technical tuesday: Mark Newman live sculpting demo
New Craft Ontario Shop Opening!
monday morning eye candy: Amy Santoferraro
emerging artist: Yvette De Lacy
260 FINGERS: TOP CERAMIC ARTISTS CONVERGE FOR EXHIBITION AND SALE
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Maureen Marcotte |
Third Avenue, Ottawa, Ontario
Friday, November 11, 6-9pm
November 12 and Sunday, November 13, 10am-5pm
art competitions like RBC’s Emerging
Artist Peoples Choice Awards, and numerous prestigious international
ceramics competitions are any indication, clay is now being acknowledged as a valued
contemporary medium that is increasingly popular with artists, audiences and
collectors. Ceramic work has spread its wings and is catching some well-deserved
limelight! The ceramic world has become…well…something akin to sexy!
260 Fingers have known for decades, and celebrating high-calibre ceramic work
is the reason this speacial exhibition and sale was established 12 years ago. This
November 11-13th, the twenty-six ceramic artists and potters of 260
Fingers 2016 will congregate at Ottawa’s Glebe Community Centre for their
annual exhibition and sale of some of the most inspiring and diverse ceramic
work from Ontario and western Quebec. The breadth and caliber of this show is recognized
as unique in the province and features work from functional to sculptural,
wood-fired to electric-fired, from formal, to functional, to highly decorative.
artists with international followings. This past
summer, among the 100 participating artists in the prestigious Biennial of
Ceramics in Taiwan, six were from Canada. Four of these six were our own 260
Fingers artists: Lisa Creskey, Paula Murray, Reid Flock, and Cynthia O’Brien
who travelled to Taiwan for the exhibition. Others have participated in
national and international residencies over the last few years. Still others have
had significant exhibitions locally and internationally. Each of the artists
views 260 Fingers as a welcome opportunity to present their newest and in many
cases, most daring or challenging work.
participate to help keep 260 Fingers fresh.
This year’s guests are Toronto potters Chiho Tokita, Loren Kaplan, Jeannie
Pappas and Heather Smit as well as Quebec artists Don Goddard and Marianne
Chenard.
gorgeous, domed atrium of the Glebe Community Centre will open its doors to
visitors eager to be among the first to view and purchase this year’s new work.
The vernissage is open to everyone and is truly a festive celebration of
ceramic work complete with music, food, drink and lively conversation. The show continues Saturday, November 12 and
Sunday, November 13 from 10am – 5pm. Artists will be present all weekend. Tours
of the show are each afternoon at 2pm and offer an opportunity to hear about
each artist’s unique work and processes and to ask any questions you may have
about their work and studio practice.
information please email [email protected]
or call Maureen Marcotte at 819-459-3164.
https://www.facebook.com/260Fingers
https://twitter.com/260Fingers
Instagram: https://www.instagram.com/260fingers
Mothers in Arts Residency
MA Residency
Mothers in Arts Residency (MA Residency) will be a studio space
combined with a communal nursery. The Residency is specialized in
supporting emerging women artists, who are also mothers. Mothers in Arts
is free of charge; the artists agree on take turns to work and look
after each others children around an organized work schedule.
MA Residency provides studio space for 3 artists and a communal
nursery for their children. Accommodation is not provided. The residency
invites emerging woman artists to apply whose children are between 3
months an 24 months old. The Residency gives new mothers an opportunity
to continue their artistic development.
The trial Residency takes place in Amsterdam, the Netherlands between
March 2017 and May 2017, and will be finished with an exhibition in
June 2017.
Background
Mothers in Arts is a small initiative founded by Csilla Klenyanszki, who lives and works in Amsterdam, the Netherlands.
The idea of this project comes from my own experiences, which are
based on the first year of motherhood, the social and the daycare
situation in the Netherlands & my particular situation as an
emigrant artist, without a family network.
The inspiration for this project comes from a “self-directed,
open-source artist in residency”, called ARIM. An Artist in Residency in
Motherhood (http://www.artistresidencyinmotherhood.com/)
was founded by Lenka Clyton and wants to “empower and inspire artists
who are also mothers”. I am currently doing a project, called “Pillars of home” during ARIM.
The Residency begins as a small project, because it is supported from
the Stipendium Program for Emerging Artist (Werkbijdrage Jong Talent),
awarded by the Mondriaan Foundation, based in the Netherlands. This is
also the reason, that the Residency will be a trial residency first as
the financial resources are limited.
The studio invites emerging women artists to work in the studio when
their child is between 3 months to 2 years old. The Residency is
designed around the childcare policies of the Netherlands: 3 months is
the given maternity leave and 2 years is the minimum age, when children
are provided with 2 days a week subsidized daycare. This “in between”
period is crucial for an artist-parent: through the strict schedule and
the constant attention which a baby requires, critical practice becomes
limited.
The trial residency takes place between March – May 2017 and will be
finished with an exhibition in June 2017. The trial residency is really
important to obtain further funding, which would make possible
extending the Residency and making it permanent.
The project exists with the hope that it can help artists to combine
their artistic practice with early parenthood. Through the project I
wish to put forward a discussion about a problem that affects many
emerging artist women when they become parents. Even though, many
artists have children, parenthood remains stigmatized in the art world.
Therefore, besides the physical and mental challenges of childbearing –
which are consuming enough – an added feeling of isolation can be felt
by many mothers.
This situation isn’t exclusive for artists of course, it is a common
dilemma for most working mothers. After becoming a parent maintaining a
professional life becomes difficult.
The project is geared to mother artists and by drawing attention to
this hidden segment of the art world I want to stimulate mothers in
general. By showing and promoting their existence, I hope that the
professional and also the general public realizes and confirms their
importance as a matter of public health.
For more info: www.mothersinarts.com