a site 2 see and a guest post (and maybe a technical tuesday?) all rolled into one

If you follow Medalta on Facebook, twitter or Instagram (which you should) you’d have seen some pretty cool images lately of the 3D printing they’ve been doing. I was so intrigued that I bugged Aaron Nelson and Quentin Randall to send me some info and images to share with you guys. Below are some thoughts about the relevancy of the residency process for an artist and the integration of 3D printing technology. 


The value of art and artists
 

Artists
are experimenters, looking at new ways of using existing technologies
or developing new technologies to solve their own technical problems.
Artists today are not primarily focused on the final product. For every
piece in an art gallery, there are 100 piled in the corners of studios.
It is about the process; the experiments which yield new information.
Artist
residencies are the creative equivalent to scientific laboratories –
ideas come together and are explored to their natural end. Sometimes
it’s as a heap in the corner. In other times – exciting times – an idea
produces something revolutionary. When that happens, change happens.
Art
and Craft 3D printing is at the edge of our understanding and
development. By putting it in the hands of artists – people who make
careers out of pushing forward – their experiments will leave invaluable
and meaningful amounts of new information in their wake.
In
Medalta’s artists’ studios, 3D ceramic printing experiments are quietly
being conducted by many creative minds. The goal here is not to solve
the  problems In fact, more problems are often created. The goal is to
push these two newly-convergent technologies (ceramics and 3D printing)
to their absolute limit in order to see further into the future. By
pushing further than before, artists at Medalta are able to help others
see the future. By experimenting and sharing, progress can (and will)
happen in positive, unexpected ways.
That
is the relevance of an artists’ work. To endlessly experiment, share
ideas, build on ideas, combine ideas and move this world forward.
Medalta’s artist residency program is devoted to that cause and
understands its role in the world. Medalta respects the process of
making and understands that process based learning produces new
knowledge that expands the definition of ‘possible.’”

Well if you’re like me I’m sure you’re dying to know more and if you’re lucky enough to be in the Alberta area you should make sure to check out their 3D printing demo and exhibition this weekend. 

Historic Clay District logo  

CERAMIC 3D PRINTING

Over 125 years of Ceramic technology in Medicine Hat

Exhibition & Demonstration

Saturday, June 1 
7:00pm – 10:00pm   
Yuill Family Gallery (Medalta)
No Charge
  
Artists 

Steve Grimmer

Medalta is pleased to host Ceramic 3D Printing,
a company from Omaha, Nebraska, who are using the methodologies
associated with contemporary art production in order to conduct research
into 3D printing. This company is at the leading edge of printing in
ceramics and organic material for the medical industry.
Artists
are experimenters, looking at new ways of using existing technologies
or developing new technologies to solve their own technical problems.
Artists today are not primarily focused on the final product. For every
piece in an art gallery, there are 100 piled in the corners of studios.
It is about the process, the experiments which yield new information.
Please
join us for a short demonstration of the process and to hear our five
feature artists discuss their involvement with this cutting edge
technology.

KATHY VENTER DELIVERS “LIFE” AT GARDINER MUSEUM May 30 – September 15, 2013

The Gardiner Museum, Kathy Venter – LIFE opens May 30, running until September 15, 2013.

Featuring
this celebrated ceramic artist, internationally recognized for her
life-size figurative sculptures, the exhibit introduces dialogues with
time, femininity, and community, capturing the continuity of the human
condition.

The exhibition presents a large installation of
Venter’s sculptures which she produced in series, including One,
Revision, Ostraca, Immersion, Coup d’Oeil and the never seen before
Metanarrative. Most of her figures are presented full scale – standing,
sitting, reclining or suspended by cables in space – while others are
limited to heads and torsos. Each work is direct and engaging; life-size
and nude. They are a measure of our humanity. Their strong presence
derives from the artist’s intimate engagement with her models – most of
which are women – who posed over long hours in her studio.

“We
are extremely excited to present Kathy Venter – LIFE at The Gardiner
Museum this summer,” says Rachel Gotlieb, Interim Executive Director
& Chief Curator, Gardiner Museum. “Kathy Venter chooses the
terracotta as a primary medium to explore the history of representation
of the female figure.  This dramatic installation stimulates discussion
about sculptural praxis in contemporary art.”

Venter describes
each work as “a slow construction” by which she “applied the clay, piece
upon piece, within a silent dialogue between the model and myself,
comfortable with my medium and tradition, accepting of their
constraints.” The forms are built from the feet up using the traditional
coiling and pinching techniques, without the use of life cast molds or
internal armatures. The sculptures’ surface treatment is inspired by the
Tanagra figures of the Mycenaean period, encrusted and worn from
centuries of burial.
The exhibition is curated by Montreal author and critic John K. Grande.

