Craft Invested: 10,000hrs Conference and Invested/40 Exhibition
the art they create!
We invite you to join us by attending our
Craft Invested:10,000hrs Conference and the
Gala Fundraiser for the opening of the
Invested/40 Exhibition!
The practitioners of craft and the
objects they produce embody a long-term investment of skill, knowledge,
ingenuity and time. Writer Malcolm Gladwell cites 10,000 hours as a
threshold of proficiency – not an automatic recipe for success and
virtuosity, but a significant down payment on understanding one’s
chosen discipline. As new projects are undertaken, new materials
explored, new mistakes made, absorbed and overcome, the investment
grows into greater vision, capability and commitment.
The
Council believes the idea of investment is extended to many aspects of
the craft community – not only to the makers, but also to our patrons
(who cherish the objects themselves) and supporters (individual,
institutional, government) who assist in other ways. Craftspeople’s work
speaks to those who, while not makers themselves, engage with the
quality and expressiveness of the objects. A patron’s and a society’s
investment celebrates the maker.
Vancouver, October 17th – 20th, 2013
conference is designed to explore the various aspects of investment in
craft while engaging the wide range of individuals that make up the
craft sector from the hobbyist to the professional artist.For a complete schedule of the conference sessions and presenters please click here. To register for the conference please go to eventbrite.
Thursday Oct 17th, 2013
The
conference starts out with a community session, that brings together
those organizations & institutions that support the craft sector
through the distribution of craft – museum and gallery gift shops, craft
markets, co-ops, and independent retailers. We will explore and
validate our collective contribution to BC’s cultural economy.
Our
continuing partnership with the Vancouver Public Library, has given
rise to a wider community examination of how origin, place &
influence is translated through the medium of craft. This free public
session at the Alice MacKay Room explores how Inuit, First Nations and
contemporary craft artists understand “craft”.
Friday Oct 18th, 2013
Sessions
starting at 9am and going to 5pm explore the many intersections of
craft with literature, cultural migration, function, and social justice,
along with sessions that support the business and art practice for
makers.
Invested/40 Exhibition
Vancouver, October 18th – November 9th, 2013
For a listing of the artists in the exhibition please click here.
In
the evening we celebrate the opening of – Invested/40 – with a gala
fundraiser at the Pendulum Gallery. The exhibition was curated by Dr.
Sandra Alfoldy and explores the concept “Invested” through the prism of
scale, material, process, form and place – characterizing the range of
crafts being produced in British Columbia and examining why the appeal
of craft continues to grow. The funds raised this evening are for our
youth programming which builds appreciation for, and the future
audience of craft. To purchase a ticket for the fundraiser please go to eventbrite.
Saturday Oct 19th, 2013
Saturday’s
daytime sessions deepen the conversation around how the ‘handmade’
interacts with technology; consumerism; sustainability; identity;
culture creation and culture production, while providing opportunities
for artists to better understand the types of support available for
their art practice.
The Canadian Crafts Federation (CCF/FCMA)
presents an evening conversation featuring Jonathon Bancroft-Snell
(Jonathon Bancroft-Snell Gallery, Ontario), Denis Longchamps (The Rooms
Provincial Gallery, Newfoundland) and Victoria Henry (Canada Council
Art Bank, Ontario), moderated by Dr. Sandra Alfoldy (Nova Scotia
College of Art & Design University, Nova Scotia). They will explore
such questions as – what inspires a collector to invest in Craft, and
what influences their selections; what connects a viewer to a work of
art, and how does one massage this connection from simple admiration or
interest into a purchase and is it more important for the audience to
connect to Craft in a visceral manner, or should insight into the
artists inspiration influence that response? So it should be a very
lively discussion!
Sunday October 20th, 2013
the Craft Council of British Columbia is delighted to offer a day-long
hands-on workshop for makers featuring Etsy Ambassador Jonathon Wayne.
movie day: Svend Bayer “Potter” / Artist Documentary
Call for artists: International Contemporary Art and Design Ceramics Competition
– 2 money prizes for a total of 10,000 euro
– 1 artist’s residency at the Carlo Zauli Museum, Faenza
– 1 cooperative agreement with Manifattura Bitossi
Finalists will have the opportunity of exhibiting their work at Officine Saffi CeramicArts Gallery, Milan, during MiArt and the Furniture Show ancillary events.
There are two sections: Art Ceramics and Design Ceramics
Exhibition of finalists’ work: Officine Saffi Ceramic Arts Gallery, Milan
Applications deadline: by 10 December 2013.
