Ceramics: Southeast


Invitational Ceramics Exhibition featuring the works of: Alice Ballard – Russell Biles – Jim Connell – Don Davis – Lauren Gallaspy – Bruce Gholson – Samantha Henneke – Frank Martin – Scott Meyer – Gay Smith – Paula Smith – Mike Vatalaro – Jerilyn Virden

Exhibition runs October 12th to November 19th. And while I always prefer to see art first hand, this one is available online here.

Panel discussion ” Facing the Future” Thursday October 15th @ 4pm followed by reception with the panelists : Don Davis, Scott Meyer, Gay Smith. Led by Virginia Scotchie.

Workshop Oct 15 & 16 with Gay Smith “Throwing with Porcelain”
For more information contact:
Ph: 803-777-7480
email: [email protected]
Website

Happy Turkey Day (cdn edition)

I love long weekends, extra sleep in time, they always seem more relaxed and they always seem to equate to more time in the studio for me. So i’ve been a busy bee, well when I wasn’t sitting and digesting way too much yummy food! Every thanksgiving for me is such a reminder of how blessed my life has been thus far, and while I have many personal things to be thankful for, I wanted to mention publicly how thankful I am to all of you who have been reading the blog over the last few years. You all have made my job very rewarding, so thank you, each and everyone of you!

And in honor of Thanksgiving I figured I had to find some ceramic turkeys for you.

Turkey salt and pepper shakers
by Guy Michael Davis
find them here on etsy.

2009 Artists in Residence Exhibition ONLINE

Kelly Garrett Rathbone
Apparizione – terra cotta, glazes, sculpted glass

2009 Artists in Residence Exhibition

October 2-30, 2009
Kolva-Sullivan Gallery
Spokane, Washington

To see the show online check out the bray’s website here.
Also make sure to check out their latest acquisitions
to the permanent collection while you’re there.

New works by Brendan Tang @MAI in Montreal

Brendan Tang
Diyan Achjadi & Brendan Tang @MAI Gallery
Sugar Bombs
From November 12th to December 12th, 2009
Art curator: Kristen Lambertson

“Diyan Achjadi’s digital images and Brendan Tang’s ceramics are colourful, kitsch, and playful. Rooted in a neo-pop aesthetic and taking cues from toys, animated cartoons, and manga, their work touches on geopolitics, war, and military culture, often paradoxically glorified in advertising and the media.”

Opening ceremony: Thursday, November 12 at 5:30pm
Guided tour with art curator Kristen Lambertson: Thursday, November 12 at 5pm

www.achdiyan.com / www.brendantang.com
Diyan Achjadi

a bit wobbly but back at the wheel.

So I have to admit it’s been a very long time since I sat down at the wheel to throw so today was particularly joyful for me. Finally a bit of quiet time in the studio, the little one finally napping a bit better and longer. There are numerous reasons (excuses) as to why I haven’t been throwing; making a lot of figurative work, been developing a mad sewing obsession, life in general getting in the way and likely that which hinders it the most is an awful skin condition I developed on my hands back when I was pregnant that just doesn’t seem to want to go away. So I sorta listen to my dermatologist’s orders of not messing with clay too much (actually he told me to quit, but yah right!) I now wear gloves for everything I do which sucks with a tactile medium and throwing just hasn’t been the same since. It’s worse than throwing blind I reckon, the clay is too dry or too wet and I’m never sure, and the thickness – well lets just say I’ve made pots recently that rival my very first attempts 12 years ago in terms of weight. But I’m not complaining. It’s life and things happen, we are organic beings and our bodies do what they need to. Someday hopefully my hands will be back to normal, and until then I make do.

Today’s throwing was magical though. It’s been cold and raining lately, but today the sun is shinning gloriously through the studio window right onto my wheel giving me a good dose of vitamin D. And I’ve been playing around with some loosely thrown bowls that make me feel like dancing. As tight and rigid of a thrower as I normally am, drawn to more graphic designed lines and forms; there has always been a potter in me that craves the organic movement of the material, that enjoys the play. But i’ve always struggled to make work that was looser without it coming across contrived. I love it on the wheel, but once it goes through the kiln, they seem to tighten up in all the wrong ways. It’s an ongoing challenge and project for me, to make the perfect wobbly bowl.

I remember once having a conversation with a potter, whose opinion thankfully I didn’t care too much for in the first place. He told me that the reason I couldn’t throw organically was because I wasn’t a very good potter yet. Only good potters could throw loosely well. The comment urked me, as though my pots weren’t as good because I had chosen an aesthetic that was more geometric and rigid. Wobbly or rigid, they are just two different aesthetics, or languages to me. One is not better or worse than the other. It’s simply like learning another spoken language, it’ll help you to make your way in the world a bit easier; the more people you can communicate with. At least that’s how I feel about it. When I was younger I took french emmersion. I can sorta still speak french if I have a minute to think about it and you don’t speak too quickly to me. I love the language, I wish I had learned more languages, and hopefully I one day will. But today is the day to work on my wobble speak…

Got plans for Saturday?

If you happen to be in or near Baltimore this weekend, make sure you check out Adornment Adored


The show runs October 3rd – November 6th, 2009 but the opening reception is this Saturday, October 3rd, from 6 to 8 pm and we all know it’s so much more fun to go the opening!

Hosted by Baltimore Clayworks; the exhibition Adornment Adored, will showcase a range of artists who create “beautiful and exquisite jewelry made with ceramic, polymer clay or PMC elements.”


(Images – by BEST member, The Broken Plate Pendant Co.)

For more info contact Baltimore Clayworks