by Carole Epp | Feb 2, 2011 | call for entry, emerging artist, job posting, monday morning eye candy, movie day, residency opportunity, show us your influences, technical tuesday
DEADLINE: MARCH 2, 2011
Exhibit Dates: April 15 to May 13, 2011
For millennia people have made things out of burnt earth. From bowls and jars essential for preserving foods to ensure survival, to written documents and official seals, to talismans of devotion for various deities and other ritualistic purposes. Ancient kilns were one of humanity’s earliest forms of factory-based mass-production. Today the role of fired earth persists in both old and new ways. FIRED is an invitation for artists to submit works that in some way represent the use of the medium of ceramics. There is no other thematic restriction, and our jury fully expects to consider a range of types of work, from the very traditional to highly unexpected ‘contemporary’ interpretations of the medium. Manifest’s goal is to assemble a diverse array of works of ceramics for an exhibit spanning our Drawing Room and Parallel Space galleries that will be unified by virtue of its exploration of the medium, but intriguing and insightful due to the wide variety of approaches taken by artists working in ceramics. Eligibility: FIRED is open to everyone. Professionals as well as students are encouraged to enter. The only limitation is that entries must represent original works of art and represent the incorporation of ceramics as an essential part of the work. Media: Open to all traditional and non-traditional genre and media, including mixed media, which incorporate ceramics in some significant way. Jury and Curator: Manifest’s selection process involves a complex two-part system. This exhibit will be juried by a 5-9 member panel of professional and academic advisors with a broad range of expertise. The jury will then pass along their recommendations to the exhibit curator who will make the final selections from the jury-approved pool. Catalog: Manifest will produce a full-color catalog documenting the work selected for exhibit. Each exhibiting artist will receive one free copy of the catalog. Manifest is unique among galleries and museums around the world for designing and producing a high-quality full-color book for every exhibit produced. By offering one complimentary copy of the catalog to exhibitors, Manifest continues to expand how it serves its non-profit mission and the artists who make it all possible. Artists will receive their copy either in person when picking up work after the exhbit, or with the return shipment of their artwork. Additional copies can be purchased via the online bookstore. For examples of past catalogs visit Manifest Press. Delivery and Return of Work: All work accepted for the exhibition must arrive ready to install. Works not gallery-ready, or not exhibiting good craftsmanship, may be omitted from the exhibit. Accepted work that differs significantly from the entry images or suffers from poor presentation, will be disqualified. Please note that professional-level presentation is a must. Work may be hand delivered or shipped. Shipped works must be sent in an easily reusable container/packaging with return shipping prepaid. Works will be returned in the same manner as delivered or via UPS/USPS. All work must arrive at Manifest by the specified date (see calendar below). Accepted work will remain on display for the duration of the exhibition. Works not claimed within 30 days of the end of the exhibit will become the property of Manifest. The artists are responsible for all shipping costs. Calendar:
| March 2 March 14 March 21 April 9 April 15 May 13 May 14-20 |
Deadline for receipt of entries Notifications sent by email Hi-res images needed for catalog and PR Artwork due to Manifest by this date Opening reception Final Day of Exhibition Pick-up/ship artwork |
Insurance: Works will be insured while on gallery premises. Insurance covers theft, vandalism, damage caused by gallery patrons or staff (in accordance with insurance policy). PLEASE NOTE: Insurance does not cover damage caused during shipping due to any reason, including mishandling by carrier or failure of packaging to protect works in transit. Also not covered is damage caused to work by failure of the work itself, its mounting systems installed by the artist, or disintegration/degradation due to the nature/quality of materials or craftsmanship. Entry Fee: Each work submitted must be accompanied by a $10 non-refundable entry fee. Number of entries is unlimited. Entry fee must be paid by U.S. check or U.S. or International money order made payable to MANIFEST, or by credit card via PayPal. (If paying by PayPal PLEASE use the paypal link provided on the page that follows the submission of the online entry form.) Detail images may be included at no additional cost, but should only be included if necessary for understanding the nature or quality of the artwork. How many works should I submit?
The average number of works submitted to typical Manifest calls is 3. Some artists like to submit several more, especially if they have a couple different bodies of work which they’d like our jury to consider, or if they have a suite of works that are interrelated. While we have absolutely no minimum number required (other than one), nor do we give an advantage to those who submit more, it is helpful to have a few options to select from. Our jury often gains insight into one work by seeing it in context with a few others by the same artist. And we do routinely accept pairs or sets of work by artists once they are determined to be a finalist. Sale of Work: All work, unless indicated as not for sale (NFS), will be available for sale during exhibit. Manifest Gallery will retain a commission of 30% on all artwork sold during the exhibition. Images: In an effort to conserve resources Manifest accepts only digital images/files for consideration. See specifications below. The Gallery will retain the submitted images of accepted artwork and reserves the right to use the images in publications and gallery publicity. CD’s of works not selected will only be returned if accompanied by a SASE. SUBMISSION DETAILS / TO ENTER >>
via artrubicon
by Carole Epp | Feb 1, 2011 | call for entry, emerging artist, job posting, monday morning eye candy, movie day, residency opportunity, show us your influences, technical tuesday
Description of Show:
Cafecito, a Juried Exhibition of Espresso Cups. The juror, McKenzie Smith, is an artist native to Florida and currently residing in the Tampa Bay area. This show is a toast to the historical Cuban influences in Tampa that are steeped with the Cuban coffee traditions of cafecito (café cubano) and café con leche. Cafecito represents contemporary interpretations of espresso and demitasse cups.