Open to Art is an International Contemporary Art and Design Ceramics Competition promoted by Officine Saffi with the objective of enhancing and promoting the use of ceramics in contemporary art, design and furnishing, therefore providing a privileged viewpoint of contemporary aesthetics and visual innovation
http://opentoart.laceramicainitalia.com/en/call-for-artists.html#.UjCfELy7Ey5
Revealed: Jun Kaneko @ the Gardiner Museum
Revealed: Jun Kaneko

On Tuesday, September 17 at 5:30 p.m.,
artist Jun Kaneko will unveil his monumental art on the steps of the
Gardiner Museum. Afterward, there will be a reception toasting the
artist and the many generous donors and Museum members who helped make
this exciting piece of public art installation happen. The reception
will be followed by a lecture in the Terrace Room where Jun Kaneko will
speak about his work.
“We are extremely excited to present Jun
Kaneko’s art to the City of Toronto, as it is his first major
installation here. The sculpture will become the new face of the
Gardiner Museum and comes at a very proud time for us – celebrating our
30th anniversary later this year,” says Rachel Gotlieb, Interim
Executive Director & Chief Curator.
What: Revealed: Jun Kaneko – The New Face of the Gardiner
Where: Gardiner Museum front steps – 111 Queen’s Park
When: Tuesday, September 17, 2013, 5:30 p.m.; Lecture at 6:30 p.m.
Follow: @gardinermuseum #OutOfClay
Cost: Public Art Reveal: Free
No stranger to the Gardiner, making his final and only Canadian stop of his Travelling Exhibition
at Toronto’s Gardiner Museum back in 2011. The exhibit featured
larger-than-life ceramic sculptures, some of which were over seven feet
high.
About Jun Kaneko
Jun
Kaneko (American, born Japan 1942) studied painting in his native Japan
as a young man. In 1963, he moved to the United States where he studied
ceramics with a number of influential artists from the California
School, including Peter Voulkos and Paul Soldner. Although Kaneko is
best known for creating large-scale ceramic sculptures and
installations, painting has remained an important part of his artistic
practice throughout his career. In recent years Kaneko has also branched
out to design opera sets and costumes for several productions in Omaha,
Atlanta, Philadelphia and Vancouver.
About the Gardiner Museum
Gardiner Museum connects people, art and ideas by offering an intimate
look at one of the world’s oldest and most universal art forms –
ceramics. The Museum’s collections span continents and time, giving a
glimpse into the development of ceramic processes, decoration and form.
Year-round, the Museum mounts special exhibitions, events, lectures and
clay classes to complement its permanent collection. The Museum also
features the Gardiner Shop, which specializes in artist-designed,
artist-made merchandise. More information about the Museum and its
exhibitions can be found online at www.gardinermuseum.com. Members of the media can register to access the Gardiner Museum’s online media room (www.gardinermuseum.on.ca/news-and-media) where they may download images and additional media materials.
For more information please contact:
Lisa Raffaele
PUNCH Canada
o. 416.360.6522 x239
c. 647.896.0743
[email protected]
Earth Moves: Shifts in Ceramic Art and Design Sept. 12 – Nov. 10, 2013
Dylan Beck, Domestic Conglomerations with Saccades
Join us for a special opening reception:
6-9 pm Thursday, September 12, 2013
at the
The Arvada Center for the Arts and Humanities
6901 Wadsworth Blvd.
Arvada, Colorado 80003
exhibition reception purchasers of new memberships or renewals will
receive special discounts on merchandize and a gift from NCECA. Stop by
and visit with us!
Want a sneak peak? Click here
Main Gallery Hours:
Monday through Friday – 9:00 am – 6:00 pm
Saturday – 10:00 am – 6:00 pm
Sunday – 1:00 pm – 5:00 pm
Parking and reception are free and open to the public
For more information about the Arvada Center go to www.arvadacenter.org or call 720-898-7200.
call for submissions: 2014 NCECA Emerging Artists
2014 NCECA Emerging
Artists
Delta Center, Milwaukee,
Wisconsin – March 19 – 22,
2014
Application Deadline: October 2,
2013
Application Fee: No
Fee
Artists program recognizes exceptional early career artists
through a monetary award, and the opportunity to present
their work to an international audience during
NCECA’s Annual Conference. The monetary awards as
well as opportunities for increased exposure through
exhibition and special events are made possible in part
through the generous support of the Windgate Charitable
Foundation.
NCECA defines an Emerging Artist to be one who
is creating work that offers new/exciting/thoughtful
perspectives that expand upon a genre of creative
production and inquiry. An Emerging Artist may be at the
early stages of receiving recognition for his/her work but
is currently underrepresented through exhibitions or
publications that might otherwise bring the work to wide
attention. The intent of the award is to recognize,
cultivate and amplify vital, new voices of creative
endeavor in ceramics. The award enables these artists to
reach broader national and international audiences and
impact discourse in the field.








