Jenna Stanton – distil @ Esplanade


Ceramist
Jenna Stanton has salvaged and saved favourite domestic objects for as
long as she can remember. The forms and functions of these objects and
the nostalgic sentiments around them work their way into her
contemporary practice, into practical, clever and elegant designs for an
array of ceramic household vessels and accessories. The porcelain
desktop water decanters with silkscreened enamel decals and hand-painted
underglazes in her Pour Me series are inspired by vintage thermoses and
historic Medalta whiskey jugs, with patterns humorously referring to
the practice of self-medicating. Other works utilize 3D printing
processes in their design stages, while still others explore the
opportunities suggested by crystalline and fractal geometries translated
into dishware which can iterate and conjoin into infinity.

Stanton holds a BFA in Ceramics from the Alberta College of Art &
Design and a Masters in Ceramic Design from Staffordshire University in
‘the potteries’ of Stoke on Trent, England. She currently works out of
her studio in Medalta’s international artists in residence, exploring
ceramics that combine traditional craft with industrial processes and
new technologies. She is the Curator of Exhibitions and Collections at
the historic Medalta Potteries, and a member of the board of directors
of the Alberta Craft Council. Her designs have been exhibited nationally
and internationally, most notably in FRESH, the 2011 British Ceramics
Biennial’s flagship exhibition of top 40 emerging UK graduates, the
London Design Festival 2015, and with FLUX at Maison Object Paris.

www.esplanade.ca
www.jennastantonceramics.com

musing is one of 2015’s Top Pottery Blogs (*blush*)

I never have adequate words to express my thanks for the community support that has allowed this blog to flourish and grow since 2008. I’m humbled by your lovely comments, emails, letters, in person hugs. I’m humbled that I get to play an active part of such an inspiring and rewarding community of artists, makers, galleries, organizations, curators, writers, etc, etc, etc, …

Here’s hoping you all stick with me for another year or more….

xoxox to each and everyone of you ~ and especially to Pottery Making Info for this incredible honor.

carole 

Florida Heat Surface

Florida
Heat Surface: February 18-22nd at the Morean Center For Clay. 

Demonstrating Artists are: Adam Field, Ben Carter, Nick Joerling, Steve
Godfrey, Deb Schwartzkopf, Jen Allen, Heesoo Lee and Kari Radasch. 

The
full workshop is $550 or you can pay per day for $150. 

Go to www.moreancenterforclay.org for the full schedule and for more information. — with Kari Radasch, Steven Godfrey, Matthew Schiemann, Deborah Schwartzkopf, Benjamin Carter, Jennifer Allen and 이희수.

Happy New Year

another year come and gone. another one already underway….
what’s the future for musing to hold? 
hopefully more of the same, but also hopefully something better. 
i’m always open to suggestions and ideas of how to make the blog better or more useful for folks. 
i’m also always open to submissions of content – calls for entry, exhibitions, and artists profiles for eye candy or emerging artists. 
this year i’m also looking for a few willing folks to take over some minor parts of the blog. 
think you might have the time, the inclination, the desire to get involved? 
drop me a line @ [email protected]
thank you
 as always to each and everyone of you that has helped to make musing what it is. 
i’m deeply touched by each and every email and lovely comment or shout out. 
you guys are the best. thanks for sticking with me for so long!
all the best for 2016
xoxox – carole 
***
*also a reminder that musing is brought to you by volunteer hours rather then paid advertisments. should you ever feel so inclined to donate to keeping the blog up and running you can send donations via paypal to [email protected]
 

Lisa Clague & Debra Fritts workshop

Lisa Clague & Debra Fritts
DREAMING IN CLAY: The Human Figure, Fantasy and the Subconscious
Barro.Co Clay Studio, San Miguel de Allende, Mexico

