movie day: Sabbia Gallery Sydney presents Marissa Angapiya Thompson

Sabbia Gallery Sydney is pleased to present the first solo exhibition by APY artist Marissa Angapiya Thompson, titled ‘Panu Tatu ‘ Gum Trees’ from 27 May to 18 June 2022.

This sell out exhibition presents a beautiful body of new work in ceramics by the artist.

We are delighted to have the opportunity to hear from Marissa about her family, and her practice. She says:

My land is the desert plains. I used to do jewellery, I learned it from my grandmother (my father’s mother). She used to collect the tatgu (gum nut) and use hot wire to make it into jewellery. She was wearing it herself and sometimes it was for sale. I used to help her make it, she taught me and I learned it quick.

I learnt a lot of things from my Nana like wood carving, making little birds and lizards from punu (wood) that we collected from the creek. This is Anangu way. Now I use all that knowledge and I put it onto my ceramics.

My Aunty (father’s sister) was also a special lady. She taught me for bush medicine and we learn everything to do with bush fire and after the fire how to hunt for kuka (meat) like kangaroo. After bush fire there’s going to be new tjanpi (grass) and I do this in my artwork too.

I was lucky my Nana was still alive when I was growing up. She was a strong lady as she stayed out in the bush all the time. My father and my Aunty were ninty (clever) because they learn everything from her and then they teach it all to us kids too.

Marissa Angapiya Thompson, February 2022

Marissa was born in 1985 and grew up between her family’s homeland and Ernabella. She aended Kenmore Park Anangu School. Her father was an integral part of the APY Land Rights Movement, and her mother, Carlene Thompson is a former Ernabella Arts chairwoman and a senior Ernabella artist. Marissa has four sisters, three of whom are also practising artists at the art centre. She has two young children with her partner.

Marissa completed her first painting at Ernabella Arts in 2007 and her first ceramic work in 2009. She was an integral part of the first two workshops at Ernabella of the Indigenous Jewellery Project. Her jewellery work incorporates resin, traditional timber carvings and designs cast in silver. Her jewellery was exhibited at the Jam Factory as part of the Tarnanthi Festival in 2015.

Marissa’s artistic style in both ceramics and painting is incredibly precise. Her work often depicts tatgu (gumnuts), kurparu (magpies), tjanpi (grass) and sometimes branches out into minyma inma (womens ceremony), tadpoles, the rainbow serpent and maku (witchetty grubs). Marissa is also a skilled ceramic hand builder.

Marissa’s ceramics continue to be exhibited throughout Australia and overseas including Belgium and Macau in 2021.

http://sabbiagallery.com/

call for entry: GeoLogic

A juried Group Show with Grand Prize for two artists: a Show at Atlantic Gallery in NYC’s Chelsea art district.
“GeoLogic” is the theme for this exhibition of clay-based work at Atlantic Gallery in New York’s bustling Chelsea district. Selected works will explore aesthetic, narrative, political, structural, or personal points of view related to the exhibition title. Potters and sculptors whose work explores issues regarding Geology, Geometry, Geography, Geohumanism, Geomorphology, and/or all things Earth related are strongly encouraged to apply. Visual artists who express ideas through functional or sculptural modes are invited to submit work. Works intended for the wall, ie; tileworks, mosaics and installations are also encouraged. Multimedia works which are at least 80% ceramic are welcomed. Open to all US artists 18 and over. The juror, Bruce Dehnert, will award two artists a grand prize of a week-long show at Atlantic Gallery. A printed full-color catalog will be provided to each accepted artist. Curated by Bruce Dehnert and Joan Walton.

lecture series: Robin DuPont: Wood-firing in Canada

The North-West Ceramics Foundation is pleased to announce that their next speaker, Robin DuPont, will be presenting via Zoom on Sunday, March 27, 2022, at 2pm Pacific Standard Time. The NWCF Speaker Series is free and open to all. All are welcome, but registration is required. Please see here or below to register for this exciting talk.

