Call for papers: A World in Making: Cities Craft Design
craft + design enquiry is pleased to announce a new call for papers for the fifth issue of the journal to be published in 2013.Guest Editor, Suzie Attiwill is calling for papers for this on the theme of A World in Making: Cities Craft Design as outlined below.On 12 March 1913, a naming ceremony took place in an empty paddock on a hill. This rural environment was to become a city, the capital city of Australia, the city of Canberra. The aspirations and the projections of the Griffins’ winning design for Canberra are an example of a world-in-making involving the practices of design and craft. This issue of craft + design enquiry will be published in 2013 – 100 years after this event and when, for the first time in history, more than half the world’s population live in cities. By 2030, this will increase to at least 60% with significant growth happening in cities of developing countries and the emergence of meta-cities with 20 million inhabitants. ‘The twenty-first century will be known as the century of the city’.1 This next issue of craft + design enquiry will focus on and highlight the role, contribution and potential of craft and design practices to the urban environment as well as the transformation of these practices – a world in making. ‘The thing is what we make of the world. … Things are our way of dealing with a world in which we are enmeshed rather than over which we have dominion. … It is our way of dealing with the plethora of sensations, vibrations, movements, and intensities that constitute both our world and ourselves’ … ‘We make objects in order to live in the world’.2 Situated in a journal published by Craft Australia, the nuances of craft – a practice which values making and materiality – will guide the selection of papers for publication. This emphasis on craft does not exclude design so much as bring focus to practices of design which engage ideas of making and materiality, where there is a sense of a hand(s) in making, a valuing of haptic encounters and an attention to the relation between people and surroundings. From small to large scale projects, from individuals to communities, an intimate approach to the question of how people inhabit and transform the urban environment is invoked. What are the potentials in this century of the city for craft and design practices? What is the contribution of craft and design to cities and liveability? What might a craft sensibility bring to urban inhabitation? What of an expanded idea of craft practice as a way of working and thinking which addresses spatial and temporal urban conditions? What of the emergence of new forms of practices to engage in the condition of the urban environment and the social, political and cultural forces of the twenty-first century?
Academics, practitioners, research students and others are invited to submit research papers and critical project works. A definition of research as ‘the creation of new knowledge and/or the use of existing knowledge in a new and creative way so as to generate new concepts, methodologies and understandings’ 3 is reiterated here to highlight the criticality of ‘new and creative’ in relation to research and to encourage the submission of research through craft and design practice, as well as about craft and design practices situated in a world in making – ‘the century of the city’. Authors are also encouraged to consider the inclusion of visual material as research. This issue of craft + design enquiry will be published in mid-2013. The CDE#5 Call for Papers closes on 30 June 2012.To submit a paper please register online by the closing date of 30 June 2012. Refer to author guidelines for further information.For inquiries relating to this issue or submission of papers, please contact the Guest Editor, Suzie Attiwill Administrative enquiries, please contact Jenny DevesVisit the website here.
Monday morning eye candy – Thomas Bohle






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Call for entry: Ceramics Competition Valladolid City
Valladolid City Council promotes and sponsors the seventeenth edition of Ceramics Competition Valladolid City. IV International Meeting, the deadline for submission of documentation for entries is October 31. The jury, composed of three personalities from the worlds of art and ceramics, which will be announced after making public his decision, make a selection of participants, which should send the parts during the month of November. The prize, worth 5,000 euros, together with the Special Jury Mentions, will fail during the month of December. Subsequently, an exhibition at the Municipal Exhibition Hall Revilla, to make known to the public and the media the result. To get the complete rules, contact the organization: VALLADOLID CERAMIC TILE ASSOCIATION
PO Box, 359
47080 Valladolid Tel: 627 959 558
e-mail: [email protected] Ceramic Review
A Sunday morning read:
Call for entry: Fourth Annual Cup Show: Form and Function
Gulf Coast State College Amelia Center Gallery is hosting a juried exhibition that explores the idea of the drinking vessel. The exhibition will focus on the function and concept of the drinking vessel, including its relation to history, politics, craft, technology, utility, and narrative. The exhibition will be a survey of the wide variety of approaches to contemporary ceramics through the lens of the most intimate and accessible vessel, the cup.
