call for artists: Bursary opportunities for Metchosin International Summer School of the Arts
Each year, the Metchosin International Summer School of the Arts is proud to be able to offer a number of full and partial bursaries to practicing Canadian artists. Financial assistance is available through the MISSA Bursary Program, for artists working in any medium, and the Betty Burroughs Memorial Fund for ceramic artists. MISSA also awards a number of Emerging Artist Bursaries to emerging artists 19-29 years old. Bursaries are available on a one-time basis and are applicable to any course offered at MISSA.
Bursary Application Process
Please email the scanned completed application form, 4-5 images and a brief bio combined as one PDF document which is under 4MB in size (please use low res images in your file) , to the Executive Director : [email protected] Applications due April 15, 2017. Only those applications which comply with the single PDF file format will be considered. Thank you.
MISSA BURSARY application 2017 [pdf]
MISSA BURSARY application 2017 [Word document]
Selection is undertaken by the Board of Directors and is based on artistic merit, financial need and commitment to art. Partial bursaries typically cover the workshop tuition. Full bursaries cover both tuition and accommodation & meals. Bursaries do not include required course supplies or travel expenses. Recipients are required to contribute a minimum of four hours volunteer time per week and to write a brief report outlining their MISSA experience.
The Vancouver Island Potters Guild offers a Betty Burroughs Memorial Bursary to members of their guild. APPLICATION DEADLINE HAS BEEN EXTENDED UNTIL THE END OF APRIL. Please contact the Guild directly for further details.
call for artists: Get involved in National Clay Week 2017
Sign ups are open for #ncw2017 Open Studios! National Clay Week Open Studio (NCWOS) is a nationwide event that celebrates clay, community and creativity. Join us on the weekend of October 13 – 15, 2017 for a celebration of clay in all 50 states! Studios all over the country will open their doors for demonstrations, lectures, exhibitions.
call for entry: The Salt Spring National Art Prize
Until May 31, 2017
The Salt Spring National Art Prize (SSNAP)
Offering $30,000 in Awards
Canadian artists and permanent residents of Canada are invited to submit their 2D and 3D work for consideration to this national art prize jury.
In its second year, SSNAP is offering $30,000 in awards.
The intent of SSNAP is to encourage artists whose practice demonstrates originality, quality, integrity and creativity, resulting in significant work with visual impact and depth of meaning. Finalists will be chosen by an independent jury from across Canada and artists’ submissions will be anonymous to the jury.
SSNAP Is Offering Awards Totaling $30,000:
THE JOAN McCONNELL AWARD for OUTSTANDING WORK: $17,000 ($12,000 and a $5,000 Salt Spring Island artists residency)
THE STEPHEN P ROBERTS JURORS’ CHOICE AWARDS: three awards of $2,000 selected by each juror
THE ROSEMARIE BEHNCKE PEOPLE’S CHOICE AWARDS: with a 1st Prize of $3,000, 2nd Prize of $2,000 and 3rd Prize of $1,000 determined by a vote of visitors to the exhibition
THE ASA (Alliance of Salt Spring Artists) AWARD FOR OUTSTANDING SALT SPRING ISLAND ARTIST: $1,000
Approximately 50 final works will be selected for exhibition and sale at historic Mahon Hall on Salt Spring Island, from September 22 through to October 22, 2017. The list of finalists will be announced by July 19, with winners announced at the awards gala on Saturday, October 21, 2017.
Our accomplished jurors are David Garneau (Associate Professor of Visual Arts at the University of Regina), Denis Longchamps (Artistic Director and Chief Curator at the Art Gallery of Burlington), and Naomi Potter (Director/Curator of Esker Foundation Calgary). They all share a deep knowledge of Canadian art while bringing diverse areas of expertise and perspective on submissions to a national art show.
The call for submissions is open to May 31, 2017, with details found on our website at The Salt Spring National Art Prize.
