by Carole Epp | Jul 28, 2011 | Uncategorized
Image: Brendan Tang
The Canadian Clay and Glass Gallery is calling for submissions to The Winifred Shantz Award for Ceramics and The RBC Award for Glass. With the ongoing generosity of Ms. Winifred Shantz and the RBC Foundation, the Canadian Clay and Glass Gallery presents these prestigious national awards for early-career practicing ceramic and glass artists who have been working professionally for between 3 to 10 years. The awards are intended to allow each winning artist to undertake a period of independent research, or other activities with the capacity to advance their artistic and professional practice at a key moment in his or her career. Winners of the Winifred Shantz Award for Ceramics and the RBC Award for Glass will receive $10,000 each. Juries comprised of respected artists and arts professionals associated with the silica arts will choose a finalist list. This year’s winners will be announced at a gala event on October 13, 2011. Each of these annual awards presents a monetary prize for innovative professional development to an emerging ceramic or glass artist, allowing the recipients time to travel, to attend international residencies or to conduct research that will enrich experience and fortify career aspirations in the field of contemporary art or fine craft. To apply to either of these awards, you must be a Canadian citizen or have Permanent Resident status, as defined by Citizenship and Immigration Canada. You must also meet the definition of a professional artist. The Winifred Shantz Award for Ceramics and the RBC Award for Glass is accessible to Aboriginal artists and artists of diverse cultural and regional communities of Canada. Deadline for Submissions – Friday, August 26, 2011 by 5pm For more information, please contact Christian Bernard Singer, Curator, at (519) 746-1882, ext. 230 or via email at: [email protected]. Or visit our website: www.theclayandglass.ca/events/awards Winners of the Winifred Shantz Award have included the following outstanding recipients: Brendan Tang (2010), Jasna Sokolovic (2009), Kasia Piech (2008), Rory MacDonald (2007), Ying-Yueh Chuang (2006), Kate Hyde (2005), Joan Bruneau (2004), Marc Vincent Egan (2003), Laurent Craste (2002), Susan Collett (2001). All of the RBC Award for Glass winners to date have represented the remarkable practices that make up contemporary glass art. Previous winners of the RBC Award for Glass are Rachael Wong (2010), Cali Bales (2009), and Julia Reimer (2008). The Canadian Clay and Glass Gallery fosters interaction among artworks, artists, and community and is recognized nationally for its critically acclaimed exhibitions of regional, national, and international artists. The Gallery offers lectures, classes, workshops, tours, and houses an ever- expanding collection of historical and contemporary Canadian ceramic, glass and enamel art, conserving and promoting a rich and active component of Canada’s rich cultural heritage. Our award winning architecture, outstanding exhibitions and programs have placed The Canadian Clay and Glass Gallery at the forefront of contemporary art experience. The Gallery is located at 25 Caroline Street North in Waterloo, Ontario. It is open Tuesday to Friday, from 11 am to 6 pm, Saturdays from 10 am to 5 pm, and Sundays 1 to 5 pm. Admission to the Gallery is free.
by Carole Epp | Jul 27, 2011 | Uncategorized
Okay maybe not all the artists will be there but at least their amazing work will be.
Oh and I’ll be there, wouldn’t miss this one for the world. Just a browse of the list of participating artists…well tons of my Canadian favorites. I can hardly wait to meet some of these artists in person.
