New Craft Ontario Shop Opening!
260 FINGERS: TOP CERAMIC ARTISTS CONVERGE FOR EXHIBITION AND SALE
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| Maureen Marcotte |
Third Avenue, Ottawa, Ontario
Friday, November 11, 6-9pm
November 12 and Sunday, November 13, 10am-5pm
art competitions like RBC’s Emerging
Artist Peoples Choice Awards, and numerous prestigious international
ceramics competitions are any indication, clay is now being acknowledged as a valued
contemporary medium that is increasingly popular with artists, audiences and
collectors. Ceramic work has spread its wings and is catching some well-deserved
limelight! The ceramic world has become…well…something akin to sexy!
260 Fingers have known for decades, and celebrating high-calibre ceramic work
is the reason this speacial exhibition and sale was established 12 years ago. This
November 11-13th, the twenty-six ceramic artists and potters of 260
Fingers 2016 will congregate at Ottawa’s Glebe Community Centre for their
annual exhibition and sale of some of the most inspiring and diverse ceramic
work from Ontario and western Quebec. The breadth and caliber of this show is recognized
as unique in the province and features work from functional to sculptural,
wood-fired to electric-fired, from formal, to functional, to highly decorative.
artists with international followings. This past
summer, among the 100 participating artists in the prestigious Biennial of
Ceramics in Taiwan, six were from Canada. Four of these six were our own 260
Fingers artists: Lisa Creskey, Paula Murray, Reid Flock, and Cynthia O’Brien
who travelled to Taiwan for the exhibition. Others have participated in
national and international residencies over the last few years. Still others have
had significant exhibitions locally and internationally. Each of the artists
views 260 Fingers as a welcome opportunity to present their newest and in many
cases, most daring or challenging work.
participate to help keep 260 Fingers fresh.
This year’s guests are Toronto potters Chiho Tokita, Loren Kaplan, Jeannie
Pappas and Heather Smit as well as Quebec artists Don Goddard and Marianne
Chenard.
gorgeous, domed atrium of the Glebe Community Centre will open its doors to
visitors eager to be among the first to view and purchase this year’s new work.
The vernissage is open to everyone and is truly a festive celebration of
ceramic work complete with music, food, drink and lively conversation. The show continues Saturday, November 12 and
Sunday, November 13 from 10am – 5pm. Artists will be present all weekend. Tours
of the show are each afternoon at 2pm and offer an opportunity to hear about
each artist’s unique work and processes and to ask any questions you may have
about their work and studio practice.
information please email [email protected]
or call Maureen Marcotte at 819-459-3164.
https://www.facebook.com/260Fingers
https://twitter.com/260Fingers
Instagram: https://www.instagram.com/260fingers
BUILDING YOUR ONLINE PRESENCE: a workshop with yours truly : )
Wednesdays, October 5 to 26, 10 am –1 pm; Sunday, November 6, 10 am – 4 pm
- Led by Carole Epp (Musing About Mud)
- $150 + service fees
- Buy Tickets
This
course will survey a variety of online platforms available and proven
successful for artists and other creative professionals. Carole Epp,
founder of Musing About Mud – a blog and Instagram account with over 13k
followers – will cover concepts ranging from marketing and branding to
content production to contextual considerations for dissemination to
practical “how-tos” of online social media platforms. This will not be a
“how to build your website” course, but rather how to use the internet
to grow your business. It is suitable for beginners to those with an
established web presence: Carole will take beginners through the process
of developing an online portfolio – including a website and social
media – introducing and explaining how to use a variety of free online
resources; through this process, she will work with those who are more
experienced to refine each aspect of their online presence so it better
markets them and their work.
Held at Creative Commons YXE, a production space attached to Void Gallery, providing a professional environment and exposure to the workings of a commercial gallery.
WHO IS IT FOR?
The courses are intended for artists
of all skill levels who want to refine their professional practices or
improve their creative business skills. They are suitable for
early-career artists learning new techniques or experienced artists who
would like to receive support and feedback throughout processes they
have been undertaking for years.
