GALERIE SOFIE LACHAERT PRESENTS: hidden talents





hidden talents






09-09-12 / 14-10-12












An exhibition with sparkling, new work of upcoming, talented designers.





Passionately experimenting, exploring new techniques, 
making unconventional use of conventional materials. 
Striking out upon new paths. Resulting in series of seducing pieces. 
Small, medium, large. Wood, gold, clay, glaze. 
Jewellery and objects bursting with life, with intensity.
Unique items. Colourful or severe. Fragile yet strong.
anne marie laureys ceramics  hans-henning pedersen wood  christina schou christensen ceramics  lucia massei jewellery
  
galerie sofie lachaert  sint jozefstraat 30  9140 tielrode  belgium  tel +32 3 7111963 
during exhibitions: fri sat sun mo 11am – 6pm or by appointment
         between exhibitions: by appointment only

The Teapot Redefined Premiere 2012

Please join us at Mobilia Gallery to meet the artists and view this extraordinary collection of sculptural and functional teapot forms.

The teapot is an enduring symbol of hospitality throughout
the world, and exploring the sculptural teapot form has been a source of
inspiration for artisans throughout history. For The Teapot Redefined,
we have invited a variety of artists working in diverse media such as
paper, glass, wood, metal, beads, ceramic and textiles to add their own
unique interpretation of the teapot form.

Mobilia Gallery
358 Huron Avenue
Cambridge, MA 02138
T: (617) 876-2109
F: (617) 876-2110

Hartwick’s Rozene to Launch Year-Long Ceramic Installation

ONEONTA, NY – Stephanie Rozene,
assistant professor of art at Hartwick College, will soon be included
in a community-wide, multi-venue biennial exhibition to be held at the
Everson Museum in Syracuse, NY. The project aims to highlight the rich
talent of artists across Upstate New York, with a special focus on
Central New York and the surrounding counties.

The exhibition, titled: “The Other New York (TONY): 2012” is
scheduled to open on September 22, 2012. Running from September, 2012
through early January, 2013, the exhibit will include a work from Rozene
entitled: 270: The Corrosive Use of Money in Politics. Rozene’s
installation, however, will be on display within the museum for the
entire year, per the request of Museum Director Steven Kern.

This project, comprised of 270 plates mounted on the wall, continues
Rozene’s investigation into tableware and American politics, and in
particular how European tableware was used as currency during the second
half of the 18th century by French Kings and Queens who wished to
demonstrate their wealth and power to other developed nations.

This work builds off of Rozene’s previous installation, The Politics
of Porcelain, (2011) which used porcelain tableware, and a border of
porcelain forms recalling rococo plasterwork to create place settings.
When hung on the wall, they created three vertical tables. This act of
hanging the china elevated its importance and status to that of a
painting. The work sought to begin a conversation about the importance
of china and its ability hold with it immense power.

270: The Corrosive Use of Money in Politics continues the
investigation of French influences on American china and politics. By
taking patterns and forms from two different china services, Rozene
alludes to the two main political parties in the US, their relationship
to money, power, and role in the upcoming presidential election (270
electoral votes are needed to elect a president), the increase of
Congress’ wealth from insider trading deals, and the glaring disparity
between the wealthiest and poorest in our economy. Through symbolism and
history, Rozene raises the question of money’s influence in politics
and how it affects the American people.

This body of work was supported by the Winifred D. Wandersee Scholar
in Residence Award at Hartwick College, The Milne Family Fund and the
Hartwick College Faculty Research Grant program. Assisting Rozene
throughout the course of this project were Hartwick College students Alexandra Forst ‘13, Elliot Henry ‘13 and Samantha McFarland ‘12.

In addition to the display, there will be an alumni reception hosted
by Hartwick at the Everson Museum in Syracuse, NY, on November 20, 2012
beginning at 6:30 p.m. At the reception, Rozene will give a gallery
talk and will speak about her installation.

For more details on “The Other New York (TONY): 2012” and the Everson Museum, visit http://www.everson.org/ exhibitions/details.php?id=600 .

For additional information on the upcoming Alumni Reception at the Museum, contact Director of Alumni Engagement Duncan McDonald at 607-431-4032 or at [email protected].

For additional information on the installation at the Museum, contact Rozene at 607-431-4833 or at [email protected].

ABOUT HARTWICK
Hartwick College is a private liberal arts and
sciences college of 1,500 students, located in Oneonta, NY, in the
northern foothills of the Catskill Mountains. Hartwick’s expansive
curriculum emphasizes a uniquely experiential approach to the liberal
arts. Through personalized teaching, collaborative research, a unique
January Term, a wide range of internships, and vast study-abroad
opportunities, Hartwick ensures that students are prepared for the world
ahead. A Three Year Bachelor’s Degree Program and strong financial aid
and scholarship offerings keep a Hartwick education affordable.

call for entries Peaceable Kingdom: Animals, Real and Imagined

March 3 – May 19, 2013

Deadline: January 9, 2013


Peaceable Kingdom invites artists to investigate our
storied and rich relationship with the animal world. The exhibition
will explore the ways in which animals have been a presence in the
visual arts as metaphors, totems, objects of fear, and sources of
emotional attachment and affection. The history of human and animal
interaction is filled with tales of love, unusual friendships,
failed domestication, and fearsome predators. From Kipling’s
ferocious Shere Khan to the early imperial menageries, human fascination

with the animal kingdom has run the gamut from emotional connection,
to economic exploitation, and even scientific curiosity. Throughout
all of these interactions, however, the sense of wonder we feel when
we encounter animal life has been an enduring theme that has
informed their continual and abiding presence in the visual arts. Peaceable Kingdom
encourages artists to meditate on
these complex and diverse relationships, addressing such issues as
antagonism, admiration, attachment, and even the politically
charged issue of animal rights.

jurors

Stephanie Cannizzo, Assistant Curator, Berkeley Art Museum

Ms. Cannizzo has organized numerous BAM/PFA exhibitions including Andy Warhol: Polaroids/MATRIX 240 (co-curated with
Fabian Leyva-Barragan in 2012); Ari Marcopoulos: Within Arms Reach (2009–10); Yoko Ono: Grapefruit (2007); and
Black Panthers 1968: Photographs by Ruth-Marion Baruch and Pirkle Jones (2003). She overseas the museum’s Conceptual Art Study
Center, making accessible the museum’s conceptual art archives to artists, writers, scholars, and the public.

Cathy Kimball, Executive Director and Chief Curator, San Jose Institute of Contemporary Art

During her tenure at the ICA, Cathy Kimball has implemented a number
of new programs including an annual NextNew presentation, focusing
on emerging Bay Area artists, as well as the ICA’s Night Moves
program, which includes multi-media installations in the front window.
She has curated several dozen exhibitions at the ICA, and has
authored numerous exhibition catalogues. Ms. Kimball came to the ICA
from the San Jose Museum of Art (SJMA) where she served as curator
for four years.

awards

$5,000 in cash awards, plus prizes to be selected by jurors.

Bedford Gallery would like to recognize Diablo Regional Arts
Association, the Bedford Gallery Guild, and the Bedford Gallery Docent
Council
for their generous contributions to this exhibition.

entry information

Printable version of entry information and guidelines (PDF)

Find the full details here: http://www.bedfordgallery.org/artopportunities/juried.shtml

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