On Facebook click http://tinyurl.com/SSNAP2017FBCall
For more information about SSNAP, including artist submission and selection process, jury bios and event dates, please visit www.saltspringartprize.ca.
movie day: Objective Clay ~ The Cup
guest post: Jonathon Bancroft-Snell Celebrates 17 Years.
Jonathon Bancroft-Snell Gallery-Galerie
April 2017 – Thank you!
By Jonathon Bancroft-Snell
“It’s hard to believe that it has been seventeen years since the gallery opened on April 6th, 2000. There was little inventory and a huge space yet I decided I was going to specialize in Canadian art. Boy, was I an innocent abroad. An interesting thing about naivete is it can propel you in a way that only those willing to accept an empirical approach can understand. Looking back if I had known what I was getting myself into I may have chosen a retail job at Sears. Instead I opted for the rollercoaster ride of my life.
The Jonathon Bancroft-Snell Gallery has evolved into Canada’s leading national gallery focusing on ceramic art. The exhibition that most defines the gallery is Matter of Clay held every five years in August. The initial Matter of Clay exhibition, held in 2001, was the first major national exhibition held in decades. Planning the exhibition is where my naivete really came into play. I looked at pictures and sent letters to artists whose work appealed to me. I was fortunate to have Ontario artist Shirley Clifford act as my guide, Soon I had acceptances from across the country from icons such as Ann Mortimer, Walter Dexter, Goyer-Bonneau, Karen Dahl, Reed Weir, and Peter Powning to name a few. The exhibition was a huge success. During an introspective post-analysis I was struck by how Canada’s biggest ceramics stars had agreed to participate. I was a nobody and totally unknown yet I’d had success in attracting major artists to participate. I made a choice. The gallery was going to focus on promoting ceramic art in Canada.
Over the years there have been solo shows, group shows, themed shows and retrospectives. The difficulty with identifying highlights is akin to choosing a favourite child. Each year has been an incredible gift with every show feeling like a kiln opening. The crates would arrive and opening them provoked a chorus of oohs and aahs and the occasional expletive when a piece arrived broken. Over all it was always a magical experience that would play out over and over when people arrived at the opening. It is rewarding to see ceramic artists treated like rock stars by collectors appreciative of their work.
Seventeen years to look back on in a long time. There are however two shows that really stick out in my mind. The first was Walter Dexter’s solo show in August 2007. The show featured his Torso vases, a body of work begun in 1996, arguably his most significant body of work. It was a culmination of a long and illustrious career. I can still hear him saying to me in January of 2007, “I guess we’d better do this while I’m still alive to enjoy it.” He enjoyed it! The show was magic and attendance opening night was a who’s who of ceramic glitterati.
The second show was ‘Upstarts’ in 2010 featuring work by the frontrunners in the clay arts movement in Canada. These were the artists, still living, born before 1940. The artists who went on to teach, influence, and inspire subsequent generations of ceramicists. There were twenty-four artists in the show. A bittersweet, yet illuminating, memory of the exhibition was Roman Bartkiw’s acceptance. He was thrilled to be asked and included in an exhibition that as he put it ‘includes so many of my friends’. Sadly, Roman passed away the same day of a heart attack, a poignant reminder of the reality that these were Canada’s senior artists. Since 2010 John Chalke, Walter Dexter, Dean Mullavey, Maurice Savoie and Tom Smith have also passed away. Many of the others have retired from making.
I have been so privileged to have had the opportunity to meet so many extraordinary artists. Their legacy is incredible. I have also been fortunate that since 2004 Brian Cooke, my gallery manager, has exhibited the same passion for Canadian ceramics as me. In January 2018 at the Tom Thomson Gallery in Owen Sound he will be curating “Anatomy of a Collector’ featuring selections from nine ceramic collections.
Owning a ceramic gallery is, in some ways, like being a maker. You never know what new surprises await when you open the door. To everyone who has created and supported the gallery I just want to say; “Thanks!” ~ Jonathon