monday morning eye candy: Dee Quinn Ceramics
new online resource – BC Ceramic Marks Registry
“BCCMR is an ongoing project, and is always accepting submissions. If you are a BC ceramicist and want to submit mark images, biographies, or send in a correction, we welcome you to use our submission forms. Don’t be shy.
Please note that we are including marks with unknown makers, as well as makers on whom there is limited information. As such, some entries may be incomplete, and new information is welcomed. BCCMR is a growing project that is operated by volunteers. We are actively fact-checking the biographical entries, but cannot promise absolute accuracy. Please feel welcome to contact us with any concerns, or submit a correction. Note that BCCMR is not a valuation or authentication tool, and is for research purposes only.”
Find out more and add yourself to the registry: https://craftarchive.ca
monday morning eye candy: Vero Córdoba
entre puerperio y pandemia voy materializando algunas imágenes que venían dando vueltas. Me interesa ser cronista de nuestra época a través de estas cerámicas. Hay días que siento esperanza, otros días me levanto apocalíptica. En ese vaivén total voy creando.
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esta obra se llama “E – pacheta / Nosotrxs no comemos baterías”, forma parte de la serie “cuerpo/territorio” y deviene de algunas lecturas en relación al conflicto de comunidades andinas con la devastación de los ecosistemas de salares. La fiebre del litio que le dicen.
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En el contexto actual global de extractivismo, la obra se propone reflexionar en torno a la tensión natural / artificial y la explotación de bienes naturales comunes entendidos como materias primas, como recursos económicos, expropiables, explotables, exportables, convirtiendo a determinados territorios en zonas de sacrificio. En tiempos de terricidio, hiperconectividad, energías “limpias” y pandemia, ¿cómo cuidamos y defendemos lo común? ¿cómo es posible la continuidad de la vida en los territorios?
Between the puerperium and the pandemic, I am materializing some images that have been going around. I am interested in being a chronicler of our time through these ceramics. There are days I feel hope, other days I wake up apocalyptic. In that total swing I am creating. . This work is called “E – pacheta / We don’t eat batteries”, it is part of the series “body/territory” and comes from some readings in relation to the conflict of Andean communities with the devastation of salt flat ecosystems. The lithium fever they call it. . In the current global context of extractivism, the work aims to reflect on the natural/artificial tension and the exploitation of common natural assets understood as raw materials, as economic resources, expropriated, exploitable, exportable, turning certain territories into areas of sacrifice. In times of terricide, hyperconnectivity, “clean” energies and pandemic, how do we take care of and defend the common? How is the continuity of life in the territories possible?
call for entry: THE INTERNATIONAL CERAMICS BIENNIAL IN VENDRELL
– Specific principles international ceramics Biennial in Vendrell
– Call for participation 2022
The deadline is on July 8, 2022
call for entry: New Taipei City Yingge Ceramics Museum Application Exhibition
Purpose:To encourage the variety of ceramic creations and elevate the standard of ceramic industry design, the New Taipei City Yingge Ceramics Museum is welcoming exhibition propositions to be displayed. Any individual or group of creators is welcomed to submit their application for an exhibition so that the Yingge Ceramics Museum becomes a platform to share the works with others.
New Taipei City Yingge Ceramics Museum, Department of Collection and Exhibition
Address: No. 200, Wenhua Rd., Yingge Dist., New Taipei City 239218, Taiwan.
Telephone:+886-2-86772727,Fax: +886-2-86774034, Email: [email protected]
This application can be downloaded on the website of Yingge Ceramics Museum. (http://www.ceramics.ntpc.gov.tw)

























