call for entry: Me, Myself and I
| Me, Myself, and I Clay Art Center 40 Beech Street Port Chester, NY 10573 |
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| Entry Deadline: 9/22/17 Days remaining to deadline: 38 REQUIREMENTS: Media Entry Fee (I: Clay Art Center National Juried Exhibition): $25.00 Description The 2018 gallery year will feature 4 Degrees of Separation, a series of four exhibitions featuring artists whose works examine the intricacies of maneuvering life, lifestyles and living within a global society with its political and social ramifications. The first exhibition is titled Me, Myself and I and will be followed by THEM, US and ALL. CAC is committed to exhibiting emerging, mid-career, and established artists, as it seeks to become a platform for the field to express potent ideas and relevant topics of our time. Me, Myself and I will be the opening exhibition of the Clay Art Center’s gallery and will start the year’s themed exhibitions. This open juried show invites artists to submit vessel based work that explore issues surrounding identity. Artists are asked to think about such passionate issues such as who we are and how do we see ourselves within the context of society, family, relationships, and most importantly within our own skin? What role does culture, lineage, inheritance, and other characteristics of personality and sub-personalities play in how we see ourselves and define who we are? This exhibit seeks submissions from artists who use their vessel-based art to explore concepts around self, experiences, and the triumphs and challenges faced either in the daily tasks of living or one’s place in society. This national call for entries will be juried by Kathy King, a renowned artist and educator whose own work reflects the very core theme of the show. As guest juror, she has invited kindred artists Mark Burns, Cheyenne Rudolph, Beth Lo, and Matt Nolen who also use their art to reflect identity and self-awareness. Juror, Kathy King is currently a studio artist in the Boston area and is an Instructor and the Director of Education at the Ceramics Program – Office for the Arts at Harvard in Allston, MA and is a Visiting Faculty at the Massachusetts College of Art in Boston. She has given workshops and lectures at over fifty colleges, schools and art centers throughout the USA. “I hope to find work that truly expresses and shares the individuality of the artist. In contemporary ceramics, we have such a long history to reference the individual with a myriad of processes; though technique and design is the building block to many works – concept is what communicates with the viewer. I’ll be looking for strong narratives that look inward and trust what they see.” –Kathy King |
technical tuesday: Studio Pottery with Kris Neal
call for entry: “The Art of the Drink” Drinking and Beverage Storage Container Exhibit
Media: Ceramic, glass, metal, wood, mixed media
Entry Fee: $25 for 3 images
Butler Art Center is hosting an exhibit honoring the drinking vessel and the containers used to store all things spirited. This exhibit is paired with a beer label design show and the closing reception will host a beer tasting by Butler Brew Works, Cellar Brew Works and Reclamation Brewery.
Media:
Drinking and storage vessels (cups, mugs, yunomis, tankards, tumblers, goblets, tea bowls, growlers, flasks, jugs, etc.) must be made from all food safe materials. All exhibited work must be for sale. Pieces must be available for the duration of the exhibition.
Specifications:
The application is open to all artists 18 years and older. An artist may submit 1-3 original works, which have been completed in the last two years. Works not gallery-ready or not exhibiting good craftsmanship, may be omitted from the exhibit. Accepted works that differ significantly from the entry images will be disqualified from the exhibition.
Juror: Didem Mert
Didem Mert was born and raised in Cincinnati, OH. She received her BFA in Ceramics from Northern Kentucky University in 2014. Mert has exhibited nationally in places such as Companion Gallery, Charlie Cummings Gallery, AKAR, The Erie Art Museum and over forty other venues. Her work was published in Ceramics Monthly’s 2014 Undergraduate Showcase. She was featured on the cover of Pottery Making Illustrated’s January/February 2016 issue. Mert was also featured on Architectural Digest’s 10 Ceramic Artists Giving Pottery A Modern Update. Didem is currently attending Edinboro University’s MFA program.
Awards:
All accepted entries will be eligible for “Best in Show,” “People’s Choice” and sponsor purchase awards. Artists need not be present to win. The winners will receive monetary rewards totaling up to $250. “Best in Show” will be determined through the jurors and announced during the closing night festivities. The voting for the “People’s Choice” will continue through the duration of the exhibition and be announced at the end of the show.
