Job Posting – Senior Conservator (Ceramic, Stone, Glass)
SENIOR CONSERVATOR
(Ceramic, Stone & Glass)
The Royal Ontario Museum is seeking a skilled and experienced Senior Conservator specializing in the treatment of ceramics, stone and glass to join the museum’s multi-disciplinary conservation team.
ROM collections include art and archaeological artifacts from around the world, and an extensive range of materials. The ceramics collections include stoneware, porcelain, and soft ware porcelain from Europe and Asia; and thin glazed earthenware from Europe and the Near East. Archaeological ceramics are a very important group in the ROM collections and include artifacts made of low fired clays with soft glazed or painted finishes. There are, additionally, a wide variety of stone artifacts including painted and unpainted objects, ancient to modern; and significant collections of decorative and archaeological glass.
The initial focus of this new position will be to prepare for the opening of the new Roman World Galleries that are one of the final parts of a major renovation and expansion at the ROM. Conservation care of the ceramics, stone and glass collections in the longer term will involve program driven conservation assessment and treatment, research, documentation, and work with curators and collections technicians on preventive conservation.
Participation in departmental activities, public consultation, education and the training of interns will also be important aspects of the role of the ceramics, stone and glass conservator.
Major responsibilities include:
Undertake scientific examination of ceramic, stone and glass objects, and assess conservation requirements;
Plan, schedule, assign, supervise and/or execute and document conservation treatments of objects in the ROM collections in consultation with curators and other museum departments;
Coordinate conservation projects relating to collections care in storage, on loan and on display;
Participate in the development of conservation standards; the definition of conservation policy and the general promotion of all aspects of collections care;
Participate on planning teams for exhibition and gallery development;
Provide training opportunities for conservation interns from recognized training programs and provide supervision/technical guidance to volunteers/staff from other museum departments, outside agencies, and the general public;
Participate in Conservation’s care of collections teaching program.
Qualifications:
Master’s degree in Conservation plus eight years experience in the conservation of ceramics, stone and glass, including archaeological material, OR an acceptable equivalent in education and experience;
Proven knowledge of materials and techniques used in the making of ceramic, stone and glass objects; their physical, chemical and biological deterioration; and current practices in their examination, treatment and preservation in storage and on display;
Demonstrated ability to work independently and as a member of a team, to enlist the cooperation and involvement of others, and to provide supervision when required;
Excellent leadership and interpersonal skills;
Excellent oral and written communication skills;
Proven time and resource planning and management abilities;
Photographic and computer skills are required;
French language skills are an asset.
Salary Grade 16 Salary: $65,525 per year
PROBATIONARY PERIOD: 6 months
APPLY IN WRITING TO: Royal Ontario Museum, 100 Queen’s Park, Toronto, Ontario, M5S 2C6. Attention: Keenan Wowk, Human Resources Coordinator, Fax: 416-586-5827.
Deadline for applications is September 24, 2010. Please be advised that only those candidates selected for an interview will be contacted.
Posting Expires: 2010-09-24
Call for Entries Indigenous Ceramic Art Award
Closing date: 12 November 2010
Shepparton Art Gallery Shepparton
The next ICCA is scheduled for 2011 and is held biennale. The Indigenous Ceramic Art Award was developed by Shepparton Art Gallery to support Indigenous ceramic artists and acknowledge the special industry of ceramic art practice. The awards encourage and stimulate excellence in this sphere, providing cultural exchange opportunities for Indigenous artists from around Australia and regional Victoria. This biennale award exhibition surveys current Indigenous ceramic art practise, demonstrates current developments in the field including contemporary and traditional works. An exciting public program of cultural activities also accompanies the exhibition and typically includes: ceramic workshops with artists, exhibition floor talks, ceramic workshops for children, and ceramic workshops for Indigenous men and women. Shepparton Art Gallery is a regional gallery with a unique focus. It collects Australian ceramics from the 19th and 20th century and its ceramic collection is one of the best in Australia. Shepparton Art Gallery’s collection of Australian and International ceramics now spans over 3000 works. Due to the Indigenous Ceramic Art Award the gallery now has a growing collection of contemporary Aboriginal ceramics. The Indigenous Ceramic Art Award is made possible with the generous support of The Sir Andrew and Lady Fairley Foundation, Margaret Lawrence Bequest, FRRR and the Sarah and Ballieu Myer Foundation.
Find all the details here.
Barrett Clay Works – Opening this Sat.
A sneak peek…
Some of these pieces will be in the show next month. More images to come in the next week or so. Thoughts, critiques as always greatly appreciated.
Magic Dirt National Juried Exhibition
Entry Deadline : November 10th, 2010via SJSU’s Artblog
Reminder – CRITICAL Santa Fe: Developing Criticism in Ceramics
October 27-30, 2010, Santa Fe, New Mexico
International Speakers, Panels and Discussion
INTERPRETATION DIALECTIC JUDGMENT CONSENSUS DIVERSITY DEBATE AUTHENTICITY
You are invited to participate in a 3-day Symposium of investigation and dialogue to establish new practices essential to the future of art criticism. Attendance is limited to provide you an exclusive opportunity for audience interaction with key international speakers and panelists.
Ted Adler, Joe Arredondo, Robert Atkins, Ivan Barnett, Terry Barrett, Glen Brown, Garth Clark, Gabi Dewald, Linda Durham, Moyra Elliot, Amy Gogarty, Tanya Harrod, Elaine Henry, Dave Hickey, Jacques Kaufman, Janet Koplos, Paul Kotula, Donald Kuspit, Paul Mathieu, Hunt Prothro, Howard Risatti, Jim Romberg, Annabeth Rosen, Raphael Rubinstein, Roberta Smith, Gord Thompson, Adam Welch
Contemporary critical practice will require a dialogue of many voices this symposium is organized to encourage interaction, dialogue and response to the featured presentations. Attendance will be limited. Recognizing the need to engage all aspects of the field the invited presenters include critics, educators, artists, gallery owners, writers, students, editors, collectors and patrons. Registration is limited to 200 attendees. Phone 866-266-2322.
Pricing:
On or before September 28, 2010
Member – $350
Non-member – $385
Student – $335
After September 28, 2010
Member – $385
Non-member – $425
Student – $365
ALL STUDENTS MUST INCLUDE A STATEMENT ON SCHOOL LETTERHEAD FROM REGISTRAR, DEAN, OR PROFESSOR VERIFYING CURRENT FULL-TIME STATUS.
Please PRINT THIS FORM and mail to the NCECA office at: 77 Erie Village Sq., Suite 280 Erie, CO 80516
For information regarding the CRITICAL Santa Fe Symposium Agenda, please email:
Jim Romberg, Project Director, Critical Santa Fe, at [email protected]
If you have any questions, please contact Dori Nielsen, NCECA Conference Manager, at [email protected] or 866-266-2322.