ALBERTA
Chalke, John * Chaytor, Katrina * Manning, Les * Tipton, Barbara * Nipshank, Glen
BRITISH COLUMBIA
Birstein, Suzy * Boyd, Bill * Brewer-White, Elaine * Delatour Lepoidevin, Susan * Dexter, Walter * Dyelle, Judi * Rolland, Laurie * Hutchens, Gordon * Marshall-Inman, Glenys * Mathison, Meira * Merkel, Gary * Michener, Sally * Nagle Stevenson, Pamela * Fox, Mary * Ngan, Wayne * Rogers, Craig * Webber, Pat * Weeden, Judy * Burgess, Alan * Burgess, Meg * Card. Louise * Chinnery, Rachelle * Shigeno, Kinichi * Bowman, Marlene * Jefferson, Cathi
MANITOBA
Lacovetsky, Alan * Metcalfe, Valerie * Archambeau, Robert * Dahl. Karen * Nickel, Grace * Stafford, Kevin
NEW BRUNSWICK
Blake, Judy * Clark, Lee Horus * Clark, Yolande * Powning, Peter * Emenau, Darren * Thomas, Peter
NEWFOUNDLAND
Weir, Reed * Hayashida, David * Yates. Linda
NOVA SCOTIA
Ravindra, Sally * Smith, Jim
NORTHWEST TERRITORY
Kruse, Astrid
ONTARIO
Beam, Ann * Brandao, Celia * Campbell. Keith * Cochrane, Bruce * Daymond, Heather * diPetta, Angelo * Fisher, Marianne * Heinemann, Steve * House, Harlan * Irvine, Steve * Mah, Audrey * Markson, Mayta * Cabri, Mimi * Michaelson, Carol-Ann * Monostory, Zsuzsa * Mortimer, Ann * Nasr, Dian * O’Young, Kayo * Pratt, Bernadette * Ron Roy * Rossman, Carol * Wheatley. Joyce * Willoughby, Liz * Cloney, Helen * Roberts, Ann * Beam, Anong * Shadford, George * Donaldson, Judy * Driver-Kerslake, Heather * Franklin-Clennell, Sheila * Graham, Judith * Kerslake, Roger * Link, Sarah * Low-Beer, Susan * Creber, Diane * Swain, Chandler * Wilson, Jane
QUEBEC
Foulem, Léopold L. * Goyer-Bonneau, A & D * Legros-Wise, Enid * Mullavey, Dean * Murray, Paula * Savaria, Lisette * Vicente, Vera * Brouilette, Diane * Killoran, Audrey * Poissant, Gilbert * Savoie, Maurice * Baghaeian, Mahmoud * Cotes. Rejean
SASKATCHEWAN
Bolen, Mel * Epp, Carole * Mah, Jeannie * Rocamora, Anita
Keep an eye on musing about mud the week of the opening, i’ll try to give you guys some behind the scenes gossip and pictures.
But seriously – this is a historical event – YOU SHOULD BE THERE (if you can)
Find out more on the Jonathon Bancroft-Snell Gallery website.
by Carole Epp | Jul 26, 2011 | Uncategorized
Visit their website for more details about the workshops as well as residency opportunities.
Sept 22-Oct 5: Anagama Wood-Firing: Spontaneous Glazing
Course Level: Minimum beginning throwing/hand-building skills recommended
Cost: USD $2300 (*includes: accommodation, breakfast & lunch, all studio materials, firing, instruction, and excursions around Bali)
read more… Oct 9-15: A Thousand Surfaces (one week)
Course Level: All levels
Cost: USD $1245 (*includes: accommodation, breakfast & lunch, all studio materials, firing, instruction, and excursions around Bali)
read more… Oct 30-nov 12: Raku And Smoke Western Raku And Smoke:
Course Level: Beginning throwing skills recommended
Cost: USD $2150 (*includes: accommodation, breakfast & lunch, all studio materials, firing, instruction, and excursions around Bali)
read more…
by Carole Epp | Jul 23, 2011 | Uncategorized
van den Heuvel, Kao-Lin
Material Matters is a major exhibition focusing on works drawn from the ANU Ceramics Workshop Teaching collection. It links a broad range of community based events which will involve all members of Canberra’s ceramic networks. From professional masterclasses and open workshops, from community woodfirings to exhibitions, from guided school tours to the symposium there will be something for everyone.
International Visiting Artists include Anton Reijnders | Netherlands
Netty van den Heuvel | Netherlands
Ray Chen | Taiwan/USA
Christina Bryer | South Africa
SYMPOSIUM | MATERIAL MATTERS
Presentations by students, faculty and artists on the nature & meaning of their material research. Submissions for papers (20mins) are invited – please contact Janet DeBoos | [email protected] Friday 19th August 6-8pm Exhibition opening / Reception
Saturday 20th August 10am – 5pm Keynote speaker Anton Reijnders
Sunday 21st August 9am-12pm & 1 – 3pm Open Studio Cost $55 gst incl (includes reception & Saturday lunch $30 gst free (Full Time secondary and tertiary students)
WORKSHOPS
Ray Chen | Material expression (presentation and demonstration)
Thursday 4 August 10 – 4pm
Cost: $66 gst incl
In this demonstration workshop on the expressive use of clay, Visiting Artist Ray Chen (USA) will lead students to examine the potential of clay to describe emotion and feeling, whilst considering the sculptural requirements of 3-D objects. His work on the theme of Mother & Child will also be discussed and aspects of its making explained.