September 3rd – 11th, 2016


The Reliquary Figure: a personal journey
San Miguel De Allende is rich with inspiration, cobblestone streets,
religious imagery, architecture, and endless surfaces that show the
passing of time. During this workshop we will allow our surroundings as
well as our own visions to inspire us as we create the human figure.
We will visit the Mask Museum in town and the Sanctuary of Atotonilco in
the countryside, which will help fill us with a vast display of
history, imagery and imagination. Debra and Lisa will demonstrate
daily, their individual building techniques. Incorporation of metal,
found objects and slip dipped fabrics will be introduced. Both
instructors will discuss color and surface texture using the numerous
engobes available at Barro.Co Clay Studio. Discussion will surround the
human form as a spiritual vehicle to embellish with ones own vision,
narrative or surreal. In addition, we will begin the day with a simple
meditative exercise in clay to generate our energy, and the objects will
be used as test tiles for finishes. We will combine our intuition,
personal experience and the influence of the city to discover new
possibilities in our work.

Lisa Clague: Lisa Clague Sculpture
Debra Fritts: http://debrafritts.net

San Miguel de Allende, a colonial treasure in the mountains of central
Mexico, stands still in time with its pastel-colored houses,
centuries-old churches, and cobblestone streets. A UNESCO World Heritage
Site that was recently rated by Condé Nast as the best city in the
world to live, San Miguel offers a favorable year-round climate, an
active arts community and a laid-back environment that stimulates
creativity.

You can read more about San Miguel at: http://www.visitmexico.com/en/san-miguel-de-allende

PRICE: $1695 U.S.*
EARLY BIRD DISCOUNT: If you register before February 1st 2015, you will receive a 10% discount.
TO REGISTER: A 30% deposit is required for registration.

*Price includes: 6 full days in the studio (see itinerary below) with
all necessary materials, as well as daily coffee, tea and snacks, all
lunches, welcome dinner, farewell dinner, all listed tours and
activities.
**Not included: Flight, accommodation, optional cooking
class, alcoholic beverages, optional firing and shipping of sculptures.

McKnight Artist in Residence: Kathryn Finnerty

Residency: January – February 2016

Artist lecture: January 19, 2016

Join
us in welcoming McKnight Residency recipient Kathryn Finnerty, who will
be with us in January and February, 2016. Finnerty was invited to the
McKnight Residency program through a nominative process involving past
resident artists and other leaders in the field of ceramics. While in residence, Finnerty will provide a free lecture about her work on Tuesday, January 19, at 6:30 pm in NCC’s Library. 

Finnerty’s
work draws inspiration from 19th century English pottery, particularly
Victorian majolica, with classically inspired designs, raised-line
relief, and sprig and sgraffito images. Her current body of work is
evolving through an “abstracted landscape narrative,” and involves
larger, slab-constructed vessels; her use of bright, harmonious colors
is evident throughout.

Kathryn Finnerty has owned Pleasant Hill
Pottery in Eugene, Oregon since 2000, where she also teaches at Lane
Community College. Finnerty has recently had solo exhibitions at
Schaller Gallery and Red Lodge Clay Center. She has contributed to many
other exhibitions, including at Santa Fe Clay, LUX Center for the Arts,
James Renwick Alliance of the Smithsonian American Art Museum, and the American Pottery Festival at
NCC. Her work is carried by AKAR Gallery, Pewabic Gallery, and The Clay
Studio Philadelphia, and several others. Finnerty’s exquisitely
decorated surfaces have been featured in Making Marks: Discovering the Ceramic Surface (Robin Hopper, 2004) and others, including 500 Teapots (vol. 1, 2002, and vol. 2, 2013) and 500 Pitchers (2005).

We hope you will join us January 19 for this lecture, and to welcome Kathryn Finnerty to NCC!  Refreshments will be provided.

This
program is sponsored by the McKnight Foundation and reflects the
Foundation’s interest in supporting outstanding individual ceramic
artists who have proven their abilities, and are at a career stage that
is beyond emerging.
Northern Clay Center                  

2424 Franklin Ave East                
Minneapolis, MN  55406              
 www.northernclaycenter.org