Ideas for teaching clay online – google doc

Huge thanks to Stephanie Rozene for setting up IDEAS FOR TEACHING CLAY ONLINE; a resource during this difficult time for teachers.

Read and contribute to the google document HERE

Here’s other resources for teachers :

Teaching Effectively During Times of Disruption, for SIS and PWR – Google Doc

Resources for Online Instruction // VISUAL+STUDIO Arts Courses

Please email me ([email protected]) if you have other suggestions I can add to this list.

 

 

ClayShare Online ClayCon

In light of the recent cancellation of NCECA ClayShare will be doing an online ClayCon!

Join ClayShare every day for 5 days at noon eastern time on ClayShare.com, our Facebook page and on Jessica Putnam Phillips YouTube channel for a series of amazing, fun, educational and free demos. All demos will be available for replay after the live broadcast ends.

There will be great discount offers from vendors that would have been at NCECA and tutorials on how to use their products!

March 21st
Handbuilding slab plates and platters with texture and underglaze decals

March 22nd
Sgraffito carving techniques with underglazes

March 23rd
Modern Mishima with wax and underglaze
Layered watercolor pottery with underglazes

March 24th
Wheel throwing demo

March 25th
Glazing Pottery
How to fire and maintain electric kilns
Pottery Q&A

We will be adding more info daily so follow us to find out what’s new.

Craft Ways Symposium

Craft Ways 2020: Tending to Craft
July 30 – August 1, 2020
Asheville, North Carolina

Craft Ways 2020: Tending to Craft is a symposium focusing on issues in contemporary craft surrounding the intentional care of craft. Using the theme of Tending, this inaugural gathering will engage multiple approaches to the embodied study and practice of craft. Together, participants will work to understand how artists, craftspeople, curators, and scholars explore histories of craft. Learning from individual work in the collective context of a symposium, we aim to reveal the multiplicities of craft studies.

By mixing work by established and emerging researchers and craftspeople, Craft Ways 2020 aims towards intergenerational exchanges of knowledge and information embedded in craft, while simultaneously engaging dynamism and shifts in contemporary discourse.

Through a variety of modes of sharing research—from individual to group formats—Craft Ways 2020 centers interdisciplinary collaboration and intersectional thinking through a merger of form and content. Sessions may include skill-building workshops, breakout brainstorming sessions, participatory discussions, research presentations, readings, and more.

For more information, please contact Craft Research and Innovation Manager Lola Clairmont at lclairmont@centerforcraft.org

About the Partnership

Craft Ways 2020 is co-presented by the Center for Craft and the MA in Critical Craft Studies program at Warren Wilson College. As program partners, this gathering exemplifies the type of generative collaboration that builds intergenerational networks to recognize and support future craft practice, research, and scholarship.

The Center for Craft is the leading national nonprofit working at the intersection of culture and higher education to advance the understanding of craft. Located in Asheville, NC, the Center offers quality arts programming and exhibitions free to the public, in addition to a nationally recognized grant program that serves artists, curators, and scholars throughout the United States.

Warren Wilson College’s Masters in Critical Craft Studies is the first and only low-residency graduate program in craft history and theory. Warren Wilson College, a private four-year liberal arts college in the Swannanoa Valley, North Carolina, provides a distinctive undergraduate and graduate education that combines academics, work, and service.

 

upcoming workshop: Web Presence for Artists with Carole Epp

I’m super excited to announce that I’ll be in Ottawa this May teaching! Really hope you can join me at this incredible clay studio for an evening of talking online presence and social media.

May 21st, 2020 from 6pm – 9pm.

Reg price of $75. Early Bird registration fee: $60 (Early Bird sale ends March 31st.)

LOAM will have the pleasure to welcome Carole Epp to the studio for a Master Class like no other.

Want to effectively use the internet to drive your career in the arts? Then this workshop is for you! Carole will teach you how to map out and establish an online presence that is both efficient and effective for creatives. We’ll begin with the solid foundation of a portfolio based website that anyone can build and then expand to include a number of social media sites and how to maintain and optimize them. This workshop covers content development, context concerns and considerations, and how to focus your time and energy spent online. We’ll also spend some time introducing fun apps that make branding and content creation fun and engaging. Course is open to artists with all levels of experiences.

Expect to come away with new insight into:

  Branding, website development, and design.
  Different social media platforms for creatives.
  Effective and efficient approaches to content development.
  How to set up a realistic plan for consistency.
  Easy to use Apps to solidify your branding across web platforms.
  Building your audience and community through active contribution.

Participants are encouraged to submit their current website and social media links prior to the workshop in order to receive specific feedback on their current practices. Existing website and social media links are however not a requirement.

Contact LOAM to register.

Also happening in Ottawa starting the next day is the NEW CLAY CONFERENCE – why not make it a full weekend of ceramics and the art of business?

Find out more about New Clay Conference HERE.

