apprenticeship opportunity: Cook on Clay
The Zakin Apprenticeship
Sponsored by the Allied Arts Foundation, Seattle, Washington
Managed by Maryon Attwood and Robbie Lobell, Cook on Clay LLC
The Zakin Women in Studio Arts, Design, Business, and Manufacturing
Apprenticeship Program is an exceptional opportunity for a potter to
learn the combined skills required for today’s contemporary studio
artist, including the business of art, design, and related manufacturing
processes.
Apprenticeships are one- to two-year, hands-on learning opportunities.
The Apprentice is provided with studio space, use of studio equipment,
and inexpensive living quarters. There are nominal materials and firing
fees. Apprenticeships require 25 hours per week of work for Cook on
Clay. The Apprentice learns the importance of being part of a team, and
is mentored and tutored in studio work, design and manufacturing
practices, and managing a small artisan-based business.
Cook on Clay has two educational settings:
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The studios are located on our 10-acre homestead in Coupeville on
Whidbey Island, 30 miles northwest of Seattle, WA. Ceramic classes and
studio equipment are located here, along with a 70 cubic foot soda kiln. -
The production Annex is located a few miles from the studio, and is
where manufacturing (hydraulic pressing and finishing), glazing,
bisquing, firing, and packaging take place.
Whidbey Island offers a large arts community, small family farms and
unsurpassed natural beauty. Hiking, biking, kayaking and beachcombing
are readily accessible in this spectacular corner of the country. An
array of sales opportunities is available, including cooperative
galleries, farmer’s markets, studio tours, and craft fairs.
Apprenticeship Program Outline
Apprenticeship Details
DOWNLOAD APPRENTICESHIP APPLICATION
cookonclay.com/Apprenticeship
technical tuesday: dealing with packing styrofoam
So first off I have to give credit for this little tip to the Saskatchewan Craft Council. I learned this trick when I worked there years ago. I personally have a complete hatred for those ridiculous static empowered styrofoam packing peanuts. They get everywhere. My cats try to eat them. The kids try to break them into the smallest particle size possible. They suck, but throwing them out isn’t an option. I recycle all of my packing materials for the cost as well as environmental savings. But a quick and easy solution is to put the peanuts in plastic bags (also recycling and giving those bags a second life). Packing these around your art will give it the same support as if they were free floating in the box but without the risk of them getting everywhere. Ridiculously simple solution.
call for artists: Jerome Ceramic Artist Project Grants
The Jerome Ceramic Artist Project Grant program is intended to
support the work of Minnesota ceramic artists at relatively early stages
in their careers, as they accomplish short-term, specific objectives.
2015 marks the 25th year of the Ceramic Artist Project Grant program,
funded by the Jerome Foundation. The program supports Minnesota ceramic
artists at relatively early stages in their careers, as they accomplish
short-term, specific objectives. The program will provide three grants
of $6,000 each in 2015 for projects to take place between April 1 and
December 31, 2015.
Projects may include, but are not limited to: experimenting with new
techniques and materials, working or studying with a mentor, purchasing
equipment to facilitate an aesthetic or technical investigation,
providing studio time, studio rental, supplies, technical support,
collaborations between ceramic artists and artists working in other
media, education or exhibition opportunities, and travel.
An exhibition of work produced during the grant period will take
place at Northern Clay Center at the conclusion of the grant. Recipients
will provide a brief image presentation on their work in conjunction
with the exhibition.
The Jerome Foundation in
St. Paul, MN, has supported the Ceramic Artist Project Grant program
for 25 years. The Foundation supports emerging professional artists who
are the principal creators of new work, and:
- who take risks and embrace challenges;
- whose developing voices reveal significant potential;
- who are rigorous in their approach to creation and production;
- who have some evidence of professional achievement but not a substantial record of accomplishment; and
- who are not recognized as established artists by other artists, curators, producers, critics, and arts administrators.
Find full details here: www.northernclaycenter.org/artist-services/artist-fellowships/jerome-ceramic-artist-project-grants
Upcoming events @ Northern Clay Center
Call for Entry: NCC Members Exhibition
members —comprised of students, educators, professional artists, and novices. We
invite you to view the array of talent of our member-artists!
May 8–June 28
Gallery M
Opening Reception: Friday, May 15, 6 pm–8 pm
Application deadline: Friday February 2015 pm
Application guidelines
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You must be a member of NCC to apply to this exhibition.
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The online application deadline is Friday, February 20, by 5 pm.
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If accepted, work must arrive at NCC no later than April 21.
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There is no application fee.
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The member-artist is responsible for all shipping/transportation to and from NCC.
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All applications must be submitted online.
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Late, incomplete, and hard copy applications will not be accepted.
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More information on how to apply is available online on the Northern Clay Center’s
Exhibitions webpage: http://www.northernclaycenter.org/apply/ncc-members-exhibition-application.
Interested in becoming a member? Not sure about your membership status? Want to
ensure your membership doesn’t lapse? Check out the levels of membership online,
beginning at $35/year, or email us at [email protected] and we’ll assist
you. Members receive discounts on classes and workshops and 10% off qualifying
purchases in the gallery and online shop.Due to the high number of NCC members, this exhibition opportunity will be juried.
Members may submit up to three pieces that were executed during the past two years,
with a maximum of one piece being selected. All submitted work must be available
at the time of the exhibition. Work that is not the same as the piece accepted will be
disqualified. We would prefer to include pieces that have not been previously exhibited
at the Clay Center. Due to space constraints, and a desire to include as many members
as space allows, we must limit the size of any individual piece to 36” x 36” x 36”.














