100 Years 100 Women @ The Clay Studio

August 18th, 2020 is the 100th anniversary of the ratification of the 19th amendment, giving women in the US the right to vote.

Who gained the right to vote when the 19th amendment was ratified on August 18th, 1920? The amendment stated that “The right of citizens of the United States to vote shall not be denied or abridged by the United States or by any state on account of sex. Congress shall have power to enforce this article by appropriate legislation.” It was a partial victory, but who was still excluded? Native Americans, most Asian Americans, and although African Americans were technically included, it was not until the 1965 Voting Rights Act that racial discrimination was prohibited. Even today, many BIPOC citizens still face disenfranchisement.

We are taking advantage of this anniversary to celebrate the work for women’s rights that has been done, while simultaneously acknowledging the work that remains. Statistics show that women earn only about 80% of what men earn, while women of color earn only 65% of what white men earn.[1] The US Congress is only 23% women,[2] and we still have not seen a woman president. The struggle of trans and woman identifying people is still in its infancy. These facts are the tip of the iceberg of remaining disparities that we must continue to dismantle.

Women have fought hard in so many ways, against extreme injustice, to gain a foothold for themselves and others, for their children, and for all children. This work, both public and private, is deserving of celebration and admiration.

We asked 50 artists to each choose two women they admire and honor them by making a modern-day commemorative plate. We welcome all perspectives on this topic, and we embrace a wide definition of women, transgender, and female identifying people. The people each artist chooses can be famous, anonymous, or their own private inspirations. The artists selected reflect the true wide range of cultures and gender identities of people making art in clay. By choosing artists across cultures and gender identities we welcome an illustration of women important to each artist within their varying experiences.

We are excited to present commemorative plates dedicated to women who these artists feel embody the spirit of female empowerment, and who deserve recognition for their contributions to society.

We look forward to walking into a gallery of heroes who will inspire us to keep fighting for justice and equality.

[1] “Racial, gender wage gaps persist in U.S. despite some progress”. Pew Research Center. July 1, 2016. Retrieved November 26, 2016.

[2] Women in the US Congress 2020, Center for American Women and Politics, Rutgers University.

[1] “Racial, gender wage gaps persist in U.S. despite some progress”. Pew Research Center. July 1, 2016. Retrieved November 26, 2016.

[2] Women in the US Congress 2020, Center for American Women and Politics, Rutgers University.

Cover Photo: Sue Tirrell

www.theclaystudio.org/exhibitions/100-years-100-women

residency opportunity: Port Moody Arts Centre

Application Deadline: August 30, 2020

Residency Dates: October 1, 2020 – September 5, 2021

Location: Port Moody Arts Centre

PoMoArts invites applications for the 2020/2021 Ceramic Artist in Residence (CAIR). This residency is an excellent opportunity for artistic development within an innovative and supportive ceramic community. The residency requires an emphasis on making, learning and sharing the process of creating with clay. It includes a studio, kiln firings, a solo exhibition and more. In exchange PoMoArts CAIR is asked to supervise two open studio sessions per week. Please see the call for more details.

Please fill in the online submission form here or contact [email protected] for assistance.

Sign up NOW! – Clay Week Open Studio

Join us for an international ceramic outreach project!

In the spirit of celebrating clay we have decided to make Open Studio’s FREE. Click the button below to have you event added to the list.

Clay Week Open Studio (CWOS) is an international event that celebrates clay, community and creativity. Join us on the weekend of October 9- 11, 2020 for a celebration of clay around the world! To keep this year’s open studio safe for all participants we encourage you to move your events to an online format. Virtual demonstrations, lectures, and online sales are just a few ways you can engage your community through Clay Week Open Studios. If you choose to do an online sale we request that you donate 10% of your sales to a charity of your choice.

Register above and enter your event into our database. Make sure to include an image with your registration to help is advertise your event. To keep up with us on social media follow @clayweek on Instagram.

For more info about Clay Week visit the website HERE.

movie day: Launch: The Journal of Australian Ceramics VOL 59 No2, July 2020

This was recorded on 4 August 2020, via Zoom.

Welcome to the launch of The Journal of Australian Ceramics 59/2.

The Australian Ceramics Association acknowledges the Gadigal people of the Eora nation as the traditional custodians of the land on which we operate our Sydney office. We recognise that sovereignty was never ceded and that we are on stolen land. We pay our respects to all Aboriginal and Torres Strait Islanders who we might encounter as we connect with our broad Australian ceramics community.

Thank you to everyone who has joined us for today JAC launch.

Today we will get to hear from some of the JAC’s most recent contributors: Ben Richardson (TAS) who has just built a kiln on Bruny Island; Madeleine Thornton-Smith (VIC) who reports on her recent Peruvian residency; the Hermannsburg Potters (NT) visited by Fiona Hiscock in 2019; and Kim Martin (VIC) who covers the dangers of silicosis. Bridie Moran, JAC Editorial Assistant, will also join us, after her journey through The JAC archive.

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