 

 

Fusion Conference 2020

Join us May 29-31 at the University of Toronto Schools (371 Bloor Street West, Toronto) for an exciting FUSION Conference weekend in Toronto!

We will be hosting THREE incredible presenters all day Saturday and Sunday: Tom Jaszczak, Sean O’Connell, and Kenyon Hansen!

New this year! Multiple events on Friday – a full day of various demonstrations, workshops, presentations, and talks, all for one flat registration fee.

Presenters for Friday include:

  • Mayco Products
  • Ian Chung from Spectrum Glazes
  • Glo3D, 360° photography
  • Michael Leonard from Tucker’s Pottery Supplies
  • GR Pottery Forms
  • Dr. Sequoia Miller, Chief Curator, Gardiner Museum

This weekend will also feature the Breakthrough 2020 Exhibition opening and awards ceremony.

Follow us on social media for news and updates!

INSTAGRAM: @FUSIONClayGlass

TWITTER: @FUSIONClayGlass

FACEBOOK: FUSION: The Ontario Clay and Glass Association

Register HERE.

workshop: Pattern and Print: An Exploration of the Ceramic Surface

This two-week workshop will focus on the multiple ways to enhance thrown and hand built ceramic forms through colour and pattern. The workshop is open to advanced students. Applicants must submit a resume of experience and six (6) images of their work. Applications must be received by April 17, 2020, and notice of acceptance will be issued by April 24, 2020.

Demonstrations will focus on monoprint, paper resist, and toner-resist transfer methods.  In addition to these wet processes, glaze application strategies will be addressed. Other surface techniques will be introduced as time allows.  Demonstrations on altering the thrown form will serve as building blocks for innovative pots that are truly one of a kind.  Emphasis will be on pouring pots and lidded forms.

Alongside daily demonstrations, the course will include informative and inspiring presentations by NSCAD University Professor Emeritus, Walter Ostrom, CM, looking at pots from cultures and contexts from the past to the present. Development of individual studio work will be punctuated by energetic conversations that integrate growing technical skill and a love of the history of ceramic objects.

Date & Time:
Jun 29 – Jul 10, 2020
9am – 4pm

Fee:
$895

Level:
Advanced

Please register online and send applications items to [email protected], subject line: Pattern and Print Application.

About Walter Ostrom and Martina Lantin:

 

 

 

Walter Ostrom, CM, Professor Emeritus, Ceramics, NSCAD

In 1997, he was awarded an Honorary Professorship at the Jingdezhen Ceramics Institute in Jingdezhen, Jianxi Province, People’s Republic of China. On February 5, 2007 he was invested into the Order of Canada in recognition of his teaching and creativity in ceramics. In November 2008 he was given the Portia White Award in recognition of his leading contribution to the arts in Nova Scotia. In 2014 he was appointed a Regis Master at the Northern Clay Center in Minneapolis, MN. Ostrom was appointed a ’Life Fellow’ in ceramics by NSCAD University, Halifax, Nova Scotia, Canada, at it’s spring 2017 convocation. An outstanding educator, he is committed to Craft practice and theory.

Walter is regarded internationally and in Canada as a technical and academic expert in low-fire maiolica, an ancient ceramic technique that he has personally tailored through innovations and decorative methods to reflect the geography of the places where he has lived, whether in Nova Scotia or the Far East. His body of work has developed across many aspects of ceramics in the span of a nearly 50-year career, from experiments in high conceptualism in the 1970s to a contemporary focus on the exploration of the vast history, hybridization and social foundation of ceramics.

He has extensively exhibited and lectured internationally. His work has appeared in numerous books and periodicals. His work has been collected by many public collections, including the Museum of Civilization, Ottawa; the Art Gallery of Nova Scotia; Halifax, the Victoria and Albert Museum, London; and, the Museum of Fine Arts, Boston. We are fortunate to have Walter teaching for his forth Summer at our School.

Congratulations are in order for Walter on two fronts: he has been selected as a recipient of the 2020 NCECA ‘Excellence in Teaching Award’, which will be presented to him at NCECA’s 54th annual conference on Friday, March 27, 2020; and, the Art Gallery of Nova Scotia is mounting a retrospective exhibition entitled “Good Earth: The Pots and Passion of Walter Ostrom” to be officially opened on April 24, 2020, including a companion catalogue and film.

Martina Lantin, Associate Professor, Ceramics, Alberta University of the Arts (formerly “ACAD”)

Born in Montreal, Canada, Martina Lantin received her Bachelor of Art (1996), from Earlham College, Richmond, Indiana, and her Master of Fine Arts (2009) from NSCAD University. She has completed residencies in the United States and China and taught workshops throughout North America. Martina is an Associate Professor at AUArts in Calgary, Alberta, Canada.

Lantin’s work has been recognized in numerous juried and invitational exhibitions internationally. Committed to the joys of working in earthenware, Martina explores the history and boundaries of functional ceramics through objects and mixed media installation.

Find out more on the Lunenburg School of The Arts Website