by Carole Epp | Oct 18, 2009 | Uncategorized
A great line up of upcoming workshops:“Two Days with Jeff Shapiro”, November 21-22, 2009
In this workshop we will address issues of wood firing, aesthetics vs efficiency, romanticism/ pragmatism, and creative thinking. Demonstrations will include making faceted triangular bottles from wheel thrown forms, slab construction, as well as altered throwing of tea bowls, tea cups and sake cups. We will also look at trimming soft and spontaneously. Shapiro encourages discourse, and this workshop should be a lively and informative sharing of ideas and techniques. A slide presentation of The Japan Experience will reflect on the 9 years Shapiro spent studying in Japan. Tuition: $245 ($215 currently enrolled students). More of his work can be found at: www.jeffshapiroceramics.com
“Clay As Canvas: Exploring Multiple Firings”, Matt Nolen, May 15-16, 2010
In this two-day, hands-on workshop, we will explore the possibilities of building rich ceramic surfaces through multiple firings. On day one, we will respond to previously glaze fired cone 6/cone 10 ware and learn techniques, materials and strategies for a 2nd glaze firing to cone 04-06. Laser print transfers will also be introduced. Day 1 work will be fired overnight. On day 2, Overglaze enamels (China Paint), decals and luster will be the focus and we will work in traditional and innovative ways on top of our fired glaze surfaces. Tuition: $245 ($215 currently enrolled students). For more info, visit:
http://www.nolenstudios.com“China Painting: New Directions”, Paul Lewing, July 9-11, 2010
China paint (or overglaze enamel) is a 1000-year-old medium which few clay artists know today. This introductory workshop explores the use of this exciting painting medium on tile and pottery, either commercially made or handmade. Emphasis will be on water-soluble mediums, rather than the traditional oil. All skill levels of potters, painters, and traditional china painters are welcome. Potters will enjoy the bright colors and immediacy of the painting; china painters will discover non-toxic and non-allergenic mediums. Some hands-on, and students will leave with finished work. Includes slide show of Paul’s and other china painted work. Tuition: $365 ($325 currently enrolled students). For more info, visit
www.paullewingtile.com
“A Couple of Days with Donnie: He’s Back”, Don Reitz, July 10-11, 2010
“I will be demonstrating my techniques of making large scale sculpture from wheel thrown parts. I will also demonstrate wheel thrown sculptural vessels, which will include functional and non-functional forms. I will use slips and colored engobes to enhance form. Slab construction, painting and decorating techniques on wet clay will also be explored. The workshop will be supplemented with slides.” Tuition: $245 ($215 currently enrolled students). For more info:
www.donreitz.com“Mapping Out the Village: A Mural of Greenwich House” Bruce Howdle, July 16-18, 2010
In this workshop Bruce will demonstrate, from start to finish, how he conceptualizes and constructs his ceramic murals. He will be creating a special mural to commemorate Greenwich House Pottery’s 100th Anniversary. Additionally, Bruce will be discussing the logistics and the how-to for Public Art Commissions. This workshop will be a primer for anyone interested in designing, making and mounting outdoor, or indoor, murals. Tuition: $365 ($325 currently enrolled students). For more info:
www.brucehowdle.com“Throwing and Altering Porcelain” , Matt Long, July 16-18, 2010

The demonstrations will concentrate on exploring the gestural qualities of porcelain through functional pottery. I will be making work that is thrown and immediately altered off the wheel. Through the exploration of line and gesture, I have been working with thick slip as a way to express yet another kind of line that highlights the material in a different way. It is this exploration of line and gesture that continues to captivate me as I continue to express those qualities that is inherent in the material. We will cover many areas of pot making, including functional and aesthetic choices that lead to a better understanding of material, and the generation of new ideas and processes. Tuition: $365 ($325 currently enrolled students). For more info:
www.fullvictory.comFor all the info check out their website
here.
by Carole Epp | Oct 17, 2009 | Uncategorized

