movie day: Great Basin Pottery

 

Joe Winter and Paul Herman met and developed a kinship in the art of pottery in 1995. Though a shared desire to develop their craft, they designed and built an anagama wood fire kiln, which they have fired regularly for the last 19 years. Several years ago, they enlisted the help of a young and dedicated potter, Casey Clark who, along with a small group of ceramic advocates have formed a ritual and community around wood fired ceramics in the Great Basin, north of Reno, NV.

During the Fall of 2018, the three ceramicists sat down with artist, Troy Corliss to discuss their history, craft and design process which has evolved around the anagama kiln. This video includes the full interview and video footage from the Fall 2017 firing.

Flora & Fauna @ Blacksmith Country General

April 12 – 26, 2019

Flora & Fauna is a multi media exhibition celebrating the start of spring and living things from big to small! Each Canadian artist has been invited to submit works highlighting creatures and natural elements in a range of materials: metal, clay, paper, mixed media, textiles, wood and found objects. Join us for the opening and artist reception on Saturday, April 13 from 7-9pm.

Invited Artists:
Amber Aasman, Andrea Vuletin, Christina Obuch, Dayna Gedney, Jenny Pulling,
Kaitlyn Brennan, Lesley Bergen, Olga Wieczorek, Thea Haines

Exhibition Details and Location:
Black & Smith, 2633 Jerseyville Rd W, Jerseyville ON
blacksmithcountrygeneral.com

In Common Uncommon with David Mackenzie and Maureen Maurcotte

This spring, David McKenzie and Maureen Marcotte are celebrating their 40th year as studio potters in the Gatineau Hills north of Ottawa. For four decades, they have been partners in life and work and share a home, studios, kilns and materials and family life. They have much in common, especially an approach to clay that centres on creating intensely decorated surfaces on a variety of forms. While this focus is similar, the resulting bodies of work that they each create are entirely unique.

Maureen’s work is characterized by pattern either based on nature or geometric shapes. The designs are often formal and organized, respecting the constraints of the forms she makes. There is a quietness to the overall patterns based on a repetition of the design elements. Even when there is a  seemingly random pattern of leaves and foliage, there is always a subtle geometric structure underneath that anchors the pattern.

David is a story teller and his work has a narrative quality based on a vocabulary of images and themes that populate his more casually made coil pots, slabwork and slip cast pieces.  Passionate about formulating glazes and constant experimentation, David uses a rich palette of colours and textures.   A whimsical sense of design and a lyrical drawing line infuse each unique piece with warmth and intimacy.

Although they share a work environment and most other aspects of their lives, David and Maureen manage to create work that is individual with surprisingly little cross influence. Even though they share glazes, clay bodies and sometimes even decorate the same slipcast forms, there is no mistaking one artist for the other. Perhaps it is the differences between the two styles of work that is remarkable.

artgalleryofburlington.com

#NCECAEH

 

Are you a Canuck with luck heading to @nceca this week?? First of all, congratulations… that’s exciting and it’s amazing to see more can con spreading south of the border. Imagine #canadianceramics infiltrating the hearts & minds of many international ceramics lovers and ceramic curious!! We’d love to see NCECA through your eyes, and invite you to use #ncecaeh when posting can-con to share with the rest of the nation who cannot be there in person ☹️!! Whether you’re participating in an exhibition or demonstration, meeting your ceramic pen pals & icons, or generally being blown away, we’d love to hear about it.

Canadian Ceramics Represent!! 🇨🇦💪🏺❤️
#ncecaeh, #canadianceramics