by Carole Epp | Aug 30, 2010 | Uncategorized
It’s been a while since the wonders of Medalta. And I guess it’s been a while since I posted about what has been going on in the studio. It’s been an adjustment to get back into the pace of daily home life rather than all day/all night studio life, but work has been progressing none the less. I’m trying to finish up the rest of the china painting this week for the show in early October. There’s still so much to do in terms of finishing the pieces so to have the china painting done would be pretty sweet. More on the show later…







by Carole Epp | Aug 28, 2010 | Uncategorized

August 28th 2010 to January 16th 2011
BAM Biennial 2010: Clay Throwdown! is the inaugural edition of BAM’s new, juried exhibition competition. With over 30 participating artists, it provides a panoramic survey of ceramic art created in the Pacific Northwest and a glimpse into the many directions in which this dynamic medium is moving.
Clay Throwdown! features a select blend of both emerging and established artists with an emphasis on new and site-specific works. It reflects the diverse responses of contemporary artists to one of the oldest media known to man: clay. From personal gestures to commentary on today’s social issues, Clay Throwdown! assembles a wide range of voices unique to the Pacific Northwest and our time. The competition is accompanied by two distinct awards. The John & Joyce Price Award of Excellence, a $5,000 cash prize plus the opportunity of a future solo exhibition at BAM. The Samuel & Patricia Smith People’s Choice Award comes with a $5,000 cash prize and will be selected by Museum visitors. Be sure to cast your vote when visiting BAM! The winner will be announced at the October 28th Members’ Reception.
ABOUT BAM BIENNIAL
BAM Biennial is a juried exhibition that occurs every two years starting in 2010. It brings attention and exposure to the work of contemporary artists and craftsmen in the Pacific Northwest. For each edition, the Museum designates a new focus, exploring a specific medium, technique, process or theme in art, craft and design, the Museum’s artistic focal point. More than 170 proposals were submitted to the 2010 edition which is focused on the theme of clay. 34 artists have been selected to participate in the competition. Submissions were reviewed by a select panel of four jurors comprised of: Bif Brigman, collector (Seattle, WA); Stefano Catalani, Director of Curatorial Affairs/Artistic Director, Bellevue Arts Museum (Bellevue, WA); Akio Takamori, artist (Seattle, WA) and Namita Wiggers, Curator, Museum of Contemporary Craft (Portland, OR).For more info please visit their website.
by Carole Epp | Aug 28, 2010 | Uncategorized

Secretary A Company of West Coast Potters Inc.
9745 Willow Street, P.O. Box 406 Chemainus, BC, Canada V0R 1K0
T: +1 250 416 1411 (mobile)
F: +1 888 755 9338 (toll-free)
by Carole Epp | Aug 27, 2010 | Uncategorized
craft +design enquiry is currently calling for papers that relate to the theme of ‘relational craft and design’.
Despite the vigorous debate surrounding the disciplinary parameters and practice roles for craft and design in recent years, their relationship is characterised by wildly divergent interpretations. ‘Craft’ has become a significant and weighty word again at a time when the meaning of ‘design’ is shifting both within and outside the visual arts. Today we note everything from drug design to policy design, where ‘design’ indicates a higher level of consideration, conceptual and strategic thinking. Within this context, contemporary craft might appear as specific and cultural, while design’s seeming ubiquity carries certain risks. Curiously, the rise of design and its claims to a social role as a change-agent links contemporary design to earlier and well-understood craft polemics. For example, has design taken over the making of the object from craft? Does this help explain the neglect of craft as practice and description in studio-based art education and the concomitant rise of design within university settings in the past ten years? Art cannot be excluded when addressing these interdisciplinary questions. Might Nicolas Bourriaud’s concepts of ‘relational art and aesthetics’ be used to re-conceptualize these fields, despite, or perhaps in light of, his view that too great an emphasis on craft acts to exclude audiences? Is the legitimacy of craft shifting from the production of objects to the creation of links between people? This issue (craft + design enquiry #4) calls for papers that consider wide-ranging topics: How is ‘craft’ articulated (or elided) in contemporary architecture, fashion, and design generally; as well as film, if one considers the rise of model-making and other visual effects in contemporary culture? What does it mean that certain overlooked aspects of craft have been at work in all of these practices, but were often referred to with different language, through terms such as ‘technique’ and ‘process’ during the years that craft was ‘unfashionable’? Within this trajectory, what is the current understanding of the relationship (and lack thereof) between craft and design in itself? We welcome contributions that access or re-interpret craftsperson’s work as ‘design’ or reconsider the ‘ground’ on which such disciplinary claims have been made in the first place. The guest editors for this issue ofcraft + design enquiry on relational craft and design, and the convenors of this session at the AAANZ 2010 conference, are Professor Peter McNeil and Dr Rosemary Hawker. This issue of craft + design enquiry will be published in mid-2012. The call for papers closes on 30 June 2011. In addition, a special paper session of the Art Association of Australia and New Zealand (AAANZ) Annual Conference in Adelaide 1-3 December 2010 will be devoted to this topic and papers may be considered from that occasion. Call for Papers closing date 30 June 2011 To submit a paper please register online by the closing date of 30 June 2011. Refer to author guidelines for further information. For inquiries relating to this issue or submission of papers, please contact one of the Co-Guest Editors, Peter McNeil or Rosemary Hawker For administrative enquiries, please contact Jenny DevesWebsite
by Carole Epp | Aug 27, 2010 | Uncategorized

Today’s site to see is a shout out to my local pottery supply store here in Saskatoon.

Tree opened back in 1974 and has been supplying the local community of ceramic artists ever since. Louise Roy, the shops’ owner is one of the most fantastically lovely people to do business with. My little guy and always enjoy our visit.

Check out the website here.
Got a suggestion for a site to see fridays or monday morning eye candy? Drop me a line at [email protected]
by Carole Epp | Aug 26, 2010 | Uncategorized

So i’m working away on the computer as usual. Why am I never in the studio? Why? Sigh. Anyway…there’s good news. I’m working on a small self-published publication (read iphoto book) that I’m going to be launching at my next gallery exhibition (october) and selling online (asap).
Here’s the problem, I’ve been making figurines since 2005 and there are too many to chose from. So I’m calling on all of you for help! I’ve got my favorites narrowed down, but my favorites and everyone else’s favorites sometimes differ. So you now have the opportunity to have your say.
Vote for your favorite (or favorites) figurine by checking out www.caroleepp.com and browsing through the many years of figurines and then simply drop me a line at [email protected] or in the comments of this post telling me your favorite piece and you could be well on your way to winning a copy of the publication once it is released.
Sound good? 2 readers will be randomly selected and contacted for contact details (or feel free to include those in your email). Post this far and wide, I need some help! Too many to chose from!
DEADLINE FOR ENTRIES is September 5th 2010
Seriously, who doesn’t love free stuff?