What’s On Throughout the Exhibit?

Patron Circle: May 28, 5:30 – 7 p.m.
Exclusively
for Patron Members, artist Kathy Venter and guest curator John K.
Grande will lead a tour of the exhibition followed by a cocktail
reception with hors d’oeuvres by à la Carte Kitchen.

Member’s Preview: May 29, 10 a.m. – 8 p.m.
Members,
bring all of your friends and be among the first to experience Kathy
Venter – Life for this special preview. The gallery is reserved between
12:30 – 1:30 p.m. for members who have purchased tickets to the Members’
Lunch, which includes a private tour. Following the tour, artist Kathy
Venter will be available in the gallery from 1:30 p.m. Cost: Free for members

Members’ Lunch & Tour with Artist & Curator: May 29, 12 – 1:30 p.m.
Enjoy
a delicious lunch prepared by à la Carte Kitchen, followed by a tour of
the exhibition with artist Kathy Venter and guest curator John K.
Grande. Cost: $30 – Members only

Not a member? You can take advantage of the Gardiner Museum’s May Membership Promotion by clicking here.

Lecture: Kathy Venter and the ‘Flesh of the World’: June 6, 6:30 – 8 p.m.
Dr.
Elizabeth Legge, Associate Professor of Art, University of Toronto,
explores how Venter creates figures who seem at once ancient and fully
in the present, both a comfortable presence and an enigmatic
interruption of our experience of the world. Sponsored by Dr. Lorna
Marsden. Cost: $15 general admission, $10 for members

Lecture: Hands On: The Figurative Tradition in Terracotta Sculpture: June 20, 6:30 – 8 p.m.
Dr.
Betsy Bennett Purvis, Lecturer in Renaissance Art History, University
of Toronto, will examine a variety of figurative terracotta sculptures
from the Renaissance to the present, with a special emphasis on
life-likeness and the materiality of terracotta itself. Cost: $15 general admission, $10 for members

www.gardinermuseum.on.ca/exhibition/kathy-venter-life



111 Queen’s Park
Toronto, Ontario
M5S 2C7
Canada

Tel +1 416.586.8080
Fax +1 416.586.8085

2013 Windgate Fellowships Exhibition @ the Archie Bray

Join
us in celebration of our second-year fellowship artists Jeff Campana,
Alanna DeRocchi, Sean O’Connell and Jonathan Read. The Windgate Fellows
will finish their residency at the Bray this fall.


Opening Reception this Thursday, May 30, 6–8 pm

Can’t make it in person? View the exhibition at our Online Sales Gallery beginning Thursday, May 30.

The
Windgate Fellowships were established in 2012 thanks to a generous
two-year grant given to the Bray by the Windgate Charitable Foundation
in support of artist fellowships, scholarships and studio costs. Each
fellowship awards $5,000 to a long-term resident artist, with additional
funds provided to cover the Bray’s studio costs for each resident.

archiebrayfoundation | 2915 Country Club Ave, Helena, MT 59602 | 406/443-3502 | www.archiebray.org

Fueled by Wood @ Trax Gallery

Top L to R: Judith Duff, Jack Troy, John Dix, Nick Schwartz
Bottom L to R: Judith Duff, Nick Schwartz
“FUELED by WOOD”
Through June 14, 2013
 
JOHN DIX, JUDITH DUFF, NICK SCHWARTZ and JACK TROY
 
Click HERE to view works from the show
 
TRAX GALLERY  1812 5th Street, Berkeley, CA  94710
510.540.8729   [email protected]
Wednesday – Sunday 12 – 5:30

a site to see friday: Marcelina Salazar and her Bourry-Box Blog

 

 

Marcelina
not only creates beautiful pottery but she also is documenting her
process in kiln building to share with others interested in building.

From her website:
“Marcelina grew up in Colombia and moved to Canada in 1999 to go to university. In school, she developed a keen interest in food issues. At the same time, her passion for clay was taking shape. Pottery
seemed to bring her interest in food and food issues to the table.

So, after finishing a degree in science at Trent University, she decided to pursue pottery more seriously. In 2007 she completed a Ceramic Certificate at The Haliburton School
of the Arts, and then she studied some more ceramics at Sheridan
College.

Now she works as a full-time studio potter in her timber frame studio, on her farm in rural Ontario.

She also tries to spend free time with her husband, organic farmer Jason Hayes, and her beautiful dog, Kanuk.”

www.marcelinasalazar.com

Bourry-Box Blog @ marcelinasalazar.wordpress.com

“I
have recently finished building a bourry-box kiln in rural Central
Ontario. This is an account of that process, hoping to reciprocate some
of the help and encouragement I’ve received from the ceramics community
all along.”