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Combustion and Creativity – Salt Soda and Wood
Storey, Dan Hill , and Eva Gallagher
July 20th, 7-9 pm at South of 60 Arts Centre in Barry’s Bay,
Ontario www.southof60.com and runs until August 26th.
unique outside of an educational setting in Ontario, their salt, soda
and wood fired kilns are within a half hour drive of each other and this is
a chance to compare the three different types of firing and how they affect
the clay and creativity of the potter.
a site 2 see friday: Recycled China
From the website:“Recycled China is a design team consisting of artists
Thomas Schmidt and Jeff Miller. During the factory production of ceramic
products, there is on average a 4% loss rate; items which in one way or
another are imperfect and therefore do not reach the market. Once
fired, ceramic materials are no longer usable and simply end up in
landfills around the world. As an alternative to using mined materials,
Recycled China is about reusing ceramic waste and other industrial
waste into the form of architectural tile, functional design works, and
sculptural objects. “
Print seminar 2012
The Guldagergaard Seminar on Printed Ceramics
printed surfaces have become commonplace in contemporary practice. To
co-incide with the imminent publication of a completely new edition of
the book, Guldagergaard is proud to host a seminar involving leading
figures in the field.
Leader, Crafts at MIRIAD (Manchester Institute for Research and
Innovation in Art and Design) and is well known for his investigations
into ceramic print processes as well as his political works.
London School of Fashion. She has worked in a variety different media,
including paper, textiles and ceramics. She made a significant body of
work with the Spode Factory before its closure and is working with Paul
Scott on new research proposals for the Spode Archive.
John
Kindness (IRL) is an Irish visual artist who works in a variety of
media. In 1999 he completed a huge commission “The Big Fish” for
Donegall Quay in Belfast. Clad in lithographically printed porcelain
tiles the artwork has become a well known and loved feature of Belfast’s
redevelopment and renewal.
working with serigraphy. Her subject matter is sourced from cyberspace,
collaged with personal imagery. Her artwork plays with surface, media,
technology and our perceptions of them.
Academy of the Arts (KHIO) in Norway. He is well known for his
pioneering research into the graphic development of ceramic surfaces,
his characteristic artwork in blue and white, his writing and his
teaching.
He is best known for his pioneering, surreal, trump l’oeil sculptural
forms. He has been a significant figure in American ceramics for over
forty years and has been hugely influential in the development of
ceramic arts on an international level.
leading ceramic artists. She has long worked with form and the graphic
surface, mixing digital mapping with low-tech paper transfer print
processes.
at Guldageraard over the past 5 years. His impressed ceramic artworks
are variously political and commemorative in nature. In 2011 he
completed a commission for Elvaerket in Dahish town Holbaek. Matthew
will be working at Guldagergaard over the summer of 2012 and will be
presenting some of his works at the seminar.
THE CERAMIC VOICE: A NARRATIVE IN CLAY
October 19-21, 2012
Lexington, Kentucky
Presented by Potters Council and hosted by Kentucky Mudworks
READ MORE: http://ceramicartsdaily.org/potters-council/the-ceramic-voice/
REGISTER NOW:https://www.pubservice.com/pr/pqconference/ceramicvoice12.aspx?PR=PQ%3DR207CV1
PRESENTERS: Linda Arbuckle, Lisa Clague, Ron Meyers, Karen Newgard, Kevin Snipes and Kurt Weiser
Tell a story in clay
Each of these talented artists tells us a personal story in clay. Each
presenter treats the surface in a unique manner, and will share their
surface techniques with YOU over the two-day conference. Explore the
possibilities with surfaces by combining new techniques to what you
already know. Come and find out how to tell your narrative in clay.
This conference is open to artists at all levels: from enthusiastic
amateur, to the teacher, and for the professional. No matter what level
you are, if you’re open to learning and connecting with other ceramic
artists then this is the conference for YOU!
Attendees will learn how to…
• Decorate utilizing the Majolica process
• Visually organize the surface for the viewer
• Use line, color, proportion and other design devices to give personality and resonance to a piece
• Use handbuilding method combining metal and low fire sculpture clay together.
• Incorporate other materials into sculpture such as dipping wire in casting slip, fabrics, stuffed animals, etc.
• Utilize nontraditional surface techniques on wet clay, bisque and post fired work.
• Use low fire oxides, glaze, and encaustic wax for finishing.
• Make multiple forms on the wheel and altering them as well.
• Do surface techniques using commercial underglazes, sgrafitto techniques, and multiple glazing methods.
• Carve, sprig, use sgraffitio, and mishima surface techniques.
• Use wax resist techniques on a green-ware multi-sided, slab constructed, and vessel-like porcelain object.
• Use china painting
• Mold making and casting techniques
What? Now workshops have movie trailers? Love it!
Take my Illustrative Pottery Workshop with the Ceramics School
about me
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Carole’s Website
MAKEANDDO.CA
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