International Artist Residencies, Budapest, Hungary 2010

Budapest Residency (deadline: February 6/ March 6)
The Hungarian Multicultural Center Artist Residencies

The Hungarian Multicultural Center, Inc.R (HMC), 501(c)(3) non-profit organization, invites interested visual artists, writers, performers to submit application for its residency program in Budapest, Hungary. The residencies offer participants to interact with other artists representing a variety of cultures and backgrounds. Approximately 6-8 artists are invited for each session. Program Dates:
Tuesday May 11, 2010 – Thursday, June 3, 2010 –Deadline (must be received) by February 6. 2010* Tuesday, June 8, 2010 – Thursday, July 1, 2010 –Deadline (must be received) by March 6. 2010* Tuesday, July 6, 2010 – Thursday, July 29, 2010 –Deadline (must be received) by March 6. 2010*
Tuesday, August 3, 2010 – Thursday August 26, 2010 –Deadline (must be received) by March 6. 2010*
Monday, December 27, 2010 – Tuesday, January 11, 2011 –Deadline (must be received) by September 6. 2010* Applications via email only.
Work samples: 5-10 jpeg images, under 1 MB each. For film/video, please email clearly labelled youtube/site links. Please do not refer us to a general website link or send an incomplete application.
http://www.hungarian-multicultural-center.com/id69.html While HMC does not provide funding for residencies, we are helping to facilitate the creation of program, the cost of the exhibitions and cover %40 of total cost, artists cover %60.
We encourage the applicants to apply for a grant or scholarship. For questions, application form please write to Beata Szechy [email protected]
http://www.hungarian-multicultural-center.com via retitle.com: http://re-title.typepad.com/opportunities/2010/01/international-artist-residencies-budapest-hungary-2010.html

The CRITICAL Santa Fe: Call for Abstracts

October 27-30, 2010, Santa Fe, New Mexico A Symposium on Developing Criticism in Ceramics International Speakers, Panels and Discussion

Developing Criticism for Contemporary Ceramics Investigations into Critical Interpretations and Critical Judgment This symposium will explore current perspectives on critical interpretation and judgment in contemporary art, using the model of ceramic art as a focal point. Invited speakers include: Ted Adler, Terry Barrett, Glen Brown, Garth Clark, Moyra Elliot, Tanya Harrod, Elaine Henry, Dave Hickey, Janet Koplos, Donald Kuspit, Elizabeth Leach, Paul Mathieu, Hunt Prothro, Jim Romberg, Raphael Rubinstein, and Adam Welch. This event is sponsored by the National Council on Education for the Ceramic Arts (NCECA). Submissions specific to ceramic art are encouraged, but considerations of critical practices in any form of studio art production, exhibition, history, pedagogy, or theory will be reviewed. Suggested topics of inquiry are as follows: Lecture Topics (20 minute presentation) •Critical Interpretation •Critical Judgment •Building Criticism Panels (15 minute presentation and panel response) •Looking Closely •Considering the Ceramic Object •The Shape of Judgment •Curation as Interpretation and Judgment •Publications and Criticism To be considered please submit an abstract (no longer than 300 words) to [email protected] by March 24, 2010. Authors of accepted abstracts will be asked to provide a full paper of approximately 1500 (panel) or 2500 (lecture) words by July 1, 2010. Proposals will be juried by the CRITICAL Santa Fe Advisory Board through a blind jury process. Previously published or off-topic papers will not be considered. All decisions of the Advisory Board are final; there is neither a rebuttal period nor an appeals process. March 24: Deadline for submissions. March 24-April 15: Review of Abstracts and deliberation period. May 1: Notification of acceptance. July 1: Final papers due for editorial review. August 1: Final, edited, camera-ready papers due. Oct 27-30: CRITICAL Santa Fe Symposium 2010.

CLICK HERE to go to the Critical Santa Fe Symposium page

Artist Profile: Marianne Hallberg



I recently came across the work of Marianne Hallberg and figured I’d better share it with you all as it’s so lovely.

Sadly her website isn’t in english but here is the google translate version, which is hopefully accurate enough.

“The material I use is stoneware with a white tin glaze, decorated with cobalt oxide. Firing temperature is 1250 ° C.

Use items are rolled to be thin and beautiful. I have interested me for ornamentation, studied the flowers, exploring symbols, squares, dots, stripes, and combined them like patch quilts, to tell you about my approach to beauty and desire.”

See more of her gorgeous work here.

Artist profile – Gary Slavinsky


For a while now I keep meaning to post about a lovely new potter I recently stumbled across. Well new to me, maybe not to you. I instantly fell in love with these beautiful pieces. Here’s a bit from his profile:

“My ceramic work is both practical for the enjoyment of everyday use as well as aesthetically pleasing for the presence in a room. I choose the wood fired process solely because it is an extension of my finding experience when creating. The wood fire process truly is an exciting adventure with discovery and the unexpected which is one of the most valuable experiences of human existence.”


Find out more about Gary here or shop for his work here.