Joanne Searle | Transferring – transfer printing on clay
Saturday 6 August 9 – 1pm
Cost: $33 gst incl
This one day workshop will cover various ‘print on clay’ techniques including plaster monoprints, fabric & tissue transfer as well as low-tech etching. These printed surfaces will be applied to both wheel thrown and hand built forms. Various methods of treating the surface at the raw, bisque & high firing stages will be covered. Tiles and materials will be provided at cost.
Janet DeBoos | I can see clearly…
Sunday 7 August 9 – 1pm
Cost: $33 gst incl
A good clear glaze- although often seen as the simplest of ceramic surfaces- is frequently difficult to achieve. This workshop will examine the reasons why a glaze is not clear, how to make it clear, and how clear glazes can be adjusted for different temperatures. Demonstration materials and tiles supplied at cost.
Anton Reijnders | Thinking through making (terra sigillata)
Tuesday & Wednesday 9 & 10 August, 9am – 1pm Cost $66 gst incl
In this workshop- the renowned Netherlands author of ‘The Ceramic Process’ (A&C Black) will ask “What makes a good terra sigillata? On the basis of practical tests students will find out how to make and apply terra sigillata and moreover learn about the mineralogical makeup of clay. Materials supplied at cost. Student should bring no less than 100gs of dried, pulverised clay to the workshop- preferably gathered locally- but could be any dried commercially available body.
Netty van den Heuvel | Dialogue in 3 Dimensions (mixed media workshop)
Thursday & Friday, 11 & 12 August 9 – 1pm & 2 – 4pm
Cost: $110 gst incl
An exploratory workshop in three dimensions, using clay, and found objects, as well as an enquiry into the potential of combining clay with other materials such as silicone. Students will be invited to go through a series of structured exercises in finding, looking and making
Greg Daly | Alchemy- lustre glazes
Saturday & Sunday, 13&14 August 10 – 1pm
Cost $66 gst incl
This two day workshop with acclaimed glaze maestro Greg Daly (author of Lustre- A&C Black- due to be released early 2012) will cover all aspects- making, applying and firing- of that enigmatic ceramic surface -lustre.
Four different ways of achieving this surface will be explained- pigment lustre, lustre glazes, resin lustres and fuming. Materials will be provided at cost.
Christina Bryer | Working with porcelain from a non traditional angle
Thursday 18 August 10 – 4pm
Cost $66 gst incl
This demonstration workshop will attempt to unravel the three interwoven aspects of Christina’s work and examine them in the light of the following themes:
Art & Design (inspirations and influences), Geometry (Aperiodic Tiling and Sacred Geometry, from Plato to Penrose and back again) and Technical Explanations (working with porcelain in a non-traditional way)
(Note that all workshops are subject to minimum numbers to run, and will be cancelled with less than five participants. There are also a ton of exhibitions and other events taking place. Please visit their website here for all the details and make sure to attend if you can, sound like a good one!
Saturday – Sunday, September 10 – 11, 10am – 4pm Fee: $180 members; $200 non-members
Liz Quackenbush is a Professor of Art at the Pennsylvania State University in State College, PA. She received her BFA from the University of CO, Boulder and her MFA from The School for American Craftsmen at Rochester Institute for Technology. Liz has taught numerous workshops at crafts schools and many universities and colleges across the country. Her work has appeared in numerous books and art publications, and is included in many private and public collections including Aberystwyth Arts Center, The George Gardener Museum, and Arizona State University Art Museum. 
For 27 years Lisa Orr has been professional potter and student of ceramics. She completed an MFA at the NYSCC at Alfred University in 1992 and later received grants including a Fulbright and a MAAA/NEA. Her work is in numerous public and private collections including the Fine Arts Museum of San Francisco, and the permanent collection of WOCEF in Korea. Currently she teaches, lectures and shows nationally and internationally
