilion is a large scale exhibition of our country’s finest hand-made work enabling a deepening of the relationship between the two countries – allowing the Art of Craft to further explore the somewhat stark, sometimes unformed contrasts between two countries and how their two different cultures have impacted the development of contemporary fine craft. The first exhibition room houses Unity and Diversity art works demonstrating that Canada is home to a dynamic, inspired craft community, one that is defined through its rich layers of difference. As a result of these distinctions a unified voice begins to emerge, one that is fiercely proud of the high level of sophistication achieved by its crafts, and eager to pursue new directions for the field. Canadian craftspeople are globally recognized for their unique contributions to craft. The second aspect of Art of Craft explores the artistic process. By Hand: BC.Yukon reminds us that sophisticated pieces of fine craft are born in the hands and studios. A short video focusing on artisan’s hands during the process of creating craft objects will provide the contextual backdrop for By Hand. Highlighting the studio, materials, tools, process (from concept sketches and inspiration through to finished piece) – allows the viewer to engage in the various stages represented through various vignettes. The third exhibition consists of 47 works selected from the 2009 Cheongju International Craft Biennale Exhibition, Korean Craft Museum, Cheongju, South Korea Korea stands at the epicentre of international craft production with its long-standing traditions and sophisticated contemporary craft artists. Since 1999, the Republic of Korea has supported craft by staging the International Craft Biennale, which brings together craft artists and their patrons from around the world.”Check it out in person if you can, or find more details here.
CRAFT COUNCIL OF BRITISH COLUMBIA 1386 Cartwright Street, Granville Island,
Vancouver, BC, Canada V6H 3R8
tel: (604) 687-6511
toll-free: 1-888-687-6511
fax: (604) 687-6711
email: [email protected]

Call for artists: 340 Grams

The Australian Ceramic Association announces its 2010 members’ exhibition: 28 April – 2 May, 2010 (during Clay Energy) Masonic Hall, Gulgong

Why 340 grams?
This is the weight of a normal issue of The Journal of Australian Ceramics. Your challenge? Take 340 grams of wet clay and make a bowl or a sculpture.

Conditions of entry:
Members must complete an Expression of Interest Form (download now or call 1300 720 124 and we will mail you one) and submit to The Australian Ceramics Association by 15 February 2010.
A member may submit 1 or 2 works. Each completed work must weigh less than 340 grams.
Each work must be accompanied,on delivery, by an entry form (downloadable from www.australianceramics.com closer to the time).
All works must be for sale. TACA will charge 20% commission on sales. > Register your interest online
>Download and print the expression of interest form. The Australian Ceramics Association
PO Box 274 Waverley NSW 2024
T: 1300 720 124
F: 02 9369 3742
E: n [email protected] This e-mail address is being protected from spam bots, you need JavaScript enabled to view it

Call for artists: AiR Bornholm

1.8 – 30.9 2010
European Ceramic Context 2010 and Air Bornholm is cooperating on offering a six-week residency for up to eight talented ceramic Artists. Selected artists will be given the time and space to develop a new project or body of work in ceramics.
Two residencies are offered at Svanekegaarden.
Four residencies are offered at Møbelfabrikken.
Two residencies are offered at The Glass And Ceramic School on Bornholm.
Application deadline March 1st 2010.
Nature of the residencies:
The residency provides six weeks free access to studio facilities at either Svanekegaarden, Møbelfabrikken or The Glass and Ceramic School on Bornholm.
The residencies are offered to professional ceramic artists, who are expected to be proficient in the processes and techniques discussed in their residency application.
The residency will be provided with basic materials and access to kilns and firerings during this period.
The resident will be offered housing at either Svanekegaarden or Møbelfabrikken, depending on where the resident will be working.
The resident is responsible for organizing and paying for their own travels to and from Bornholm.
Residents will be responsible for providing, bringing or preordering any specialist materials other than the basics provided by ECC2010.
Assistance with contact info to suppliers in Scandinavia is available on request.
The resident must bring all specialist- and hand tools needed.
The period of the residency is granted to the named resident only, partners and other makers are not allowed to work in the studios during this time.
During the period of the residency it is incumbent on the resident to communicate, aid and assist his or her fellow residents in an open and friendly manner. This interaction and exchange is seen as being one of the benefits and challenges of the residence period.
Detailed information on the three Artist in Residence venues:
Two residencies at Svanekegaarden
Work facilities
Each workshop space has a large and a small worktable for the artist to use. There is also an electric wheel, a spray booth, shelves for storage, etc., a kiln room with a large and a small electric kiln, and a large gas kiln. A small wood-fired African kiln is also available in the garden area.
Technical facilities
Cerama (120 l) electric kiln. Maximum temp. 1300°C.
Baltic Therm (500 l), electric kiln. Maximum temp. 1280°C.
Gas kiln (600 l) Maximum temp. 1300°C.
Electric wheel and kick wheel
Spray booth
Plenty of worktable and storage space available.
Small outdoor African wood-fired brick kiln. Maximum temp. 1050°C.
Practical information:
The facilities are designed for professional ceramists who work independently.
Ceramists must bring their own materials and hand tools other than basics provided by the residency.
Basic electricity and gas for firing the kilns will be provided by the residency, additional cost is to be charged on the basis of a meter reading.
The workshop may be used at any time of the day or night.
No workshop assistant is associated with the workshop, but a technical contact can be referred to.
The workshop’s technical equipment is covered by the general insurance terms and conditions, but this does not cover materials brought in by the artist, or the works of art made by the artist.
Other information
Residents will be offered accommodation in shared apartments in conjunction with the workshops at Svanekegaarden. Laundry facilities are available.
As a user of the workshop and accommodation facilities, the artist is responsible for keeping these clean and in good condition and for cleaning them on departure.
Four residencies at Møbelfabrikken
The ceramics workshop is set up in a large, bright factory hall in a former furniture factory in Nexø. The workshop is well-equipped and comprise a total of four workshop spaces for the production of ceramics.
Møbelfabrikken has an accommodation area with rooms that share a kitchen and lounge.
Technical facilities
2 Scandia kilns, 50 litres electric top kilns. Max temp. 1300°C.
1 Scandia kiln, 300 litres electric kiln. Max temp. 1300°C.
1 Scandia kiln, 1500 litres, two-phase electric chamber kiln. Max temp. 1300°C.
2 Vacuum kneading machines.
2 Spray booths
4 Electric wheels
Sheet roller
Jigger jolly
Clay tubs
Filter press
Extruder
Glaze tub
Sand grinder
Well-appointed plaster room with plaster wheel, casting equipment, etc.
Practical information
The facilities are designed for professional ceramic artists who work independently.
The workshops are open 24 hours a day, all year round.
The artists in residence must bring their own materials, which could potentially be jointly purchased with other artists in residence.
Basic electricity and gas for firing the kilns will be provided by the residency, additional cost is to be charged on the basis of a meter reading.
No workshop assistant is connected with the workshop, but a technical contact can be referred to.
The workshop’s equipment is covered by the general insurance terms and conditions, but this does not cover broken drill bits or ruined grinding discs for which the artist is personally liable. The insurance does not cover materials brought in to the workshop or the artist’s own works of art.
As a user of the workshop and accommodation, the artist is responsible for keeping the premises clean and in good condition and for cleaning them on departure.
Two residencies at The Glass and Ceramic School
More information will be available shortly