Closing Reception:
Exhibition opens October 11, 2017. A closing reception/beer tasting event will be held November 3, 7-9. All artists are invited to participate in the festivities.
Submission deadline : August 25, 2017
Submission payment must be made here (insert link to payment here) After registration is compete, email the following information to [email protected]
monday morning eye candy: Lydia Johnson
call for submissions: LOEWE Craft Prize 2nd edition
In 2016, the LOEWE FOUNDATION launched the international annual LOEWE Craft Prize to showcase and celebrate newness, excellence and artistic merit in modern craftsmanship. Aiming to acknowledge the importance of craft in today’s culture and recognise artisans whose talent, vision and will to innovate will set a standard for the future, LOEWE Creative Director Jonathan Anderson conceived the initiative inspired by LOEWE’s beginnings as a craft cooperative in 1846. ‘Craft is the essence of LOEWE. As a house, we are about craft in the purest sense of the word. That is where our modernity lies, and it will always be relevant,’ Anderson has stated.
German wood artist Ernst Gamperl was selected as the winner of the 2017 edition among 26 finalists from close to 4,000 submissions representing over 75 countries on five continents. Listen to him sharing his experience and advice.
Find out how to participate to the LOEWE Craft Prize 2018.
Watch what our judges and experts, leading figures from the worlds of design, architecture, journalism and museum curatorship, have to say about Craft.
Key Dates · LOEWE Craft Prize 2018
19 June 2017: Entry site opens to submit works
31 Oct. 2017: Submissions close
Jan. 2018: Shortlist of finalists announced
April 2018: Exhibition of finalist works in London
May 2018: Winner announced
About the Craft Prize
The LOEWE Craft Prize seeks to acknowledge and support international artisans of any age (over 18) or gender who demonstrate an exceptional ability to create objects of superior aesthetic value. By identifying work that reinterprets existing knowledge to make it relevant today while reflecting its maker’s personal language and distinct hand, the LOEWE FOUNDATION aims to highlight the continuing contribution of craft to the culture of our time.
All entries should
fall within an area of applied arts, such as ceramics, bookbinding, enamelwork, jewellery, lacquer, metal, furniture, leather, textiles, glass, paper, wood, etc.
be an original work, handmade or partly handmade
have been created in the last five years
be one-of a-kind
have won no prizes previously
demonstrate artistic intent.
The Prize for the winning entry is 50,000 euros. The winning work selected by the Jury, as well as the works of the finalists selected by the Experts Panel will be included in an exhibition and accompanying catalogue “LOEWE Craft Prize 2018”, on view in London.
movie day: Kintsugi – The Art of Broken Pieces
Filmed & Directed by:
DANIEL EVANS
Produced by
SIMON OXLEY
Edited by
ALEX MEAD
Music
FREDDIE WEB & JOE FARLEY for WAKE THE TOWN
[ wakethetown.com ]
Kintsugi craftsmen:
Muneaki Shimode & Takahiko Sato
Project originator: Teruo Kurosaki
UK co-ordination: Tim Toomey
With special thanks to Yamakyu Japanware & tokyobike London [ tokyobike.co.uk ]
About Kintsugi:
Kintsugi is the craft in which chipped, cracked or broken ceramic pieces are repaired using a combination of urushi (lacquer) and rice glue. This process inadvertently results in a decoration, the form of which is dictated by the breakage the piece has suffered. Powdered gold is usually applied to the repaired patch or seam before the urushi has set, although less embellished repairs can be made by using urushi alone, materials used do vary. Kintsugi can also be applied to glass. Larger repairs are sometimes enhanced by the later application of decorative patterns or illustrations painted with urushi or a fine grade of powdered metal, in a technique known as maki-e.
The craft dates back to at least the 16th century, and there are various engaging historical anecdotes which emphasise the value placed on items pieced back together, particularly tea-ware. The famous tea master Sen no Rikyu was renowned for his appreciation of the Unzan Katatsuki, an exquisite tea bowl, precisely because of the roughness of its repair.
The moment in time when something has been shattered is permanently captured by the painstaking labours of a craftsman in building up the layers of lacquer to repair a piece. It is this reference to the now that recalls mushin, a lack of attachment to anything, but rather being present in the moment, something constantly available to all, but particularly so when we drop a piece of china.
Take my Illustrative Pottery Workshop with the Ceramics School
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