monday morning eye candy: Martina Lantin
Susan Shantz – Creatures in Translation
Organized by the Dunlop Art Gallery
April 27 to June 14, 2012
Dunlop Art Gallery, Central Library
artist Susan Shantz presents a series of sculptures and prints in this
exhibition entitled, creatures in transition. Her work encompasses a
fascinating process of drawing upon on-line photographic sources to
remake a selection of 20th century Japanese ceramic animal effigy
teapots from the Art Gallery of Greater Victoria’s permanent collection.
Shantz uses three-dimensional computer clay modeling software
technology and a haptic tool to recreate the selected badger, sparrow
and frog pots in two and three-dimensional forms of varying sizes. Such
an exhibition questions “the ubiquitous manufactured versions of nature
in our culture,” while focusing on how virtual treatment of art
generates a loss of cultural information.
Shantz graduated with a Master of Fine Arts from York University in
1989 and currently teaches sculpture and mixed media in the Department
of Art and Art History, University of Saskatchewan. Her work has been
featured in public and artist-run galleries across Canada including:
Mendel Art Gallery, Saskatoon, Art Gallery of Greater Victoria,
Definitely Superior, Thunder Bay and Galerie Articule, Montreal. Among
the numerous permanent holdings that feature Shantz’s art are:
Saskatchewan Arts Board, Canada Council Art Bank, MacKenzie Art Gallery
and the Burlington Cultural Centre.
Artist Talk and Workshop with Trudy Golley
Not to be missed: Visiting Lecturer Dr. Sandra Alfoldy
May 9 – May 11
The Manitoba Craft Council is pleased to present two lectures
by Dr. Sandra Alfoldy, Professor of Craft History at the Nova Scotia
College of Art and Design University and and Associate Curator of Fine
Craft at the Art Gallery of Nova Scotia. See below for full event
details and bio.
Dr. Alfoldy will also be serving as one of three jurors for the SLOW
CRAFT exhibition. Application deadline is May 3, 2012, please follow
this link for details on how to apply.
Wednesday, May 9, 7:30 pm
The Allied Arts: Architecture and Craft in Postwar Canada
Lecture and Book Signing
RAW Gallery, 290 McDermot Avenue
Painting, sculpture, architecture, design and craft continue to jockey
for status in the artistic landscape, and one of the most coveted
positions is that of public art. Materials easily classified as craft
when produced on a small scale in a studio setting suddenly appear
sculptural or painterly on a large scale. Since World War Two Canadian
architecture has provided unique occasions to challenge and shape the
field we call contemporary craft. This lecture will explore instances
where Canadian architecture and craft have worked together, and
sometimes at odds with each other, in an effort to demonstrate that even
in the twenty-first century they remain Allied Arts.
Thursday, May 10, 9:30 am – noon
Studio Visits with MCC
Thursday, May 10, 7-9 pm
DIY Will Never Die!
Lecture and reception. Eckhardt-Gramatté Hall, University of Winnipeg, 515 Portage Ave
The DIY Movement has received much attention as a new driving force
behind craft economics. This lecture will contrast historical craft
pioneers with contemporary crafters to argue that in order to understand
future craft economies as they are connected to the power of
do-it-yourself crafting, it is essential to examine past craft
economies. What ideologies keep repeating, and what are the elements
that keep DIY alive and financially vital across generations?
BIO
Dr. Sandra Alfoldy is Professor of Craft History at
NSCAD University, and Associate Curator of Fine Craft at the Art Gallery
of Nova Scotia. She is the author of The Allied Arts: Architecture and Craft in Postwar Canada (2012) and Crafting Identity: The Development of Professional Fine Craft in Canada (2005), editor of Neocraft: Modernity and the Crafts (2007) and co-editor of Craft, Space and Interior Design, 1855-2005(2008).
