technical tuesday: Mimi L. Belleau’s “Technology of Ceramic Materials”
Mimi L. Belleau’s “Technology of Ceramic Materials” book is nearing completion. This exceptional work presents a multitude of techniques and materials used in the field of ceramics with a particular emphasis on the physical and chemical characteristics of the materials. About fifty drawings, nearly two hundred color photographs and a hundred synthetic paintings illustrate the 360 pages of the book, and make it a unique and unavoidable reference book!
A few years ago, Mimi Belleau, a ceramist and pedagogue passionate about her craft, began writing a book on the technology of ceramic materials. Mimi has carried out a colossal research on a multitude of techniques and materials specific to the field of ceramics with a particular emphasis on the physical and chemical characteristics of the materials used in the composition of the glazes. Unfortunately, the illness took Mimi away before she was able to finalize her dream. In order to make this valuable work come into existence, several people have agreed to complete its project.
The preparation of the edition of the book Technology of ceramic materials is almost complete. We need your help so that the publication of this book meets the wishes of Mimi. This socio-financing campaign will allow us to cover the costs of printing and publishing. This important pedagogical work presents different techniques and methodologies specific to the exploration of ceramic materials as well as the development and the development of glazes. Many of these techniques are illustrated by works of some fifty Canadian ceramists who generously agreed to contribute to the publication of this book. A particular emphasis is placed on the diversity and know-how of contemporary Canadian ceramists. The book, written in French, presents the North American ceramic materials and will be the only book published in French in Canada and America. In all, about fifty drawings, nearly two hundred color photographs, a hundred synthetic paintings and five lab exercises illustrate the twenty-two chapters of the book, and make it a ceramic learning manual for beginners and amateurs in addition to being a reference work essential for professional ceramists.
This socio-financing campaign will allow us to reduce the cost of printing the book by taking a maximum of pre-orders. As a result of this socio-financing campaign, the book will be printed and published in December 2017. By contributing to this campaign, you will benefit from a pre-sale rate of $ 50 for the book that will be available thereafter at a cost of $ 60 plus taxes and handling fees. So you save $ 20! In addition, all additional donations will help cover the costs of editing and publishing. Contribute to our socio-financing campaign now and participate, in your own way, in the realization of Mimi’s dream.
Do not hesitate to share this socio-financing campaign in your networks in order to make this exceptional work accessible to a wide audience.
Thank you!
https://www.indiegogo.com/projects/publication-technologie-des-materiaux-ceramiques#/
online workshop: The Head in Clay with Cristina Cordova
Because of the slow, gradual unfolding of a clay sculpture it is often hard to relay the full arc of a piece from beginning to end in the traditional workshop context. This course will offer an intimate vantage point to study and understand all of the steps, tools and materials that come into play to create a clay head. With the methods showcased in this course and the open floor chat sessions between demonstrations to answer questions you will be fully empowered to create clay heads of different scales in your own studio. This course includes supplemental printed material that follows the course structure and several opt-ins to customize your experience.
Curriculum:
VIDEO MODULE 1: Before We Begin: Tools, Materials and Workspace Setup
VIDEO MODULE 2: Sourcing Anatomical References
VIDEO MODULE 3: Hollow Construction With Easy Patterns At Any Scale
VIDEO MODULE 4: The Skull Basics
VIDEO MODULE 5: Adding Features and Introducing Tools
VIDEO MODULE 6: Tricks and Techniques for Refining and Cleaning the Face
Registration: http://travel-arte.squarespace.com/new-page-1
monday morning eye candy: Magdalena Pedro Martínez
emerging artist: Virginia Eckinger
movie day: Armour by Keegan Luttrell
Individual protections, once made of iron, were meant to defend their owner and improve human capacities. They would shape the body to act as a second layer, define one’s identity and belonging, and maybe, repulse the adversary. From head to toe, covered by her all-in-one, how would Joan of Arc feel wearing her “victorious” harness while marching on Paris?
The inhabitants of an armour chose whether they wanted it to be light and adherent or massive and constructing, either allowing a greater rapidity of movement but with less efficiency or defensive but rigid and heavy, constricting the range of action. In each case, the protection reveals its fragility.
From chainmail to bulletproof vests or tribal face tattoos, the defensive shields made a long way since the heavy overalls and took diverse outlines. Kevlar, polyethylene of molar mass, light metal, ceramic plates or ink; materials and forming varied and evolved regarding mobility and clinging functions to such an extent, that they tend to become imperceptible.
Keegan Luttrell extends this investigation field to other forms of protection or self-defense. Her interest focuses exactly on the invisiblearmours, involved in a daily context. The ones we wear on facial features or disguised under gestures and behaviors.
Through her analysis and in the exhibition taking place, they become tangible, as to allow a closer observation, as if we could even try them. Face lines converted into ceramic pieces strengthened by fire and shattering if mishandled. These fine bone structures are here engaged in a ritualized course, their brittles taken by fluids and movements, turning back into sediments, as the objects are activated by their dissolution.
-Marie DuPasquier
keegan-luttrell-mj0h.squarespace.com