Small Transgressions II

photo-2014-09-14


Opening Thursday June 2nd 7pm
(show runs until June 18th)

 Fourteen artists present new works that disturb the boundaries of their
individual practices. Through critical reflection and collaborative
exchange, unexpected themes and forms have emerged over a ten month
mentorship program led by Linda Sormin, and programmed by FUSION: The Ontario Clay and Glass Association.

Close observations of nature collide with the forms and realities of
urban life. Experimentation with raw materials is unearthing memories,
reshaping personal metaphors and once-familiar landscapes. Through
photography, video, pottery and sculpture, these artists unsettle
established ways of thinking and making.

Are small transgressions the slippery slope to bad behavior?
These conversations offer diverse interpretations of play, threat,
beauty, gesture, sexuality, parenthood, family, community and
environment. In sharing ideas and concerns, examining potential pitfalls
and solutions, this group of makes has in many ways sped up their
artistic research, yet slowed the impulse to cast judgment. Fearlessly,
gently tending to bright wounds of doubt, these artists have created
bodies of work that articulate distinct visions in the contemporary
context.  

Linda Sormin

The gallery is pleased to be asked to host this exhibition with works
from the original exhibit plus they had created new works to compliment
using the knowledge they have taken away with them
Please join Jonathon & and I in welcoming Small Transgression II to London

Brian Cooke  Curator

JBS_LOGO_HI_RES

258 Dundas Street London, ON
519-434-5443
[email protected]
jonathons.ca

Northern Clay Center Announces 2016 Emerging Artist Residents


Northern
Clay Center is pleased to announce the recipients of the Jerome Ceramic
Artist of Color Residency, Anonymous Artist Studio Fellowships, and
Fogelberg Studio Fellowships; Ellie Bryan (Minneapolis, MN), Valerie
Ling (Valley Stream, NY), Lily Fein (Syracuse, NY), Gillian Doty
(Portland, ME), and Gregory Palombo (Alfred, NY). The new residents will
join Northern Clay Center in September. The work produced during these
yearlong residencies will be on display in a group exhibition that will
take place in January 2018, at Northern Clay Center.

Ellie
Bryan, awarded the inaugural Jerome Ceramic Artist of Color Residency,
will spend her residency exploring soda and wood-firing techniques.
Bryan is interested in incorporating ideas of animism, ancestry, and
tradition in her work. This residency allows artists a unique
flexibility and will give Bryan an opportunity to focus on her
development as a ceramicist, rather than produce work with a
sales-driven focus. In a recent interview, Bryan shared her interest in
animals and their place in her work, “I
believe that the animals around us—found either in their natural
habitat or in the new habitats we, as humans, have created for
ourselves—have stories to tell us. They are messengers and harbingers of
the old and new. As spiritual beings, animals have a connection with
the earth that we once held, but must now struggle to rekindle. I
interpret these beliefs by creating imagery on pots that embody these
messages to forge a unity that is so often lost between creature and
place.”
Anonymous
Artist Studio Fellow, Valerie Ling employs bright colors and absurd
imagery to explore her interest in the worry-free imagination of
children. Ling expresses hope for her work to, “bridge the world of pure
imagination to the reality of adulthood”. She seeks to capture the
innocent, limitless possibilities we experience as children and
challenges viewers to allow themselves to be free-spirited creators. Her
intricate sculptural pieces evoke the purity of childhood joy and
expose her observations about how we, “learn to grow fearful of things
and [become] self-conscious of our silly ideas and behaviors”. With the
resources at NCC, Ling hopes to experiment with larger-scale sculptures,
while further challenging the boundaries of absurdity. 
Joining
NCC from Syracuse, NY, Lily Fein intends to spend her year as Anonymous
Artist Studio Fellow immersed in sculptural vessels that she believes,
“speak to intimacy in human relationships and with the hand.” Fein
states, “I want to facilitate experiences like these where touch
permeates the mundane.” Fein’s work is significantly shaped by the
awareness of touch and communicates this with thoughtful texture and
decisive forms. With a background in Art and Ceramics History, Fein
approaches her ceramic work with a strong academic intent informed also
by her writing practice and voracious reading.
Gillan
Doty’s existing affiliation with atmospheric firing practices will be
further explored during his year in residence as Fogelberg Studio
Fellow. Doty’s work offers an array of colors that call attention to his
bold geometric and ovoid forms. Interested in concepts of weight,
visual mass, simplicity, and fluidity of line, Doty creates both
handbuilt and wheel-thrown functional pieces. He states, “These pots are
cut, shaved, slapped, scratched and molded into a finished form.” His
variety in process is reflected in his diverse yet intensely cohesive
work. Currently based in Portland, Maine, Doty is looking forward to
experiencing the rich history of studio ceramics in the Midwest. 
Fogelberg
Studio Fellow, Gregory Palombo will join Northern Clay Center from
Alfred, New York, where he is currently finishing a BFA program at New
York State College of Ceramics at Alfred University. Song Dynasty
Qingbai-ware inspires his material choices and both the Bauhaus movement
and architect Adolf Loos have influenced his focus on functionality.
Palombo’s volumetric forms often appear to be swelling; imitating flower
buds or balloons. During his residency, Palombo is looking forward to
making use of NCC’s extensive ceramics library and said of his research
process, “I look at
history and if I find something appealing I try integrate it into my
work, most of the time this integration is slow and full of failures so
it takes some time and studio research to flush things out in a
satisfactory way.” 
Northern
Clay Center provides resources and a space for ceramicists to further
their practice. Northern Clay Center is looking forward to welcoming these five artists into this diverse and rich community of makers. 
www.northernclaycenter.org