She was the Chief Curator of the national Canadian exhibition at the
Cheongju International Craft Biennale (2009) and the 2010 Vancouver
Winter Olympics. She is currently at work on a new book on craft and
popular culture.
Lectures co-sponsored by:
Raw Gallery
MAWA
Gallery 1C03
Manitoba Crafts Museum and Library
University of Manitoba Ceramics Club
Government of Manitoba
Call for papers: Crafting the Future
The organizing committee of the 10th
European Academy of Design Conference – Crafting the Future – is
pleased to invite proposals for papers to the following tracks:
Tracks
1. Designing Future Mobility
2. Design Development of Future Homes for Future Cities
3. Design and Innovation
4. MAKING TOGETHER – Open, Connected, Collaborative
5. The craft of design in design of service
6. Fashion Design for Sustainability
7. Design history as a tool for better design
8. Power to the People: Practices of Empowerment through Craft
9. Design & Craft (Crafting the Education of Design)
Full academic papers
We expect papers of 3000-5000 words.
If you wish to submit a full paper to the conference, please send in a short abstract.
Important Dates
Registration of abstract: Until May 15, 2012
Submission of full paper: September 15, 2012
*Notification of acceptance or revision: November 1, 2012
Notification of acceptance: December 15, 2012
Conference date: April 17-19, 2013
*Full papers are: Accepted / Accepted with revision / Not Accepted
Submission period for full papers, 10th European Academy of Design Conference – Crafting the Future:
Start: May 15, 2012
End: September 15, 2012
The 2nd China Changchun International Ceramics Symposium Call for Ceramics Proposals
greetings from Changchun, the sculpture capital of China﹗
and promote the development of urban ceramics construction, Changchun Municipal
People’s Government has successfully held the 1st Changchun International Ceramics
symposium in 2011, and 12 noted ceramists from 10 countries were accepted and
invited to participate in it and created excellent ceramic works for the city
Changchun, a well-known cultural city in northeast China.
People’s Government will hold the 2nd China Changchun International Ceramics
Symposium, with the theme of “Eternal and classic—traveling across history and future”, for further promoting
international cultural exchanges, improving the cultural taste of the city as
well as increasing the city’s international influence and popularity. About 20
ceramists will be accepted to participate in this event.
China Changchun International Ceramics Symposium. We’d like you to:
least 3 or more ceramic proposals based on the Symposium’s theme, which are
requested to reflect the theme and the distinctive ethical and regional characteristics
of your country or region. Two of the ceramic proposals should be no less than
80cm (in length) ×80cm(in width) ×80cm (in height) in order to achieve the exhibition effect of the ceramics
symposium.
Specify the materials’ dimensions and colors of the proposed works. Please
deliver A4 size colored design drafts or photographs of maquettes of your
proposals and their digital files in JPEG, BMP or TIF format. The digital photo
should be no less than 1 megabytes.
Fill in the attached registration form and enclose your passport photo, your recent
daily photo and your resume. The digital photo is no less than 1 megabytes. Your
ceramics portfolio is also appreciated.
Send proposals by express mail or e-mail before May 30th, 2012 to:
Foreign Affairs Office
Organizing Committee, extensively evaluated by the public and finally appraised
by celebrated masters.
Committee, you will receive an official invitation to Changchun for creating it
on site from late July to the mid-August, 2012. We will provide you with round-trip
economic flight tickets (only from your residential city to Changchun), an
allowance of 8000 yuan (RMB), free accommodation in Changchun, common
processing tools, assistants and interpreters, as well as honor diplomas. Besides,
some seminars on ceramists’ creation concept and some tours around the city
will be arranged. All the completed ceramics works will be permanently owned
and collected by the institution of Changchun Municipal People’s Government.
and materials:
stoving chest, pugmill.
earthware clay, Zibo porcelain clay.
slips, twenty types of glaze and ten types of chemical reagent.
above.
proposals.
us:
Registration
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Proposal 1
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Proposal 2
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Proposal3
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