by Carole Epp | Mar 19, 2011 | Uncategorized
This call is open to all artists living in the U.S. All media will be considered. The Appalachian Center for Craft hosts up to 20 exhibitions annually in its three exhibition spaces.
Please Send:
20 high resolution digital images
image descriptions
artist statement
resume or cv
$25.00 juror’s fee ( checks payable to A.C.C)
SASE ( if you want your materials returned)
Postmark Deadline May 2, 2011
All works will be insured while in the posession of the Appalachian Center for Craft. A 40% gallery comission applies to all sales. The Gallery will provide return shipping up to $300.00.
Please mail your entry to:
The Gallery
Appalachian Center for Craft
1560 Craft Center Drive
Smithville, TN 37166
For more information visit www.tntech.edu/craftcenter or email [email protected] or call (615) 597-6801
Please do not email your submission.
by Carole Epp | Mar 18, 2011 | Uncategorized
via www.studiopottery.co.uk
The trustees and staff of the Leach Pottery would like to express our great sadness at the recent catastrophe that has beset Japan. The Leach Pottery’s historic and current links to Japan are of great importance to us and the friendship we have received from the Japanese people over the years has been unwavering.
In 2008 the people of Mashiko pottery village and the Mingei Association collectively donated over £40,000 towards rebuilding the Leach Pottery.
We are launching an appeal now to raise funds for Mashiko which has been badly hit by the earthquake. Mashiko has over 400 studios and kilns, providing the main livelihood of the village, and the recent quake has caused considerable damage to kilns, homes and buildings. Mashiko’s two main museums, the Mashiko Ceramics Museum and the Hamada Reference Museum have also been badly hit. To donate to this appeal visit the Leach Pottery website
Link to the Leach Pottery, St.Ives website for appeal information and how to donate. http://www.leachpottery.com/What-s-On/News-Feed.aspx
by Carole Epp | Mar 15, 2011 | Uncategorized
By Pottery Barnes
Find it and more here.
by Carole Epp | Mar 14, 2011 | Uncategorized

Mission:
Handmade For Japan’s mission is to raise money through an online auction on March 18-20 for relief efforts to assist the victims of Japan’s catastrophic earthquake, tsunami, and nuclear emissions.
Handmade for Japan is an online auction of unique, handmade art donated by concerned, invited artists. One hundred percent of all net proceeds collected via the auction will be donated to the relief efforts in Japan.
Because of the urgency of the situation, the auction will begin on eBay on Friday, March 18th and end on Sunday, March 20th. The auction items will be listed under the “Handmade for Japan” seller ID.
Previews of the auction items will be available in English and Japanese through Facebook pages and Twitter updates. All inquiries in either language should be sent to [email protected].
Who We Are:
Handmade For Japan was borne out of concern for Japan’s residents by Japanese-American ceramic artist Ayumi Horie. She, Ai Kanazawa Cheung, and Kathryn Pombriant Manzella have mobilized to solicit, promote, and auction handmade pieces of art generously donated by talented artists throughout North America and Japan.
by Carole Epp | Mar 12, 2011 | Uncategorized
There is much heartache in the world right now. Here is a post from Euan the Potter which I have to share. Hopefully more stories of survival will surface on blogs soon.
http://euancraig.blogspot.com/2011/03/we-are-safe.html#comment-form
by Carole Epp | Mar 12, 2011 | Uncategorized

Yesturday I had the pleasure of giving a talk at the University of Saskatchewan about my art and practice and the yucky business/marketing stuff that one has to do as an artist. Hopefully I didn’t scare any of the fourth year students. I tried not to get too much into the nitty gritty of all that being an artist encompasses.
It was great fun to chat with some of the audience after, meet a few people super eager to see change and action in the local crafts community, so that’s always a treat. My youthful rebellion against the man and the system still alive and well. (will it ever fade?) And so I return to my studio today inspired again by the community around me.
But a question has been lingering in my mind and tumbling over and over again…I can’t seem to shake it. Someone asked me whether I ever took an art vacation. At first I thought well of course, where ever I travel I try to make seeing local art a priority. But no, she meant a vacation away from art. Hmmm. I answered no. Does that mean I’m some sort of obsessed workaholic? I started to wonder if my priorities were getting skewed. Was I falling prey to that obsessive behavior associated with people who neglected their families and avoided real life for their work? Yeah you don’t have to tell me, I know I over analyze everything and tend to get a bit anxious about things.
So I’ve come to the conclusion that art really just is a different kind of job than most. Which is why sometimes we have such a difficult time explaining to others (non-artists) what exactly our jobs entail. And to me the nature of making work that is based on the human condition and my interaction with the world and topics of contemporary concern or commentary; in the end means that I’m always “on” as an artist. I’m always thinking, digesting, working through a problem. And that’s not just in relation to my sculptural work. My functional line is always on my brain as well. I’m forever searching for inspiration, challenges, new techniques, styles, aesthetics to try and work through.
I guess what it comes down to is that yes I do work ALL the time. No I don’t take a vacation from my art. But why I don’t is because I have a great job, one that is such an integral part of who I am and how I interact with the world that to have a vacation from art would be akin to having a vacation from my right arm. I live and breath my work. I’m obsessed with my work. It is an expression of who I am, so yes, we’re attached at the hip wherever I go. But I wouldn’t have it any other way.
I think it says alot about the joy and reward of being an artist. We are doing what we truly love, so far as that it doesn’t feel like a job most days because it’s pretty fun. And for those that don’t get how I can’t separate my life and work, well, maybe it’s because you haven’t found a job as rewarding as I have. Art is a calling I guess.
But now if only I could convince those people to also understand that just because I love my job so much more than they do, it doesn’t mean that I should be doing it for free.