Juror
Linda Arbuckle is a professor at the University of Florida, Gainesville. Her work in majolica-glazed earthenware has been recognized through an Artists’ Fellowship from the National Endowment for the Arts, as well as a Florida Individual Artists’ Fellowship. Artist-in-residence positions in Wales and the People’s Republic of China have provided further balance of Eastern and Western resources in her works.
Eligibility
The exhibition is open to both functional and sculptural work that addresses the idea of “the cup”. Please submit only original work that has been completed in the last three (3) years. Amelia Center Gallery reserves the right to reject any work that is not suitably prepared for exhibition or that differs from the original submission.
Calendar
Application Due October 21, 2011
Notification Begins November 3, 2011
Accepted Work Due November 22, 2011
Opening Reception December 2, 2011
Show Closes December 22, 2011
Unsold Work Shipped January 3, 2012
Entry Fee. There is a non-refundable entry fee of $15 payable to Visionaries Ink.
Mail CD, completed entry form, and entry fee to our mailing address:
Gulf Coast State College
Visual and Performing Arts, Attn: Pavel Amromin
5230 West U.S. Hwy 98
Panama City, FL 32401-1041
850-769-3886 | www.gulfcoast.edu/arts/art/gallery/default.htm | [email protected]
Please visit their website or email them for full entry details and form.
Notification
Email notification will begin on November 3, 2011. Please be sure to include your email address on your entry form to ensure timely notification.
Shipment of Work
All artwork must arrive at the Amelia Center Gallery no later than November 22, 2011. All
Commission
Amelia Center Gallery will receive commission of 30% on all sales.
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Ceramics Now Magazine – Issue nr. 1, Winter 2011-2012
The first printed issue of Ceramics Now Magazine will be published in November 2011, and will feature works and interviews with world-recognized ceramic artists. With more than thirty artists featured in the magazine, it will be one of the most complete and innovative ceramics magazines. Pre-order the first printed issue – Issue nr. 1, November 201 – $15
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*** The print edition will be available at selected stores in USA and UK. Confirmed artists: Carole Epp, Carol Gouthro, Roxanne Jackson, Claire Muckian, Arthur Gonzalez, Cynthia Lahti, Shane Porter, Liza Riddle, Antonella Cimatti, Blaine Avery, John Shirley, Margrieta Jeltema, Connie Norman, Jim Kraft, Shamai Gibsh, Mark Goudy, Ian Shelly, Ian F. Thomas, Patrick Colhoun, Wim Borst, Chang Hyun Bang. Interviews with the exhibiting artists at the Overthrown: Clay Without Limits exhibition: Gwen F. Chanzit, Katie Caron and Martha Russo, John Roloff, Clare Twomey, Paul Sacaridiz, Linda Sormin, Del Harrow, Benjamin DeMott, Mia Mulvey. Interviews with Japanese artists – Keiko Gallery: Niisato Akio, Kawabata Kentaro, Takeuchi Kouzo, Hayashi Shigeki, Tanoue Shinya, Fujita Toshiaki, Murata Yoshihiko, Jorie Johnson, Takeda Asayo, Mariko Husain. Contact us for Advertising and creative solutions or Submissions Ceramics Now Magazine is an online contemporary ceramics magazine that features profiles, works and interviews with world-recognized ceramic artists. With thousands of High Quality works, many interviews with ceramic artists and special features, it is one of the most trusted contemporary ceramics magazines. If you would like to support our work to feature contemporary ceramics around the world, please make a small donation by clicking here. All proceeds made will go back into the Ceramics Now Magazine and will help us reach our goal.
Want to find out more? Check out their website here. Just be prepared for a ton of gorgeous eye candy and great content. Make sure you have a coffee handy and some time.