Dates: 1.8 – 30.9 2010 European Ceramic Context 2010 and Air Bornholm is cooperating on offering a six-week residency for up to eight talented ceramic Artists. Selected artists will be given the time and space to develop a new project or body of work in ceramics. Two residencies are offered at Svanekegaarden.
Four residencies are offered at Møbelfabrikken.
Two residencies are offered at The Glass And Ceramic School on Bornholm. Deadline 1.3 2010. Nature of the residencies The residency provides six weeks free access to studio facilities at either Svanekegaarden, Møbelfabrikken or The Glass and Ceramic School on Bornholm. The residencies are offered to professional ceramic artists, who are expected to be proficient in the processes and techniques discussed in their residency application. The residency will be provided with basic materials and access to kilns and firerings during this period. The resident will be offered housing at either Svanekegaarden or Møbelfabrikken, depending on where the resident will be working. The resident is responsible for organizing and paying for their own travels to and from Bornholm. Residents will be responsible for providing, bringing or preordering any specialist materials other than the basics provided by ECC2010. Assistance with contact info to suppliers in Scandinavia is available on request. The resident must bring all specialist- and hand tools needed. The period of the residency is granted to the named resident only, partners and other makers are not allowed to work in the studios during this time. During the period of the residency it is incumbent on the resident to communicate, aid and assist his or her fellow residents in an open and friendly manner. This interaction and exchange is seen as being one of the benefits and challenges of the residence period.For more info contact them through the European Ceramic Context website here.

The New York Ceramics Fair

“Today’s jewel in the crown of New York’s Winter Antiques Week, The New York Ceramics Fair, brings together a carefully selected and distinguished international group of around 36 galleries offering all things “fired” – porcelain, pottery, glass, cloisonné and enamels, in a setting perfect for the exhibition and sale of important small objects. “

SHOW DATES
JANUARY 20th – 24th, 2010

Also Check out their Lecture Series:
Sponsored by the Chipstone Foundation

WEDNESDAY JANUARY 20th
12 Noon “Sources for Services” by Angela Howard 
2pm “Success to America: English Creamware for the Patriotic American Market” by Patricia Halfpenny 
4pm “Small cups with one handle fit for coffee or chocolate” : Chinese Export Porcelain Coffee Wares by Ronald W. Fuchs II

THURSDAY JANUARY 21st
12 Noon “Dutch Jugs and Flint Wares: Salt-glazed Stoneware in Early America”
by Janine E. Skerry 
2pm “Teapots, Coffeepots, and Cream Jugs, Oh My: Surprises in American Stoneware”
by Suzanne Findlen Hood

FRIDAY JANUARY 22nd
4pm “Wedgewood: 250 Years of Innovation and Derivation”
by Dr. Jeffrey Tulman

Both Saturday Lectures are in support of the Ceramic Fair’s 2010 Loan Exhibit

SATURDAY JANUARY 23rd
12 Noon “Making a Moravian Squirrel Bottle, Lecture-Live Demonstration.” by Michelle Erickson 
2pm Pottery “For Which the People Were Eager: The North Carolina Earthenware Tradition.”
by Johanna M. Brown

LECTURE TICKETS:
$10 per person per lecture plus $20
show admission (run of show)
3 lectures $25 plus show admission.
Seating is limited. Reservations required –
please call 310.455.2886

Show Information:
Caskey Lees, Inc.
PO Box 1409
Topanga, CA 90290
310.455.2886
310.455.1951 fax
website

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