Thursday, October 22, 2009, 7:00pm Lunenburg Academy Auditorium
Joan Bruneau has been a Part Time Faculty member in the Ce ramics Department at NSCAD since 1995 and is celebrating her fifteenth year in business in her Lunenburg Studio and Gallery, Nova Terra Cotta. Over the years, Joan has developed both a national and international profile as an inspiring teacher and innovative studio potter. Joan has taught at the Emily Carr Institute in Vancouver, The Australia National University, Canberra, Glasgow School of Art, Scotland , Greenwich House Pottery, NYC and Peters Valley, New Jersey. She is one of two presenters invited to the 2010 Fusion Conference in Ontario. Her work is exhibited in high profile exhibitions across North America and is included in ceramics periodicals and books and in public collections including the Art Gallery of Nova Scotia and Jingdezhen Ceramics Institute, China.
For more info contact
NSCAD
by Carole Epp | Oct 16, 2009 | Uncategorized
“Medicine Hat –The Historic Clay District is pleased to announce the appointment of Aaron Nelson as Artistic Director for the Shaw International Centre for Contemporary Ceramics. Nelson succeeds Les Manning, who served in a voluntary capacity as the District’s Artistic Director for the past eight years. Nelson first came to Medicine Hat in June to participate in the Medalta International Artists in Residence (MIAIR) program and led a kiln-building workshop during which students from across Canada built two new kilns at the Medalta Potteries site. Most recently, Nelson worked as a Consultant for the Archie Bray Foundation, a leading ceramic arts centre in Montana. Nelson, the Historic Clay District’s first full-time Artistic Director, acknowledges Manning’s remarkable contribution to Medicine Hat’s growing arts community. “Les has exhibited and taught around the world for the past 20 years. Those experiences and contacts were instrumental in attracting hi-calibre international artists to a quality program in Medicine Hat,” he explains. During his time as Artistic Director, Manning oversaw the expansion of MIAIR and was a driving force behind the development of the Shaw Centre. While he is leaving the post of Artistic Director to focus on his art, Manning will remain with the District as a consultant and senior artist in residence. “There is a time in each program when new energy is needed,” says Manning, adding that “the facility is now in place, which leaves the opportunity for young leadership to take it to its next level. Aaron’s international experience and awareness of art issues will be valuable tools in building a world-class program.” The establishment of a contemporary ceramic arts program in a place known more for its historical significance may seem like an odd pairing, but Barry Finkelman, Executive Director of the District, explains “one of our major goals is to celebrate clay and its importance to Medicine Hat and Canada. Although historic preservation has been a major focal point for us, we have also worked to develop a world-class ceramic arts centre. By bringing the past and the future together, we are able to showcase Medicine Hat as a major heritage, artistic and cultural centre in Canada.” Finkelman adds that hiring Nelson as the Artistic Director allows Historic Clay District to continue its growth and properly showcase Medicine Hat as an artistic and cultural community with international appeal. The Historic Clay District is one of eight tourism attractors in the Canadian Badlands, featured in AMA’s “Alberta 100 Journeys” and is Western Canada’s largest National Historic Site. The museum – in the Medalta Potteries National Historic Site – provides visitors a unique opportunity to visit a restored 1912 pottery factory, which once produced three-quarters of all stoneware in Canada. It is operated under the stewardship of the Friends of Medalta Society. The Shaw International Centre for Contemporary Ceramics is a world-class ceramic arts facility situated in Medicine Hat’s Historic Clay District. The facility, which is part of the iconic Medalta Potteries National Historic Site, provides year-round residency opportunities and has many unique kilns, including soda, salt and wood in addition to gas and electric kilns. Programming in the Shaw Centre attracts some of the top ceramic artists in the world.” For more information, interviews or visuals, contact:
Quentin Randall
403.529.1070
by Carole Epp | Oct 15, 2009 | Uncategorized

Bayard Building façade, 65 Bleecker”Last of the Handmade Buildings: Terra Cotta In and Around New York”
Lecture: October 21st, 7-9pm
This presentation will start by focusing on the manufacture of terra cotta and the changes in building technology which helped lead to the great popularity of terra cotta during the early part of the 20th century. Remarkable examples abound in all five on New York¹s boroughs and include nearly all building types — theaters, schools, skyscrapers, apartment houses, and commercial structures. The village has some superb examples of architectural ceramics ranging from Louis Sullivan¹s only NYC building at 65 Bleecker Street (1898) to polychrome apartment houses such as 37 Washington Square W (1928, Groenberg & Leuchtag) to a more modern use of terra cotta at The Church House of the First Presbyterian Church, 12 West 12th Street (1960, Edgar Tafel). We will look at how these and many other terra cotta and tile buildings have contributed to the richness and beauty of the city’s architecture.
RSVP to Lisa Chicoyne, admission is free.
Lecture will take place at theGreenwich House Music School, 46 Barrow Street.
Walking Tour: October 24th, 2-4pm
As we visit some of the stellar examples of architectural ceramics in the Greenwich Village area, we will discuss how to identify terra cotta a material renowned for its ability to mimic other materials, particularly stone. We will also try to note buildings that date from around 1909, when Greenwich House Pottery was first established. This will give us an opportunity to think about what the city looked like and what architectural use was being made of ceramics (for tile and terra cotta) during this era. Highlights of the tour will include Sullivan¹s Bayard-Condict Building, Judson Memorial Church, and the Devinne Press Building.
Limited to 20 participants, two hour walk, meet at GHP.
RSVP to Lisa Chicoyne. Walk is $50 per person, mail payment to Greenwich House Pottery, 16 Jones Street, NY, NY 10014, Attn: Susan Tunick Walking Tour.
by Carole Epp | Oct 13, 2009 | Uncategorized



Toronto’s Largest Show and Sale of Fine Handcrafted Clay and Glass.
Featuring 50 clay and glass artists ranging from internationally recognized leaders in the field, to emerging clay and glass craftspeople presenting som of the best decorative and functional clay and glass in Canada.
CNIB Building, Conference Centre, 1929 Bayview Avenue, Toronto
Thursday, Oct. 15th noon to 9 pm
Friday, Oct. 16th 9 am to 9 pm
Saturday, Oct. 17th 9 am to 6 pm
Sunday, Oct 18th 11 am to 4 pm
For more info check out the website here.
by Carole Epp | Oct 13, 2009 | Uncategorized
featuring John Boyd, Glaze Specialist
Albert Community Center Loft
610 Clarence Ave.
Saskatoon
Early registration by Oct. 14th is $45.00
Door registration starting at 8:30 am Oct. 17 is $50.00
Oct. 16th – Artist talk 7:00-9:00pm- in the loft
Oct. 17th – Sessions 9:00-12:00, 1:00-4:00
Lunch not provided, but coffee, water and snacks provided for breaks.