Call for artists: The DO GOOD-MJ Wood Memorial Short-Term Residency

The DO
GOOD-MJ Wood Memorial Short-Term Residency is an underwritten residency
intended to support ceramic artists who wish to develop a body of work
with a socially-conscious spirit and a strong sense of community
engagement. Through a competitive application process one candidate
per year will be selected to work at the Red Lodge Clay Center Studios
with a full waiver of the residency fee. An additional stipend may be
available for selected projects to assist with travel and/or production
costs during residency.

Dates of residency: Any time between December 1, 2013 and May 31, 2014

The
ceramics studio is located approximately six miles north of Red Lodge, 463 Two
Mile Bridge Road. A form of transportation is necessary for the duration of the
residency. Resident artists have 24-hour access to the ceramics studio. For
more detailed information on material needs and studio equipment please contact
the Red Lodge Clay Center (406)446-3993 or Andrea Moon,
[email protected]
The application deadline is September 2, 2013.

– See more at: http://craftcouncil.org/event/do-good-social-practice-residency-red-lodge-clay-center#sthash.FFSQzJjz.dpuf

Ceramicist wanted for custom wall piece

Retail designer

(New York NY)

High end retail designer is looking for an experienced
ceramicist to construct a ceramic or porcelain relief to be hung on the
wall.

Dimensions are roughly 3′ x 4′.

There is a very tight deadline on this piece so you must be available to start immediately.

Compensation and subject matter will be discussed upon selection.

Please send examples of work as soon as possible to [email protected].

movie day: Handmade in an Information Age

This one will require an entire pot of coffee and maybe a few energy drinks : )

Critical Information Conference 2012 at the School of Visual Arts: Handmade in an Information Age Panel from MFA Art Crit on Vimeo.
Sponsored by the MFA Art Criticism & Writing program
Respondent: Carina Badalamenti (Student) and Susan Bee (SVA Faculty)

The ability to connect in a media-based, networked age gives artists new reasons to blur, accentuate or erase the line between the actual and the virtual. Choosing one method over another becomes an aesthetic choice with political implications. Using art historical examples to provide context, this conversation will reconsider the often polarizing discourses routinely associated with handmade materials in an Information Age.

• Andrew Buck, The Culture of Art and the Nature of Craft (Teachers College, Columbia University, Program in Art and Art Education, Ed.D. Candidate)

• Pamela L. Campanaro, Labors of Language: Crafting the Revival of Medium in Contemporary Art (The San Francisco Art Institute, Exhibition & Museum Studies, MA)

• Michele Krugh, Pleasure in Labor: The Human and Economic Aspects of Craft (George Mason University, Cultural Studies, PhD Candidate)

• Petya I. Trapcheva-Kwan, The Symbiosis of Traditional and Digital Techniques (School of Visual Arts, Computer Art, MFA)