Robin DuPont received his BFA from the Alberta College of Art and Design in Calgary and his MFA from Utah State University in Logan, Utah. He also studied at the Kootenay School of the Arts in Nelson and the Australian National University in Canberra, Australia. He has been a visiting artist and instructor at numerous institutions, has participated in several artist residencies, and has built a variety of wood-fired kilns in Canada. In 2013, DuPont was nominated for the RBC Emerging Artist Award, and in 2021, he received the North-West Ceramics Foundation Mayer Wosk Award of Excellence. He lives in the Slocan Valley, in the interior of BC. He makes utilitarian wood and atmospheric-fired pots, which are exhibited across Canada and the United States. Recent exhibitions include Thrown, at the Touchstones Museum of Art & History in Nelson, BC, and a solo exhibition, Of This Place, at the Langham, in Kaslo, BC, both in 2021.

In his talk, Wood-firing in Canada, DuPont will share his insights into how the genre of wood-firing plays a role in contemporary ceramics in Canada. He will discuss makers, kilns, influences at work within the genre, and innovating a process that is thousands of years old. From kiln architecture to dispelling stereotypes, the artist will share his thoughts on the people and places contributing to this field.

DuPont’s talk will take place via Zoom on March 27, at 2pm. During the presentation, we ask the audience to please turn off their videos and mute themselves. After the talk, there will be ample time to ask questions via the chat function. We look forward to seeing you there!

To register for this exciting talk by a very popular BC ceramist, see here

For more on Robin DuPont’s work, please see his website.

For more on the North-West Ceramics Foundation and to sign up to receive emails about upcoming events, please see our website.

 

Ways to help out Ukraine

This is Yuliya Makliuk, a fellow potter from Ukraine. At least I was a potter until two weeks ago, but I’m not sure if this is the case anymore. I had to flee my home and my studio. On the 24th of February, I woke up at 5 am to the sounds of rocket shelling on Kyiv. I woke up my husband and said to him “Russia has attacked”. Since then, we live in what seems to be a never-ending nightmare. I’m sure you have seen the news.

While our army and volunteers do everything possible and impossible to resist the invasion, ceramicists of Ukraine also try to help our people. There are several ways to provide support from abroad if you’re willing to help:

1. Buy charitable digital posters from Ukrainian artists on Etsy. Unfortunately, there’s virtually no way to send physical goods like ceramics at the moment.

If you are an Etsy user, search for digital items from Ukraine. We will send this money to local humanitarian organizations or the national army. I’m just one of many and here’s my shop.

2. Host a Ukrainian ceramic artist in your studio. Fill out this form if this is something you can do.

Be it for a couple of days or half a year, any help is vital now. Many women, some with kids, are forced to leave their homes and studios to save their lives. European countries are a priority, as it is easier to get there and the visas have been waived.

3. Many international aid organizations accept donations for war relief in Ukraine. Choose the one you trust and send some help if you can. I would recommend SaveLife In UA and Hospitallers.

4. Also, Ukraine needs political support from our partner states that is commensurate with the scale of Russian aggression. Please petition your authorities and representatives to provide defense measures, financial aid and impose sanctions on the aggressor. Every day of delay costs the lives of Ukrainian civilians and is a threat to broader Europe.

We have received immense solidarity over these weeks. The people of Ukraine are grateful for every step taken by people of goodwill from all over the world.

www.instagram.com/hereandnowpottery/

Michael Simon Studio Pottery Fellowship

Haystack is pleased to steward a new fellowship fund celebrating the life of renowned potter, Michael Simon (1947-2021), who passed away last August after a long illness. Michael taught and met many other artists at Haystack. He recognized that the special environment at the School could be sustaining and even life-changing, and designated Haystack as the recipient of memorial gifts.
In honor of his wish, the Michael Simon Studio Pottery Fellowship is being established by friends and family. The fellowship honors and celebrates his life—his powerful teaching and work—by giving others the opportunity that was transformative to so many artists over the years. Once fully funded, the fellowship will annually provide tuition, room, and board, plus $500 in travel assistance for a mid-career functional potter to attend a ceramics workshop at Haystack. Individuals will be selected through the annual Haystack scholarship review process and the fellowship will be awarded each summer.
To support the Michael Simon Studio Pottery Fellowship, donations can be made using Haystack’s secure online form: https://secure.lglforms.com/form…/s/I0Jbfx_NLoQUohwdZQunoQ
For more information about Michael Simon, archives, and this initiative to establish the fellowship visit the Ferrin Contemporary website: https://ferrincontemporary.com/portfolio/michael-simon/
Images:
1) Michael Simon, by D. Hayne Bayless
2) Michael Simon’s work by John Polak, courtesy of Ferrin Contemporary.