Calendar:
Exhibition Dates: March 27th- April 22nd.
Application Deadline: February 15th, 2011 by Midnight Pacific Time
Email Notification Begins: March 1st, 2011
Accepted Works due: By March 18th 2011
Exhibition: February 21st – March 18th, 2011
Juror:
McKenzie Smith is a potter working in Florida. McKenzie worked as a Core Student at the Penland School of Crafts. He received his BFA from the University of South Florida and his MFA from the University of Florida. Residencies include the Archie Bray Foundation, Banff Center For The Arts, Baltimore Clayworks, and the University of Miami. Smith has exhibited widely and taught numerous workshops.
Gallery: Café Hey
1540 N. Franklin Avenue
Tampa, FL 33602
Reception Date and Time: Wednesday March 30th 5:00-7:00pm
Curators:
Trevor Dunn and LC McGee
Exhibition Contact: Trevor Dunn
Phone: 435.881.7150
Entry Fee:
$25 for up to 3 entries. Please pay online using the Secure PayPal link
Eligibility:
Is open to all artists eighteen years and older. Artworks must be original and completed within the last two years. Any interpretation of demitasse/espresso cups will be considered for the exhibition. All works must not exceed 5 inches in any dimension. All artwork must be primarily ceramic.
Entry Fee:
$25 for up to 3 entries. Please pay online using the Secure PayPal link
Delivery and Return of Artwork:
The artist is responsible for delivering or shipping the artwork to and from the Cafecito/CafeHey. A bar-coded shipping label from UPS / FedEx or a check to cover costs of return shipping must be included with all shipped work. The artist is responsible for insuring the artwork while it is in transit.
Entry Procedures:
Image Details:
All images must be in JPEG format and submitted via email. File size should be approximately 5″ x 7″ at 300 dpi.
Please name image files with the first initial and last name of the artist and the entry number i.e. jharris_entry1.jpg
Cafecito will retain the submitted images of accepted artwork and reserves the right to use the images in publications and publicity for the Exhibition and for Cafe Hey advertising.
Please note: Entries will be considered when all three steps are complete.
Deadline for entry:
All three steps must be completed by midnight Pacific Time February 15, 2011
Email notification of results: March 1, 2011
Shipped works must be received by: March 18, 2011
Cafecito is in conjunction with the 2011 National Council on Education for the Ceramic Arts Conference.
by Carole Epp | Jan 29, 2011 | call for entry, emerging artist, job posting, monday morning eye candy, movie day, residency opportunity, show us your influences, technical tuesday
*Symposium Announcement and Call for Papers*
*International Ceramics Symposium 2011 (ICS 2011) *
*-Ceramic Arts and Design for a Sustainable Society-*
07-11 March 2011, Frölunda Culture Centre, Gothenburg, Sweden
*Call for Papers*
Submissions which address one or more of the symposium themes are highly
welcome:
The main theme of the symposium is:
• Ceramic art and design for a sustainable society
The symposium will address the following sub-themes:
• Research/education/practice in ceramic art and design for a sustainable
society
• Inter-/multi-/trans-disciplinary approaches with other fields or
cooperation towards a sustainable society
• Conservation and/or preservation of ceramics to maintain tradition
• Development, renewal or modernisation traditional craftsmanship of
ceramics
• Role and importance of museum, culture centre and gallery related with
ceramic art and design for a sustainable society
• Politics, decision makers or stakeholders related with ceramic art and
design for a sustainable society
• Industry, business management and market related with ceramic art and
design for a sustainable society
• Relationship and communication with the public for a sustainable society
*Submissions*
Contributions may take the form of written texts (Maximum 5000 words for a
scientific paper and maximum of 2500 words for a popular scientific paper).
Alternatively, you can also contribute an abstract within 300 words or an
extended abstract for an artistic presentation within 500 words. In
addition, authors are asked to submit a brief (100 words or less) personal
biography.
Submissions should be sent by email to Dr. Jeoung-Ah Kim
kjeounga gmail.comby February 10, 2011.
THE EVENT IS FREE BUT PLACES ARE LIMITED.
Participants are encouraged to present their research in form of a short
talk (20 minutes) or in poster format. The selected contributions will be
published in a symposium book (ISBN).
