new online resource – BC Ceramic Marks Registry

“BCCMR is an ongoing project, and is always accepting submissions. If you are a BC ceramicist and want to submit mark images, biographies, or send in a correction, we welcome you to use our submission forms. Don’t be shy.

Please note that we are including marks with unknown makers, as well as makers on whom there is limited information. As such, some entries may be incomplete, and new information is welcomed. BCCMR is a growing project that is operated by volunteers. We are actively fact-checking the biographical entries, but cannot promise absolute accuracy. Please feel welcome to contact us with any concerns, or submit a correction. Note that BCCMR is not a valuation or authentication tool, and is for research purposes only.”

Find out more and add yourself to the registry: https://craftarchive.ca

call for entry: New Taipei City Yingge Ceramics Museum Application Exhibition

PurposeTo encourage the variety of ceramic creations and elevate the standard of ceramic industry design, the New Taipei City Yingge Ceramics Museum is welcoming exhibition propositions to be displayed. Any individual or group of creators is welcomed to submit their application for an exhibition so that the Yingge Ceramics Museum becomes a platform to share the works with others.

New Taipei City Yingge Ceramics Museum, Department of Collection and Exhibition

Address: No. 200, Wenhua Rd., Yingge Dist., New Taipei City 239218, Taiwan.

Telephone:+886-2-86772727,Fax: +886-2-86774034, Email: [email protected]

This application can be downloaded on the website of Yingge Ceramics Museum. (http://www.ceramics.ntpc.gov.tw)

movie day: Sabbia Gallery Sydney presents Marissa Angapiya Thompson

Sabbia Gallery Sydney is pleased to present the first solo exhibition by APY artist Marissa Angapiya Thompson, titled ‘Panu Tatu ‘ Gum Trees’ from 27 May to 18 June 2022.

This sell out exhibition presents a beautiful body of new work in ceramics by the artist.

We are delighted to have the opportunity to hear from Marissa about her family, and her practice. She says:

My land is the desert plains. I used to do jewellery, I learned it from my grandmother (my father’s mother). She used to collect the tatgu (gum nut) and use hot wire to make it into jewellery. She was wearing it herself and sometimes it was for sale. I used to help her make it, she taught me and I learned it quick.

I learnt a lot of things from my Nana like wood carving, making little birds and lizards from punu (wood) that we collected from the creek. This is Anangu way. Now I use all that knowledge and I put it onto my ceramics.

My Aunty (father’s sister) was also a special lady. She taught me for bush medicine and we learn everything to do with bush fire and after the fire how to hunt for kuka (meat) like kangaroo. After bush fire there’s going to be new tjanpi (grass) and I do this in my artwork too.

I was lucky my Nana was still alive when I was growing up. She was a strong lady as she stayed out in the bush all the time. My father and my Aunty were ninty (clever) because they learn everything from her and then they teach it all to us kids too.

Marissa Angapiya Thompson, February 2022

Marissa was born in 1985 and grew up between her family’s homeland and Ernabella. She aended Kenmore Park Anangu School. Her father was an integral part of the APY Land Rights Movement, and her mother, Carlene Thompson is a former Ernabella Arts chairwoman and a senior Ernabella artist. Marissa has four sisters, three of whom are also practising artists at the art centre. She has two young children with her partner.

Marissa completed her first painting at Ernabella Arts in 2007 and her first ceramic work in 2009. She was an integral part of the first two workshops at Ernabella of the Indigenous Jewellery Project. Her jewellery work incorporates resin, traditional timber carvings and designs cast in silver. Her jewellery was exhibited at the Jam Factory as part of the Tarnanthi Festival in 2015.

Marissa’s artistic style in both ceramics and painting is incredibly precise. Her work often depicts tatgu (gumnuts), kurparu (magpies), tjanpi (grass) and sometimes branches out into minyma inma (womens ceremony), tadpoles, the rainbow serpent and maku (witchetty grubs). Marissa is also a skilled ceramic hand builder.

Marissa’s ceramics continue to be exhibited throughout Australia and overseas including Belgium and Macau in 2021.

http://sabbiagallery.com/

call for entry: GeoLogic

A juried Group Show with Grand Prize for two artists: a Show at Atlantic Gallery in NYC’s Chelsea art district.
“GeoLogic” is the theme for this exhibition of clay-based work at Atlantic Gallery in New York’s bustling Chelsea district. Selected works will explore aesthetic, narrative, political, structural, or personal points of view related to the exhibition title. Potters and sculptors whose work explores issues regarding Geology, Geometry, Geography, Geohumanism, Geomorphology, and/or all things Earth related are strongly encouraged to apply. Visual artists who express ideas through functional or sculptural modes are invited to submit work. Works intended for the wall, ie; tileworks, mosaics and installations are also encouraged. Multimedia works which are at least 80% ceramic are welcomed. Open to all US artists 18 and over. The juror, Bruce Dehnert, will award two artists a grand prize of a week-long show at Atlantic Gallery. A printed full-color catalog will be provided to each accepted artist. Curated by Bruce Dehnert and Joan Walton.