upcoming workshop with Ann Van Hoey
Come to China and Study Ceramics with West Virginia University at the World Famous Jingdezhen Pottery Workshop!!!
Through
a unique linkage, West Virginia University has teamed to offer a
comprehensive study opportunity for students and the serious advanced or
professional ceramic artist/potter. Join us for a once in a lifetime
experience and join us in the Imperial Porcelain Capital of Jingdezhen.
For the last 18 years, we have teamed to offer a study and travel
program in the Peoples Republic of China. Participants will have the
opportunity to study with some of China’s most prominent teachers and
ceramic artists.
Imperial Blue & White Porcelain Capital of
Jingdezhen, Qin’s Terra Cotta Army, Ancient Capital of Xi’an, Great Wall
of China, the Forbidden City in Beijing, the hustle and bustle of
Shanghai. Join us for an experience of a lifetime!
China’s roots
in ceramic art history are strong and deep. For thousands of years,
Chinese artisans have developed and mastered techniques and artistry
that has set the standard of excellence in ceramics throughout the
world. High fired porcelains, underglaze and overglaze techniques,
celadons, copper reds, temmoku, yao ware carving, ash glazes and
tri-colored lead glazes are just a few of the contributions made by
Chinese artisans over the centuries.
Summer Semester 2014
May 24 – June 30
(Dates prices may vary slightly)
6 Credits
Cost: 6-Credits/Tuition and fees: $7300*
This
fee covers International airfare, in-country travel, all lodging, food
(an exception being during the Beijing travel portion of the program),
materials, and 6 graduate or undergraduate transferable credits from
West Virginia University.
Fall Semester 2014
September 7 – December 14
(Dates and prices may vary slightly)
12 Credit Hours: Graduate or Undergraduate
Cost: 12 Credits/Tuition and fees $10,900*
6-Credits Studio Ceramics
3-Credits Chinese Ceramic Art History
3-Credits Basic Language and Culture
Participants
will be expected to pay for tools not supplied by the program, brushes,
personal acquisitions, and local travel outside of the program.
Students may also be expected to purchase their own meals during the
Xian and Beijing travel components.
This fee covers the entire
cost of International airfare, in-country travel, all program fees,
insurance, living accommodations and 12 transferable credits from West
Virginia University.
If you or anyone you know may be interested in either of the 2 programs, more information and applications are available at:
http://art.ccarts.wvu.edu/international_programs/china_program
or go to our Facebook Page:
https://www.facebook.com/pages/West-Virginia-University-Ceramics/265667390037
If you have any questions feel free to contact us. Hope to see all of you in Jingdezhen, China!
Shoji Satake
Associate Professor of Art
West Virginia University
College of Creative Arts
School of Art and Design
Creative Arts Center
PO Box 6111
Morgantown, WV 26506
304-293-3512
[email protected]
the vessel, the object
 |
| Lea Georg
Septett 2013, Porzellan, h 38 cm, l 120 cm |
Thomas Bohle, Sandy Brown, Daphne Corregan, Pippin Drysdale, Erika Fankhauser Schürch, Lea Georg, Gabriele Koch, Brigitte Pénicaud, Elke Sada, Akio Takamori, Masamichi Yoshikawa
14. Dezember 2013 – 8. Februar 2014 (22.12. 2013 – 7.1. 2014 geschlossen)
Hanspeter Dähler
Schaalgasse 9
CH-4500 Solothurn
tel/fax +41 (0)32 621 38 58
Öffnungszeiten
Do/Fr 15.00-19.00
Sa 14.00-17.00
und nach Vereinbarung
e-mail: info(at)kunstforum.cc
http://www.kunstforum.cc
COVERING THE CLAY SURFACE
February 7-9, 2014 | Lexington, Kentucky
Deadline to SAVE is January 12, 2014
THE PERFECT WAY TO START 2014!
Take your work to the next level by learning creative surface techniques!
Take your work to the next level by learning creative surface techniques!
Nothing
in pottery shows off your creativity more than a beautiful surface—the
glazes, the patterns, the textures—they all combine to showcase your
imagination. If you’re looking for new ideas that will get your
decorating ideas in super high gear, check out the workshop coming to
Lexington, KY in February. Here you’ll get to watch some of the
country’s most successful potters as they demonstrate their unique
styles to create truly unique surfaces. Sarah Jaeger’s loose organic
brushwork, Kristin Pavelka’s layered sgraffito and slip decoration,
Forrest Lesch-Middleton’s image transfers, and Akira Satake’s rich
surfaces inspired by the natural world are sure to inspire you for years
to come.
in pottery shows off your creativity more than a beautiful surface—the
glazes, the patterns, the textures—they all combine to showcase your
imagination. If you’re looking for new ideas that will get your
decorating ideas in super high gear, check out the workshop coming to
Lexington, KY in February. Here you’ll get to watch some of the
country’s most successful potters as they demonstrate their unique
styles to create truly unique surfaces. Sarah Jaeger’s loose organic
brushwork, Kristin Pavelka’s layered sgraffito and slip decoration,
Forrest Lesch-Middleton’s image transfers, and Akira Satake’s rich
surfaces inspired by the natural world are sure to inspire you for years
to come.
