technical tuesday: the price of a mug

about a month ago i had a conversation with one of my galleries about the price of my mugs. i’ve been selling them locally for $35 CDN pretty much regardless of size since the time put into each piece is roughly the same. i throw these cups on the wheel. handles are added. each has a unique one of a kind, not printed, but hand drawn illustration on it. they have numerous colors added and fired to cone 6 in electric.

for the holiday season this gallery is requesting 24 mugs. it’s alot for me. i can’t produce full time with all the other aspects of managing my career and of course raising my kids. i have 2 holiday sales coming up wherein i know mugs will be the best sellers, so it becomes difficult for me to justify shipping (and paying for that shipping) the work cross country only to receive %50 of the selling price.

if i was working full time these cups would take a proper weeks worth of hours. they are that labour intensive. so lets do the math shall we…. 24 mugs x $35 = 840. Divide that by %50 you’ve got $420. Shipping will cost me approx $60 for that (2 boxes properly packed so as to not lose any pieces). $420-$60 = $360. Packing materials = $12. Material expenses: clay – $25, glaze – $8, underglaze – $4, firings – $40 (approx on these material expenses, i haven’t weighed or calculated the extact glaze quantity, etc. but i base these on figures i established a few years back for a grant). Total material expenses: $77. Studio fees: well i use my basement and my garage so i won’t factor that in right now, but there are heating and electrical costs associated and i can only imaging if i was paying rent on a studio out of the home) so where are we at? $360 – $12 – $77 = $271. $271 divided by the 24 mugs = $11 a mug. or lets look at my time: one week of work, lets say 6 hours a day so 30 hours: $9/hour is what i’m paying myself.

oh and there is nothing left over for actual profit margin.
right.
minimum wage in Saskatchewan where i live: $10.20.

how much did those two degrees cost me again?

I’m venting i know. but i was offended when the gallery staff was reluctant to let me raise my prices. 

how do i feel about $35? i feel a few things. i feel that the local community/audience has a limit of how much they’ll pay. i live in Saskatchewan. we are known for lower priced work. a local established potter during my undergrad years sold his mugs for less then $25 (at the time) and once told me i was disrespectful and presumptuous to ask for more then those that have been practicing for longer then i have been. i have since truly upped my middle finger to such talk.

there is a system that i understand i must work within. there are different levels of skill and techniques that are more labour intensive that can charge more. but i won’t pander to the idea that my years of experience can only charge certain prices. i like to think that i address the market demands and what they are willing to pay.

but then what happens when you sell at a %50 commission rate at galleries? and what happens when you sell outside of your local market, perhaps even internationally where price points differ?

so do i sell for $35 locally by myself, take a %50 cut with galleries (plus have to pay shipping costs), and then sometimes come in much lower then other artists in an exhibition in a different market – being the jerk that undercuts all their hard earned prices? in an more international market place how do we price our work to address all these scenarios? we aren’t selling and exhibiting locally anymore so how do we level the playing field or develop a system that works where in artists feel respected and well paid?

and if we are pushing our audiences to pay a proper price for our work, should our galleries not also be a part of that system of educating the audience to a fair and sustainable value for our work? i wonder how they answer the question of how can artists charge so much when mugs sell for $5 at walmart. cuz i personally am beyond tired of justifying that.

anyway, enough of a rant from me. the above image shows a lot of the answers I’ve received from artists. this of course doesn’t illustrate anything about scale, technique, market and the like, but it’s a interesting starting point for looking at the price of a mug.

emerging artist: Jason Desnoyers


 

Artist Statement

I look to make work that creates an effect on the individual person rather than, at first, the community at large. For me, attracting the individual is about finding a passion and creating a bond between maker and user. Original work, purposeful ceramics and creating conversations are the main points that I look to answer within my ceramic medium.

I describe the process I have investigated as “cut and paste”. Utilizing technical aspects of ceramics, related to throwing on the wheel, hand building and mold work. My aim is to create forms that are different but that also relate to my own self. This comes from explorations of design and personal preference, but also from outside sources such as graffiti, geometry, sociology and mass media (Tumblr).

jasondesnoyers.com

call for artists: The Big Mug Spectacular



The Big Mug Spectacular
We are having a mug show,
You are invited to participate
Show opens December 11th 2014 7pm
Mugs need to arrive by November 15th 2014
24 mugs per artist
The gallery commission rate is 50%
We are accepting guest artists so if you know of any awesome mug makers do share their names etc.
The show is only open to Canadian artists working in Canada
Please reply back to
[email protected]
or call
519-434-5443
1-866-229-5244
I look forward to hearing from you all
Brian
Jonathon Bancroft-Snell Gallery-Galerie
258 Dundas Street
London, Ontario
N6A 1H3

show us your influences: guest post with Paula Cooley

I am a ceramic artist with
a sculptural practice, a functional practice and a lively curiosity about clay
and form. My influences are varied and many: organisms, plants, fine craft,
historical artifacts, architecture, and landscape.  As I work intuitively, I delight in being a visual sponge,
soaking up images and then seeing what emerges in my pieces.

I recently completed a
body of sculptural work, titled MIX,
which is currently on exhibition at the Saskatchewan Craft Council’s Affinity
Gallery in Saskatoon.   
This exhibition allowed me to indulge my interest in multiples and the
opportunity to create several larger pieces.  Repetition is a powerful principle of design and I was
inspired by the work of several artists who use numerous simple components to
create compelling sculptures.
Edmund de Waal (www.edmunddewaal.com)
I have long admired de Waal’s elegant
groupings. Two years ago, on a visit to the Victoria and Albert Museum, I was thrilled
to look way up and catch sight of de Waal’s Signs and Wonders, a red
aluminium circle containing  425
porcelain vessels, positioned inside the dome.  I could have happily spent an hour laying on the floor
gazing up at this installation! And as an aside, de Waal’s book The Hare with Amber Eyes is a delightful
read.
 
Michael Sherrill (www.michaelsherrill.net)
I am attracted to the detail and surfaces of Sherrill’s pieces.  His forms are vital and energetic, a
trait that I strive for in my work. Now that I have tried welding and forging
metal I am even more impressed with his technical and aesthetic ability to
successfully merge disparate materials.
Louise Nevelson
As a formalist, I am in awe of Nevelson’s arranged and abstracted
sculptures.  Her use of shadow and
positive and negative space is powerful and evocative.  On a personal note I am also by inspired
Nevelson’s tenacity and determination to establish herself in the male
dominated art world of the mid-twentieth century.
Here are several of my pieces from my exhibition, MIX.  You can see them in person at the Affinity Gallery in
Saskatoon until Oct. 18, 2014.