Árkádia Galéria
Ujj Zsuzsa
keramikus iparművész T: +36/20 385 3084 [email protected] www.ujjzsuzsa.hu
This exhibition runs from February 11 – March 12, 2012
Work available here on Wednesday the 15th at noon.
(above image is the work of Rae Dunn)
1812 Fifth Street
Berkeley, CA 94710 Phone: 510-540-TRAX (8729)
Fax: 510-540-0430
Email: [email protected]
Hours: 12-5:30 Wed-Sunhttp://traxgallery.com/
Ship Sinkers- Ice BucketRead the whole story here. It’s well worth the time, so grab a cup of tea and enjoy!
Studio artist Gwendolyn Yoppolo will present a workshop and lecture Feb. 15 at Appalachian State University. Her campus visit is part of the Department of Art’s Spring Lecture Series. The lecture series is sponsored by Bob Meier and Doe Ridge Pottery, the Department of Art and Turchin Center for the Visual Arts. Yoppolo will conduct a workshop and demonstration from 1-5 p.m. in the clay studio in Wey Hall. A reception for the artist will be held at 6:30 p.m. in the lecture hall lobby of the Turchin Center. Yoppolo’s lecture will follow at 7 p.m. in the lecture hall. All events are free and open to the public. Yoppolo is a studio artist in residence at the Penland School of Crafts. She also has been a resident artist at the Archie Bray Foundation, a studio technician at Alfred University and an assistant professor at Juniata College in Pennsylvania. Yoppolo creates kitchen and tablewares from clay – intimate objects designed to be held or touched to the lips. “The forms I make engage the threshold of subjectivity by offering a conduit for nourishment into the body or between bodies,” according to Yoppolo’s artist statement. “The experience is more than visceral, as the body’s pursuit of sensual experience is tied into the process of making existence meaningful on all levels. How we choose to feed ourselves and others is connected not only to our sensations of hunger and gratification, but also to our deeper perceptions of ourselves, and of the larger stories we live by.” Yoppolo received an MFA from Penn State University in 2006. While at Penn State she received two fellowship awards for her research using the scanning electron microscope. She continues to work with this instrument to photograph the tiny landscapes of beach rubble, sugar cereals, plant seeds and insect parts.link
Thursday March 8, 2012, 6:30 – 8 pm
http://www.gardinermuseum.on.ca/event/rorymacdonald
Rory MacDonald discusses the importance of ceramics within the realm of public activism. Examples of Rory’s public interventions are his street tags of traditional blue and white Willow pattern made during his residency at Medalta in Medicine Hat, Alta. In another project called Curb Work, he drew attention to the deterioration of curbsides and sidewalks in downtown Regina. Repairing the fissures with exquisitely decorated ceramic patches, his strategic activism highlighted the deterioration but improved the urban streetscape. His discussion on Public Craft will look at these projects as well his most recent works. Ceramicist Rory MacDonald is currently Assistant Professor of Ceramics at the Nova Scotia College of Art and Design and the 2007 winner of the Winifred Shantz Award for emerging ceramics in Canada. Central to his current research is the exploration of the concept of public craft. His lecture will give an overview of both old and new works.
111 Queen’s Park Tel +1 416.586.8080
Fax +1 416.586.8085
[email protected]
These aren’t clay, but still an amazing process.
Many thanks to Vipoo Srivilasa for sharing this.
FACETURE from Phil Cuttance on Vimeo.
The FACETURE series consists of handmade faceted vessels, light-shades and table. Each object is produced individually by casting a water-based resin into a simple handmade mould. The mould is then manually manipulated to create the each object’s form before each casting, making every piece utterly unique. The FACETURE process First the mould of the object is hand-made by scoring and cutting a sheet of 0.5mm plastic sheet. This sheet is then folded, cut and taped into the overall shape of the product that is to be cast. The mould’s final shape, and strength, is dictated by which triangular facets I pop in and out. I do this each time I ready the mould for the next object, meaning that no two castings are the same. I then mix a water-based casting resin that is cast in the mould where it sets solid. The resin is poured into the hollow mould and rolled around to coat and encase the sides, controlled by me on the casting jig on the machine. The material soon sets creating a hollow solid object. Then another, different coloured measure of resin is poured into the same mould, and swirled around inside, over the first. When it has set, the mould is removed to reveal the solid set cast piece. The casting appears with sharp accurate lines and a digital quality to its aesthetic, a visual ‘surprise’ considering the ‘lo-fi’, hand-made process from which it came. The mould is then cleaned and ready for re-use. Each vase is handmade, unique, and numbered on the base. Available in two sizes; tall – 45 x 12 cm approx. small – 34 x 8 cm approx Standard colours – Charcoal, blue, yellow, pink, white. Custom colours available. email [email protected] to for pricing and to order. Images by Petr Krejci & Phil Cuttance The FACETURE project was created with the support of Creative New Zealand.
www.philcuttance.com