Conference Venue
Kentucky Mudworks
825 National Avenue
Lexington, Kentucky 40502
859-389-9681
[email protected]
www.kentuckymudworks.com
Kentucky Mudworks
825 National Avenue
Lexington, Kentucky 40502
859-389-9681
[email protected]
www.kentuckymudworks.com
Art and the Horse @ CRAFT NSW
More information can be viewed at
and http://www.artsandcraftsnsw.com.au/Exhibitions.htm
Art and the Horse can be seen at
craft nsw
104 george street . the rocks . sydney e:[email protected]
p: 61 2 9241 5825
9.30 to 5.30 (5pm in the winter months) open seven days, entrance is free
http://www.earthlyvisions.com.au/images/news/201401/sfrasercraftnswwork.pdf
Raymond Warren @ Centre Materia
Le Centre MATERIA accueillera, du 10 janvier au 23 février, les sculptures en céramique de Raymond Warren. L’installation Équilibre et gravité invite à prendre part aux jeux des personnages de l’artiste.
Avec Équilibre et gravité,
Raymond Warren fait sourire la matière céramique et crée des mises en
scène présentant les métiers d’art dans une approche installative. La
salle d’exposition du Centre MATERIA, habitée du sol au plafond, amène
le visiteur à découvrir la poésie de chaque élément répondant aux thèmes
de l’équilibre et de la gravité. Accessible, cette exposition est une
invitation à s’initier aux métiers d’art en famille.
Raymond Warren fait sourire la matière céramique et crée des mises en
scène présentant les métiers d’art dans une approche installative. La
salle d’exposition du Centre MATERIA, habitée du sol au plafond, amène
le visiteur à découvrir la poésie de chaque élément répondant aux thèmes
de l’équilibre et de la gravité. Accessible, cette exposition est une
invitation à s’initier aux métiers d’art en famille.
Raymond Warren fait valoir
les opposés dans ses thématiques comme dans son choix de matières. Ses
expositions s’élaborent de manière récurrente depuis 1988 autour de la
candeur et de l’inquiétude qui habitent chaque être humain face à son
destin. Il modèle le grès, lourd, sobre et dense, et le transforme pour
suggérer le mouvement et la légèreté. Les personnages qu’il façonne sont
cuits dans un four à bois artisanal. Ce type de cuisson laisse, sur les
différentes pièces, des traces du passage des flammes et de la cendre.
les opposés dans ses thématiques comme dans son choix de matières. Ses
expositions s’élaborent de manière récurrente depuis 1988 autour de la
candeur et de l’inquiétude qui habitent chaque être humain face à son
destin. Il modèle le grès, lourd, sobre et dense, et le transforme pour
suggérer le mouvement et la légèreté. Les personnages qu’il façonne sont
cuits dans un four à bois artisanal. Ce type de cuisson laisse, sur les
différentes pièces, des traces du passage des flammes et de la cendre.
Raymond Warren
vit et travaille dans le village de Bois-Franc, à une quinzaine de
kilomètres au nord de Maniwaki. Diplômé en arts plastiques de l’UQAM, il
a présenté une vingtaine d’expositions solo. Ses œuvres font partie de
plusieurs collections privées et publiques, incluant celle des Musées de
la civilisation de Québec, celle du Musée canadien des civilisations et
celle de la Ville de Gatineau.
vit et travaille dans le village de Bois-Franc, à une quinzaine de
kilomètres au nord de Maniwaki. Diplômé en arts plastiques de l’UQAM, il
a présenté une vingtaine d’expositions solo. Ses œuvres font partie de
plusieurs collections privées et publiques, incluant celle des Musées de
la civilisation de Québec, celle du Musée canadien des civilisations et
celle de la Ville de Gatineau.
Translated by google:
Centre MATERIA host, from January 10 to February 23 , the ceramic sculptures by Raymond Warren. The installation invites balance and gravity to take part in the games characters from the artist.
With balance and gravity, Raymond Warren is smiling ceramic material and creates staged with crafts in installative approach. The
exhibition at the Centre MATERIA room inhabited floor to ceiling ,
leads the visitor to discover the poetry of each element responsive to
issues of balance and gravity. Available , this exhibition is an invitation to learn the art of family businesses.Raymond Warren argued the opposite in its themes as in his choice of materials. His
exhibitions are developed repeatedly since 1988 about the candor and
concern that inhabit every human being towards his destiny. This model sandstone , heavy, dense and sober , and turns to suggest movement and lightness. The characters he shapes are cooked in a wood oven craft . This type of cooking leaves on different parts, traces of the passage of flame and ash .
Raymond Warren lives and works in the village of Bois- Franc , about fifteen miles north of Maniwaki. Degree in fine arts at UQAM , he presented twenty solo exhibitions. His
works are in many private and public collections, including the Museum
of Civilization in Quebec , the Canadian Museum of Civilization and the
City of Gatineau.
With balance and gravity, Raymond Warren is smiling ceramic material and creates staged with crafts in installative approach. The
exhibition at the Centre MATERIA room inhabited floor to ceiling ,
leads the visitor to discover the poetry of each element responsive to
issues of balance and gravity. Available , this exhibition is an invitation to learn the art of family businesses.Raymond Warren argued the opposite in its themes as in his choice of materials. His
exhibitions are developed repeatedly since 1988 about the candor and
concern that inhabit every human being towards his destiny. This model sandstone , heavy, dense and sober , and turns to suggest movement and lightness. The characters he shapes are cooked in a wood oven craft . This type of cooking leaves on different parts, traces of the passage of flame and ash .
Raymond Warren lives and works in the village of Bois- Franc , about fifteen miles north of Maniwaki. Degree in fine arts at UQAM , he presented twenty solo exhibitions. His
works are in many private and public collections, including the Museum
of Civilization in Quebec , the Canadian Museum of Civilization and the
City of Gatineau.
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