by Carole Epp | Jul 8, 2010 | Uncategorized
HotHouse is a two-day think-tank bringing together world-leading creative thinkers, designers, artists, curators, academics, philosophers, urban planners and architects to develop models for the sustainable transformation of urban environments.
HotHouse calls upon art and design to offer visionary and practical means of transforming urban environments in ways that are community based, energising and enduring. The HotHouse symposium at Sydney Opera House will stimulate new art and design projects, connections and collaborations.
There are over 20 local and international
speakers involved including world-leading innovator
Bruce Mau (live from Chicago), major European/Asian biennale curator
Hou Hanru, leading environmental art curator Michaela Crimmin, US academic
Adrian Parr and
Tony Fry, Director of Team D/E/S and founder of the EcoDesign Foundation.
The HotHouse website is now
LIVE!
More than just a website, it is a place for exchanging ideas, reading the program, connecting with other HotHousers or taking part in the urban sketch lab.
HotHouse is an initiative of the National Institute for Experimental Arts [
NIEA] at UNSW in association with Object: Australian Centre for Craft and Design, and the City of Sydney.
WHERE: Sydney Opera House (Utzon Room)
WHEN: July 27-28 2010
COST: $185 Full / $130 Concession*
SEATS ARE VERY LIMITED! For bookings go to the Sydney Opera House
Box Office
*Includes the two-day symposium, lunch and refreshments both days and the cocktail launch event on Tuesday 27 July at 6pm. Concession open to students as well as low-income earners.
by Carole Epp | Jul 8, 2010 | Uncategorized
Hmm well blogger seems to have a limit to how many pics you can upload in a post so here’s a few more from today’s tour for yah! Enjoy!
by Carole Epp | Jul 7, 2010 | Uncategorized
So today started with a tour of Hycroft China, which was so exciting i barely slept last night. (i know i’m a super geek). I’ve got a ton of pictures to share with you but I’ll likely not do any commentary simply because it wouldn’t do the space/objects/history justice. I will entice you with images and suggest that you make the trek out here to visit and have the fantastic Mr. Aaron Nelson take you on a tour in the flesh.
by Carole Epp | Jul 7, 2010 | Uncategorized
Sean Erwin, Jeff Campana, Kelly Garrett Rathbone and Shanna Fliegel
Wednesday, July 7th, 2010 at 7:30 pm
Bray Resident Center
All artist talks are free and open to the public.
Join us Wednesday evening to hear current Bray Resident Artists Sean Erwin, Jeff Campana, Kelly Garrett Rathbone and Shanna Fliegel discuss their artwork, influences and inspirations.
Click here to view more artwork
by Carole Epp | Jul 7, 2010 | Uncategorized
The other thing I wanted to do why here was post a bit of a visual diary/sketchbook of what i’m working on since this is such a concentrated production time. I have to admit while i’m compelled to do this, the thought of exposing so much unfinished work, random thoughts and, well, potential garbage scares me. It’s hard to be vulnerable. And you know before, as much as I thought of all of you readers out there and tried to put faces to my audience, it’s been pretty creepy/cool/strange and thought provoking to actually be in a studio where there are people who will read this online and then potentially come and talk to me face to face about what’s here. It’s a pretty different feel alright. Makes you think more about what you’re writing about. But also in a positive way adds some humanity and closeness back into the whole blog/online community. Something to think about anyway.
So here we go with some images. Today was a day of some thrift store shopping and getting inspired by some new kitschy objects.
(a piece i’ve wanted to make for a long while now – the ass kissing angels)
* and on a relevant and intriguing note I must say that never before in my many years of obsessive second hand shopping have I ever (or has my companion Robin L) seen so many ceramic unicorns. Got to wonder what that’s all about all you Medicine Hatters. Unicorn Power!!!!
by Carole Epp | Jul 6, 2010 | Uncategorized
The early morning quiet of the studio. The long day of productivity stretched before me, and what am I doing? Wasting my time online : ) Sigh, habits die hard. I think for someone who is used to working in a panic state, in small 20 minute bursts, the thought of hours, days, weeks to work is a bit overwhelming. But i’ll deal don’t you worry! It’s so exciting to be here (have I said that enough times yet?) Yesturday I dug my hands in and got muddy, nothing to write home about, just some pots to get me started. I’m eager to work with Robin Dupont while he’s here and suck some soda firing expertise out of him. So I figured making some work for the soda kiln was as good as any other way to start.
As usual I think I’m spending too much time thinking about my pots. It’s a left over from grad school days when everything had to be justified theoretically and conceptually. It has left me with the inability to accept that sometimes a pot is just a pot, a vessel, a beautiful functional container.
If you have any sense of my past work in functional ware (see some pics and an artist statement
here) you’ll know of my interest in the relationship between industrially made ceramics and handmade ones and what are the signifiers/stereotypes of either. Medalta is a perfect place to be back thinking about these things being that the studio is just steps away from the old production factory/museum and a functioning production space. We had a quick but awesome tour yesturday and as Aaron mentioned we have to remember that even “industrially” made ceramics are made by hand, there are individual people in the process, it’s just a different process. So that lead me to wonder more about why/how we have this separation between small market mass production/mass industrial production/and small scale artist production. Maybe it really just boiled down to a question of aesthetics once all of the process/technology was removed. But why then have the two sides (artist vs industry) positioned themselves at such opposing sides of the spectrum. The industry side wants to generalize their audience, create the object that will have the largest commercial appeal where as the artist wants to have a singular voice, a unique vision – but wait – they want the largest commercial appeal too!
Hmmm. Commercial appeal. Unique vision. I want both, can I have both? Which has to be more compromised to realize the other?
In terms of process right now I’m working with both thrown vessels and slab construction. The thrown pieces are attempting to be loose works, speaking to their process on the wheel. The slab built are constructed using store bought objects, cheap bowls and plates, mass produced and intended to have the largest market appeal. I’m trying to use those pieces as a base upon which to overlay a unique vision, find an individual voice and highlight handmade stereotypes of ceramic production.
At the same time i’m also using commercial stamps. This a hard one for me. I’m so compelled and put off by them at the same time for similar and different reasons. I think it’s a crossover from my sculptural work to combine a bit of kitschy contemporary visual language. It’s cutsy (yum and yuck). But how to subvert a mass produced commercial stamp to produce a unique personal vision? It’s the same dilemma as using the cheap bowls and plates.
Who knows maybe it only makes mild sense in my mind. Maybe something will come out of it all, or maybe i’ll just have some nice dinnerware to take home and use.
Well anyway, that’s enough for now. Maybe some pictures later.
In the meantime if you want a different look into the residency I encourage you to check out Robin Lambert’s blog
Tiny Revolutions. He’s promised to post everyday as well so we’ll see which one of us lives up to our promises!
