guest post: “show us your influences” with Dylan Dowler

Hi there, my name is Dylan Dowler I am a third year university student at the U of R studying Visual arts.

I have taken classes in just about every artistic discipline and have found great enjoyment in working with clay. 
Here
are a few images of the work that I have made during my time at the
University. Jack Sures has definitely played a part in improving my thrown work, as well as being an inspiration to my work ethic in the
studio. I am also inspired by my good friend and artist Jeff Burgess who
is a multi-talented
individual. I like to think that my work speaks for itself, and art has
always played a role in my life. Here is a sample of a sculpture that I made at the U of R during winter of 2012.

Dylan Dowler 
www.steamdrive.com/ceramics

job posting: Studio Tech Position @ Mudfire

In exchange
for an eight hour shift, studio techs get 24/7 studio access, discounted
materials, and 5,000 cubic inches of firing space a month. They also
have access to semi-private storage. Bonus – they can also audit
workshops and sell work in our gallery.

We hold staff shows throughout the year. Activities while on
duty include teaching, studio maintenance, testing and mixing glazes,
etc…

We will have a position opening at the end of
August. We also have residency slots opening in January  – interested
artists can apply by emailing [email protected].
MudFire
175 Laredo Drive
Decatur, GA 30030
 

emerging artist: Michael Lorsung

Michael Lorsung – Artist Statement
I am interested in objects that are human made, but not necessarily hand made. I love the idea that as a species we have largely created the contemporary world that we live in and interact with on a daily basis. Our relationship to the objects that run through our lives is largely passive in so far as our thoughtfulness about their origins. Because of the ubiquitous nature of human made objects coupled with the throwaway, utilitarian culture we live in, it seems we frequently dismiss or simply never recognize the beauty in these things.
 
My work is an attempt at giving time and attention to objects from my own life that I find beautiful; whether these inanimate, soulless things want my attention or not. I care. Be it a grain silo whose form follows its innate function is beautiful in the way that sailboats are, as is a wrench on a tool bench that bears the marks of years of use or disuse by its owner. The objects themselves are monuments to our abilities, and their ubiquitous, oftunappreciated existences serve as reminders of the hubris that we project as a materially privileged culture.

I make these objects because I truly do believe that we do not recognize how much of ourselves as humans are inside of the man made things around us. Through the process of leaving my marks, drawings, and narratives on the surfaces of these pieces I am trying to leave the viewer with the sense that the meaning in the objects is created indeed by the user, and becomes part of the object’s history, despite its inauspicious beginning as an object of pure utility or function.
 

call for entry: 2015 NCECA EMERGING ARTISTS

THEME: Lively Experiments

DEADLINE: September 30, 2014

NCECA’s Emerging Artists
program recognizes exceptional early career artists highlighting them to
an international audience during NCECA’s Annual Conference and
promoting them year round through blog.nceca.net. The awards include opportunities for increased exposure through exhibition and special events.

NCECA believes that those creating work offering
new/exciting/thoughtful perspectives on the ceramic medium, expanding
upon genres of creative production and inquiry are qualified as
candidates for its Emerging Artist awards. An Emerging Artist may be at
the early stages of receiving recognition for his/her work but is
currently underrepresented through exhibitions or publications that
might otherwise bring the work to wide attention. The intent of the
award is to recognize, cultivate and amplify vital, new voices of
creative endeavor in ceramics. The award enables these artists to reach
broader national and international audiences and impact discourse in the
field.”

Because the concept of emergence in the arts does not invariably
correlate with a specific age, or other quantifiable terms, NCECA
requires applicants to briefly describe why they perceive themselves to
be at an emergent point in their careers and how they anticipate the
award will impact the trajectory of their endeavors. The review
committee, at their discretion, may eliminate candidates that are
considered to be beyond “emerging.” Applicants are also required to
provide letters of support from two figures in the field who are
familiar with their work and drive to create. Letters should provide the
selection committee with a sense of confirmation of the candidates’
seriousness of commitment and potential for continued development.

Application deadline: September 30, 2014

Open to: artists working with ceramic materials/processes as a
significant component of their work. A current NCECA Membership, at the
time of application, is required to be eligible to apply for NCECA’s
Emerging Artists. Applicants may not be students.

Full details here.