guest post: “Look what I found.” Thoughts about pottery by Steve S. Saroff

When I was ten years old, after my mother died, I often went
into the school library to be alone during lunch recess. The most
private nook was the science section. The bottom shelf had the biggest
books. One of them was a mineralogy book filled with photos of
crystals and diagrams of  chemical changes brought on by heat and
annealing.  There were explanations about oxidation and reduction.
There were instructions of how to make a flame blow-pipe to use with a
candle to do tests on minerals. There were photos of aiming the tip of
the hot flame at mineral streaks made on the back of a ceramic tile.
The photos showed how colors would be different depending on which part
of the flame – the blue oxidizing center or the orange glow of
reduction – touched the trace of minerals.
Solitude
with no goal is no comfort, but aimed at the discovery of the
mysterious,  with observations of matters great and small, solitude is
the cure for even the deepest sorrow. You can go out then come back and
say, “Look. See what I have found.”  The right sort of solitude leads
to the best sort of company.

I made a mineral test
kit:  A hand lens; A tile as a streak plate for scraping rocks; A
candle;  A pack of matches; A thin copper tube pinched at one end to 
just a pin hole;  A vial and eyedropper of weak hydrochloric  acid;  A
quartz crystal  and a few other minerals for the hardness test. A small
notebook. A pencil. A Swiss army knife.  Then I began looking for
rocks, especially ones with colors and crystals.  And I found them. And
I brought them back.

Rocks rapidly led to geology —
which is the study of time– which led to chemistry – which is the study
of mystery . Chemistry  led to math, which could have been perfect
except that I needed to work and make money, so math then pulled me
into writing software for computers which led to starting businesses.
Business is a deep sorrow  which has nothing to do with the way minute
streaks of minerals look when heated to 2,300 degrees in the absence,
or presence of oxygen. Copper will become black or green. Iron is a
rainbow if combined with just a hint of manganese and a smudge of
silicate.  These are things you can bring back. These are things that
can be shared.

When I met the woman who would become my
first wife, one of her classes was a pottery class. I went with her
one evening to the big studio on campus. Students were working on their
final projects and dipping bisqued cups into buckets of grey goop. In
the corner of the room was a cabinet filled with bottles.  A 50’ish man
was sitting near the cabinet  reading a newspaper and smoking a
cigarette, and when I walked over to read the labels on the bottles, he
said hello and asked if I was one of his students.  I told him no, but
told him I was the boyfriend of a student of his. He nodded, almost
went back to reading his paper, but instead asked that universal small
talk question of universities, “what are you studying?”

“Chemistry,” I said.

He
lowered his paper, looked at me. At that time, out of the 6,000
students on campus, there were only a few handfuls of chemistry majors.
He asked, “Really?” and we began to talk. We talked about clays and
their extra layers of bonded hydrates. We talked about bonding energy
and valance. We talked about the physics of heat, of enthalpy, of
photons and how all things glow, even when cold.  Then he said, “Hey,
let me show you how to throw a pot.”

My second wife
also liked pottery. She and I bought a used kick wheel and set up in
our backyard of the small house we shared for a few years on Missoula
avenue. But I was so busy with trying to make money that I don’t think I
ever touched the clay. And we had no kiln, so I never touched the
chemistry either. And then that marriage ran out and the wheel rusted 
in the rain.

But I always wanted to get back to
pottery. It is the perfect solitude. When I sat at a wheel and thought 
too hard, nothing worked. But when I became alone without thoughts, my
hands calmed me. I’ve never needed to make any cups or plates or bowls
– there is always something to drink or eat from – and  I’ve never
needed art credits or a social purpose to define myself — but I have,
ever since I was ten, needed discovery and surprise.  Pottery can be
that, and it is also has discoveries that can be  shared. The “Hey,
look at what I found,” like the rocks I carried back from mountain
tops, rocks with fossils or metal crystals, rocks with mystery. Perfect
solitude brings people together because we can share what we have
learned alone.
After a 30 year absence, I have been
re-learning how to throw porcelain. I spend hours just centering, and
most of what I have done ends up in the slip bucket.
But some of what shows up, coming out from the 2,345 temperature of the kilns, helps me say, “Look what I found.”  
©  Steve S. Saroff

Surface: exhibition @ Harbourfront

Marcelina Salazar. Serving Bowl, 2013. Cone 10 porcelain, wood fired, soda glazed. Photo: Becky Comber

Carl & Rose, Tony Clennell, Brad Copping, Susie Osler, Marcelina Salazar, Krystal Speck, Jenna Stanton, Rachael Wong

Curated by Melanie Egan

June 22 – September 15, 2013

Terrain is used as a general term in physical geography, often
referring to the visible layer of land. We often think of terrain as
broad and expansive, however, the subtle surface changes on an object
translate into a micro-topography and a feast for the eyes. Terrain can
be the main event – inspiring, remarkable and evocative – as well as an
invitation to discover what lies beneath.

– Melanie Egan
Head, Craft, Harbourfront Centre
235 Queens Quay W. Toronto, ON M5J 2G8, Canada

235 Queens Quay W.
Toronto, ON
M5J 2G8, Canada

Workshops with Petra Svoboda @ Workshop Arts Center Ewart Gallery

Mould Making and Slipcasting
• $130
• Saturday, July 06, 2013 10:00am – 5:00pm
Learn the process of making a one or two piece plaster mould to create
ceramic multiples. In this workshop you will learn how to make a
casting mould from plaster using found objects made from glass, wood and
plastic prototypes. Even fruit & vegetables can be cast! Spend
the day making the plaster mould and focus on slip casting techniques.
Cost includes plaster and clay. Bring in your own object to cast or
choose one of the tutors objects.
http://www.workshoparts.org.au/course/mould-making-and-slipcasting/

Printing on Clay
• $130
• Saturday, July 13, 2013 10:00am – 4:00pm
In this workshop students will learn how to expose images on to a
silkscreen using the Riso screen printing method. Once the screens are
made, students will learn how to print directly on to clay using ceramic
inks. The workshop will cover printing on to fresh clay and transfer
printing on to green ware and bisque. Participants will also be shown
how to make decal transfers from their screens. Includes all inks and
slips as well as an A5 silk screen and squeegee. Clay can be purchased
at the studio on the day.
http://www.workshoparts.org.au/course/printing-on-clay/

 
Workshop Arts Center Ewart Gallery 
33 Laurel Street
Willoughby
NSW 2068
www.workshoparts.org.au
[email protected] 

A show of Ceramics @ Walrus tonight

Join us for opening night, as 6 of Vancouver’s talented ceramic artists unveil new work.

Featuring:
Kelly Austin
Diane Espiritu
Russell Hackney
Claire Madill
Sarah Péloquin
Cathy Terepocki

WALRUS
3408 Cambie Street
Wednesday. June. 19th. 2013
6 – 9 pm

We’ll be posting process work and sneak peeks on our blog and facebook, so if you’re curious, stay tuned…

Please note, some work will be crafted in limited quantities.  As
always, everything in store (including exhibit work) will be available
for purchase on opening night.

www.walrushome.com

a very rare opportunity indeed – Prue Venerable sale tomorrow!

RARE chance to pick up a Prue Venables’ piece for a bargain tomorrow (Sunday 16 June) between 12 – 2pm.

27 Orchard Cres, Mt Albert Nth, Victoria, Australia
No prior sales. Cash only.
Many seconds and old pieces for $20 – $50 and top quality ones for $100 – $250.
One and only chance!

Thanks to Vipoo Srivilasa for sharing the info.