canadian ceramic residency opportunity!

Open to emerging and established visual artists in ceramic or overlapping interdisciplinary practices. Applications are accepted on-line only.

The program provides ceramic artists the ability to work in a supportive community environment of like-minded individuals, to share their expertise and vision, to inspire excellence and create work at the highest level in a nurturing and creative environment.

The residency is a multi-faceted experience that will include opportunities for teaching, community outreach, interaction with other artists, and studio care, and will culminate in an exhibition of new work.

Professional Development, Opportunities & Obligations

The Resident Artist Program offers individuals the opportunity to further develop their work, and to establish professional practices and standards. Both Centers offer the support of their staff and facilities to help Resident Artists reach the next stage of development in their careers.

The Caetani Centre, ACNO & VCAC will facilitate workshops, receptions, and public programming based around the participating artist’s work. All organizations work together to provide additional opportunities for public educational programs, artist presentations, and feedback from other artists and mentors. The artist may propose additional events and community programming if they choose.

As a relatively new program, the Caetani Centre is interested in feedback and constructive criticism, and requests that the participant submit an exit survey upon completion of their project.

Artists-in-Residence are requested to leave a piece of art in the community, if possible.

Exhibition Opportunity

Residents will have the opportunity to exhibit their work in the Vernon Community Arts Centre’s Lobby Gallery, with technical support from the VCAC. Curatorial support is provided by the Caetani Center, and the artist will contribute to and receive a small publication about their residency and exhibition.

Selection of Applicants

The program is open to both emerging and established artists. The ideal candidate should have a minimum of post-secondary training completed or in progress with a major in ceramics, be self-directed and able to work independently. Preference is given to candidates who have demonstrated artistic excellence as well as interest in experimentation and innovative techniques.

The successful CeramAIR Resident has a genuine commitment to working with clay, a willingness to work with the local community, and a desire to grow in the development of their own work. They bring a high level of professionalism and competency to the studio that enriches the quality of our programs and facility.

A selection committee composed of arts professionals will review and select candidates for the program. Selection is based on the body of work presented, cv and project proposal.

Full details can be found HERE.

call for entry: The Almighty Cup 2019: A National Juried and Invitational Exhibition

Presented by the Shaped Clay Society at Syracuse University and Gandee Gallery.
Apply Now

The Almighty Cup Show show is a fundraiser for the Shaped Clay Society, a student run clay club at Syracuse University. All entry fees go directly to the club to support student scholarships, activities, and conference attendance and provides professional development through local, national and international experiences in the field of ceramic arts.  The Shaped Clay Society is committed to giving its members the necessary tools and experiences to successfully take their art into the communities of the world.  Contact Information: Devon Gelhar, Shaped Clay Society President, [email protected].

Juror: Garth Johnson, Curator of Ceramics at the Everson Museum of Art, Syracuse, NY

Eligibility: Open to all residents of the United States of America.

Entries:  $30 for up to 5 entries. Maximum file size 7 MB. Minimum size 5″ in short direction @ 150 dpi. Maximum 2 images per entry. Digital images should be labeled with the artist’s last name_first name and the entry #. (Charlie Brown would be brown_charlie_1a) Cups must be made primarily of clay. The idea of cup may be interpreted freely. Work may not exceed 12 inches in any direction or 20 pounds. All exhibited work must be for sale.  A 50% commission will be taken on all sales.  Selected pieces must be available for the duration of the exhibition.  Substitutions for accepted work will not be allowed.

Shipping and Insurance:  The artist is responsible for the shipping and insurance of the work to the gallery. Gandee Gallery will be responsible for insurance during the exhibition and return shipping of unsold works.

Documentation: Gandee Gallery reserves the right to photograph all works displayed in the exhibition. These images may be used for documentation, sales, promotion and publicity.

Awards: CLAYSCAPES Pottery in Syracuse, NY along with the Shaped Clay Society will be sponsoring awards of up to $500.

Important Dates:
May 9: Online application available
August 26: Online application closes
September 6: Notification begins via e-mail
October 2: Work due to Gandee Gallery
October 19: Show opens at Gandee Gallery and Online.
January 12: Show Closes.

Full details HERE.

call for entry: Craft Forms Exhibition

The exhibition will run from December 6, 2019 to  February 1, 2020 and will be held at  Wayne Art Center, 413 Maplewood Avenue, Wayne, PA, 19087, 610-688-3553, craftforms.org.

Juror – Jane Milosch, Executive Director, Smithsonian Provenance Research Initiative in the Office of the Under Secretary for History, Art, and Culture, Smithsonian Institution

Wayne Art Center is pleased to welcome Jane Milosch, Executive Director, Smithsonian Provenance Research Initiative in the Office of the Under Secretary for History, Art, and Culture, Smithsonian Institution, as the juror for the CraftForms 2019 exhibition.

ABOUT THE JUROR

Jane Milosch is founding director of the Smithsonian Provenance Research Initiative in the Office of the Under Secretary for History, Art, and Culture, Smithsonian Institution. Previously she was Senior Program Officer for Art, directing pan-Institutional art programs, new interdisciplinary initiatives and strategic planning efforts for the arts at the Smithsonian. She completed the Getty Leadership Institute program. Milosch was Chief Curator at the Renwick Gallery of the Smithsonian American Art Museum, curator of the Cedar Rapids Museum of Art in Iowa, and of the Detroit Institute of the Arts. As Fulbright Scholar in Munich, she was managing editor for Prestel art books and consultant to art museums, galleries, and other cultural institutions. Her research interests include modern and contemporary art, craft, and design, especially the intersections of art, science, design, and technology.