For further information please check the symposium webpage www.ics2011.com.
via
by Carole Epp | Jan 28, 2011 | call for entry, emerging artist, job posting, monday morning eye candy, movie day, residency opportunity, show us your influences, technical tuesday
Shalene Valenzuela:
“Recipe for Disaster”
Opening Exhibition and Reception with the Artist.
First Friday, February 4th, 2011 6 – 9pm
Light refreshments will be served.

“Easy Mix – Balancing Act” Slipcast ceramic, cone 04, underglaze illustration, print transfer
Shalene Valenzuela’s ceramic work consists of quirky pieces reflecting a variety of issues with a thoughtful, yet humorous and ironic tone. Her inspiration is found in everyday common objects she reproduces through slipcasting, then illustrates with a variety of handpainted and screenprinted images. We welcome Shalene to Plinth Gallery for her first exhibition in Colorado.

“Blending In – Consumed” Slipcast ceramic Cone 04, underglaze illustration, print transfer
Saturday Workshop with Shalene
On Saturday, February 5th, from 9am until 5pm, Plinth Gallery will host the first of three, one-day workshops in the Gallery studio space. In this session, Shalene Valenzuela will demonstrate a variety of surface-embellishment techniques and image application. Through slide presentation, lecture and hands-on demonstration, she will share her unique process of illustrating on bisque surfaces and incorporating print aspects with her drawn images.
Shalene earned her MFA in ceramics from the California College of Arts and Crafts, and has recently taught at the Oregon College of Arts and Crafts. A former resident at the Archie Bray Foundation, she currently works at The Clay Studio of Missoula, Montana.
Cost for this workshop is $85 which includes lunch. Space is limited to 20 students and advance registration and payment will guarantee a space. Students will also receive a 10% discount on Gallery purchases the day of the workshop. Please contact
Plinth Gallery for additional information and to register.
Plinth Gallery News:
Workshop Series: Shalene’s February 5th workshop will be the first in our series on Surface Decoration.
On April 2,
Yoko Sekino-Bove will demonstrate decoration techniques including sgraffito, carving, stamping, and a variety of glaze painting, as well as wet clay surface techniques such as mishima and slip painting. Students will actively participate in this workshop and make a variety of clay stamps to use on their own work. A supply list will be emailed to participants in advance of the workshop. Yoko’s show, “Fragile Immortality” will be the featured exhibit at Plinth for April.
On May 7,
Connie Norman will conduct a seminar on glazing techniques for terra cotta and white earthenware pottery, using masking tape and other office supplies to cut resist-style designs. Students should bring several pieces of bisque-fired work to experiment with glazing techniques demonstrated in this workshop. Connie’s show, “Snippets of Conversation” will be the May exhibition at Plinth.
Each day-long workshop begins at 9am, ends by 5pm, and includes lunch. Cost is $85 for each seminar, or register for all three sessions for $230. Space is limited to 20 students, so registration will be on a first-come, first served basis and advance payment will guarantee a space. Specific information for each workshop, including any necessary supplies, will be mailed to each student when payment is received. Cancellations will be fully refunded if made by 5pm on the Monday before the workshop. Students will also receive a 10% discount on any Gallery purchase the day of the workshop only. For additional information or to register, contact Plinth Gallery at 303-295-0717, or email
[email protected].
CALL FOR ENTRY: Plinth Gallery, in collaboration with Anderson Ranch, is presenting a two-month exhibition to celebrate ceramics in Colorado. The exhibition will showcase a diversity of contemporary ceramics, both functional and sculptural, that are exceptional in concept and execution, and completed within the last year. Jonathan Kaplan is issuing an invitation to all Colorado?based ceramic artists to participate in this unique exhibition, scheduled to open June 3, 2011. Submission information is
here.
Gallery Hours: Thursday through Saturday, noon-5pm, and other times by appointment. 303-295-0717
by Carole Epp | Jan 28, 2011 | call for entry, emerging artist, job posting, monday morning eye candy, movie day, residency opportunity, show us your influences, technical tuesday
In May 2011, Ceramics Monthly will feature the works of emerging clay artists. Those actively pursuing a career in ceramics for less than ten years are eligible.
To be considered submit the following:
• Up to five professional-quality digital images (300 ppi resolution on CD, plus a full-size color print of each image), with complete descriptions of works.
• Full contact information including e-mail, artist’s statement and résumé.
Mail to:
Emerging Artist, Ceramics Monthly, 600 N. Cleveland Ave., Suite 210, Westerville, OH 43082.
Do not submit materials in binders or folders. Emailed submissions and submissions of more than five images will not be considered. Submitted materials will not be returned. Due to the volume of entries, no phone calls, please.
Arrival deadline: February 25, 2011
Do you know an emerging artist? Do they need a nudge? Pass this along and help them get the recognition they deserve.