Details here: https://www.picatic.com/BuildingOnlinePresenceFall2016
call for entries: Hard + Soft
about the exhibition
The Greater Denton Arts Council proudly
presents the 30th annual Materials: Hard + Soft International
Contemporary Craft Competition and Exhibition. Recognized as one of the
premier craft exhibitions in the country, Materials: Hard + Soft began
in 1987 and was originally initiated by area artist Georgia Leach Gough.
The exhibition celebrates the evolving field of contemporary craft and
the remarkable creativity and innovation of artists who push the
boundaries of their chosen media. In this anniversary year, we are
thrilled to be partnering with the National Endowment for the Arts to
expand this national exhibition to now include international artists.
Approximately 70 works will be selected by an esteemed juror for
exhibition at the Patterson-Appleton Arts Center in Denton, Texas.
Full details here: http://dentonarts.com/materialshardandsoft
call for proposals – Open Engagement Conference
Open Engagement (OE) is an annual, three-day, artist-led conference
dedicated to expanding the dialogue around and creating a site of care
for the field of socially engaged art. The conference highlights the
work of transdisciplinary artists, activists, students, scholars,
community members, and organizations working within the complex social
issues and struggles of our time.
Since 2007, OE has presented seven conferences in two countries and
four cities, hosting over 1,300 presenters and over 5,000 attendees.
Annual programming is selected by committees comprised of artists,
educators, professionals, and community members from a free, open call
for proposals.
Curatorial Statement
“The only standard for judging socially engaged art should be how much justice it creates in the world.” –– Rick Lowe
Justice is the theme of the 2017 Open
Engagement Conference. The weight of historical injustice interrupts
daily life nationally and internationally. There is no better time than
now, and no better city than Chicago, for examining pathways to create
justice and exploring the manifold artistic strategies that demand and
enact fairness, and equality. Chicago is a city that is under the
spotlight and in the news for horrific gun violence, devastating public
school closures, and police brutality that is carried out with impunity.
These are conditions, of course, that have been a part of black and
working class peoples’ lives in our city and across this nation for a
long time, but only most recently with the rapt attention of the media.
As the co-curators for OE 2017, we
are committed to an exhilarating and expansive exploration of this
year’s theme. We are equally committed to OE’s mission of creating a
site of critical care and
critical inquiry for the vast, complex and diverse field of individuals
and organizations working at the intersections of art and activism.
There is a fierce urgency of now
for artists and cultural workers who audaciously believe in the immense
capacity of art to help shift our sense of what is possible, to unleash
our radical imaginations, to model and experiment with new ways of
being in the world, to enact social change.
We believe socially engaged art and artists challenge us and one
another to ask trenchant questions, to reflect, to seek creative
solutions, to hold nations and institutions and each other accountable.
Some of the questions we encourage participants to grapple with,
formally and informally, during the conference include the following:
- What does it mean to work in
solidarity with communities that are marginalized and the most
challenged by racial, economic, and gender injustice around issues that
impact them? - As artists, curators, and cultural
producers, how are we implicated in the particular conditions we are
working in, all the while engaged in challenging and changing these
conditions? - The radical power of social practice
has come in many respects from its inclusivity. But this promise has
not yet been experienced in the lived realities of most people who make
up the field. How do we push for more fair and equitable distribution of
resources? - Is it possible to advance solutions
and encourage actions in a social movement for justice while preserving
one’s individual artistic practice? - What is the unique contribution that
art and artists can make to the efforts to create a more just society?
In what ways do we want to continue to insist on the differences between
artistic practices committed to social justice and the organizing that
is taking place in grassroots communities?
In solidarity with the organizers of
Open Engagement, we will relentlessly push to ensure that the diversity
of people who make up the ecology of social practice can be present at
this year’s OE. Arundhati Roy has provocatively suggested the following:
“There’s really no such thing as the ‘voiceless’. There are only the
deliberately silenced, or the preferably unheard.” We want to hear from
the widest possible range of stakeholders.
No justice, no peace,
Romi Crawford & Lisa Lee
Find out more on the website: http://openengagement.info/