ELIGIBILITY REQUIREMENTS

  • Artists must be 18 years of age or older.
  • Works submitted must be original in design. Collaborative works are accepted.
  • Work must have been completed in the last 2 years. (Created after 2017)
  • Work previously exhibited at Wayne Art Center is not eligible.
  • All work must be for sale.
  • Work must remain on display for the duration of the exhibit.

AWARDS

$10,000+ in prize awards will be presented by juror Jane Milosch during the CraftForms 2019 Preview Party December 6, 2019.

Full details HERE.

call for entry: What goes bump in the night 2019

Las Vegas Nevada’s Clay Arts Vegas is pleased to host “What Goes Bump In The Night 2019” a national juried art exhibition, October 3 –November 12, 2018 in the Victor F. Keen Gallery, at Clay Arts Vegas in Las Vegas, Nevada. “What Goes Bump In The Night 2019” will feature functional and sculptural work exploring the sublime.
This annual show explores a darker side of ceramic art and rings in Halloween in Las Vegas. Let your imagination run wild with pieces that make the hair on the back of your neck rise. From night mares to the darkness that might live in the soul there are things that remind us of when we were children sacred in the dark by things that go bump in the night.
Deadline:September 1, 2019. Participation is open to all artists 18 years of age or older. Work submitted must be original, must use clay as the primary material, must specify firing technique(s) and size, and must have been completed within the last 2 years.

Jurors come from Clay Arts Vegas Staff with invited guest juror Rob Kolhouse

Important Dates
Exhibit Dates: October 3, 2019 – November 12, 2019
Entry Deadline: September 1, 2019
Juror Results: September 7, 2019
Accepted Art Work to be Delivered to CAV by: Septeber 21, 2019
Hand Delivered Work to The Clay Arts Vegas: September 21, 2019
Opening Reception Best of Show Announcement: First Friday October 4, 2019
Pick Up Art Work: November 15 , 2019 between 10-5pm @ CAV

Application Link: https://www.formpl.us/form/25926001

call for entry: SIP a Ceramic Cup Show

Online Application Closes: November 30, 2019 (midnight)
Entry Fee: Members: Free | Non-Members: $20 for 3 entries
Notification Begins via Email: December 20, 2019
Shipped Work Due: January 29-February 21, 2020
Hand-Delivered Work Due: February 24-28, 2020
Exhibition Dates: March 6-March 13, 2020
Return Shipping of Unsold Work: March 14-17, 2020
Hand-Delivered Unsold Works Picked Up: March 14 (at gallery) or March 16-20 (by arrangement)
Specifications:
The application is open to all artists 18 years and older. An artist may submit 1-3 original works, which have been completed in the last two years. Works not gallery-ready or not exhibiting good craftsmanship, may be omitted from the exhibit. Accepted works that differ significantly from the entry images or suffer from poor presentation will be disqualified.

Work may not exceed the dimensions of L–6” W–6” H–8” (including handle) or weigh over 2lbs.
Images should be submitted as jpegs and sized at 300dpi and 10 inches (3000 pixels) on its shortest side. Files should be labeled first name_last name_entry number (e.g. John Smith would be john_smith_2.jpg).

Media Restrictions:
Drinking vessels (cups, mugs, yunomis, tankards, tumblers, goblets, tea bowls, etc.) must be made primarily from clay and 100% functional with food safe glazes. Work may not exceed the dimensions of L–6” W–6” H–8” (including handle) or weigh over 2lbs. All exhibited work must be for sale. Selected pieces must be available for the duration of the exhibition.

Before you apply: If you are new to photographing 3-D artwork, or would like a refresher on good photography practices, please read this article Photographing Cups

Contact Information:
Jessica Broad | Savannah Clay Community
[email protected]

Full Prospectus HERE.

residency opportunity: Penland Winter Residencies

Penland’s Winter Residency program is a short-term residency opportunity for artists seeking to work independently in one of our 16 studios during Penland’s quiet season. Emerging and established artists are encouraged to apply for our 2-week and 4-week sessions. Shared studio access is provided to a small number of artists each session, inviting enough people to encourage conversation and creative camaraderie, but not so many that focused time in the studio is compromised. Our goal is to support artistic growth, experimentation, and inquiry in all media by offering artists the time, space, and equipment they need to promote professional development.

Penland Winter Residencies are for:

  • Artists needing access to facilities for research and development that can be uniquely supported by Penland’s studios and equipment.
  • Art educators who are seeking focused work time during a winter break or sabbatical.
  • Two or more artists wanting to work collaboratively on a specific project or simply alongside one another in order to share technical expertise and/or creative inspiration. (Each member of the collaboration must apply individually.)

Full details HERE.

DEADLINE AUGUST 15th!

Also check out their website for amazing upcoming workshops by Virginia Scotchie, Arthur Gonzalez, Hitomi Shibata & Takuro Shibata, Bryan Hopkins, Suze Lindsay & Kent McLaughlin, Eleanor Anderson, Jenny Mendes, and Kurt Anderson,

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