Rob Froese @ Mata Gallery

  ROB FROESEUnidentified Objects

May 18 – June 11, 2016
Opening Reception: Saturday, May 21, 2-4pm

Rob
Froese makes clay objects of visual and tactile interest, for use and
contemplation, using a variety of clays and kiln firing methods.

A focus of his utilitarian work has been to explore light and dark
contrasting layers in clay body, slip, and glaze, working with an
immediacy and responding to the flow of actions and decisions that take
place during the many stages of production. His process of making
sculptural objects shares that aspect of ‘chance meeting choice.’

In this exhibition clay objects are presented that evoke nature, time
and contemplation; carrying the feeling of a found object from the
natural environment.

Rob
Froese is a contemporary ceramic artist working in Canada and Japan.
He earned a B.A at the University of Saskatchewan in 1987 and a B.F.A
Ceramics at the University of Regina in 1994.

His work is included in the Saskatchewan Arts Board Permanent
Collection, the Moose Jaw Museum and Art Gallery, and private
collections in Japan, Canada and U.S.A.

106 – 2300 Broad St. (& 15th Ave.) • Regina • Canada • 306.522.0080www.matagallery.ca

Tuesday – Saturday 11am-6pm • evenings by appointment

Mould Making @ Medalta with CLINT NEUFELD

Monday, August 8 – Friday, August 12, 2016

$700(CAD) + 5% GST

Registration Deadline: July 8, 2016

Enrollment limited to 12 participants

Register Now

Instructor: Clint Neufeld

Clint Neufeld will guide you through all aspects of mold making and
slip casting in this 5-day workshop. Participants will have the unique
opportunity to join Clint in creating a multi-piece mold of a piece of
machinery from Medalta’s boneyard.

Fee includes:

  • 24 hour Medalta studio access
  • Full access to the entire Historic Clay District site
  • All support materials

Artist responsible for:

  • Accommodations: Units are reserved at Medicine Hat College Student Housing; call 403.529.3820 to book.

For more information, contact [email protected]

Cancellation/Refund Policy

A full refund (less a $25 admin fee) is available if you cancel by
the registration deadline. If Medalta cancels, or if you need to cancel
due to medical reasons, you will receive a full refund. If you need to
cancel after the registration deadline, you will be refunded 50% of the
course fee. For cancellations less than two weeks from the start date of
the course, we will be unable to issue any refund.

medalta.org/mould-making-medalta

Throwing, Spraying and ^6 Electric Firing Workshop with Steven Hill

 
Throwing, Spraying and ^6 Electric Firing
Workshop with Steven Hill
In
this 3-day workshop, you will learn the spraying and layering
techniques that gives Steven Hill Pottery its’ unique look. You will
work in Steven Hill’s studio, using his glazes and his spray guns and
you will receive coaching directly from Steven…

On the first day, Steven will discuss his philosophy on making pottery,
while throwing, assembling and applying slip to the forms and techniques
that he is well known for. The focus will be on spouts, handles, form,
surface, and the relationship between these elements. Steven will
demonstrate pitchers, bowls, mugs and yunomis.

Day 2 will be glazing day. In the morning Steven will address ways to
achieve the kind of richness and surface variation in electric kilns
that potters have come to associate with reduction / atmospheric firing.
The basic techniques of spraying and the more advanced theories of
layering and blending glazes will be explained and demonstrated. In the
afternoon students will glaze their pots. After pots are glazed we will
load kilns and fire overnight at ^6 – 8 oxidation.

On day 3 there will be technical lectures on spraying techniques,
equipment, firing cycles, and further experimentation. Finally we will
end up by unloading the kilns and discussing the results.

August 5 – 7, 2016, 9:30 – 5:00      Cost: $350 ($290 before May 1)
Register Online Now
 

323 W. Maple Ave
Independence, MO 64050
(816) 254-7552
323clay.com