residency opportunity: BMK Studio Residency (Victoria, BC)
More info HERE.
More info HERE.
2 – 8 months, between September 2nd, 2019 to July 3rd, 2020
$515/month (CDN)
Application Deadline: April 15th, 2019 and September 15th, 2019
APPLY NOW
Fee includes:
Artist responsible for:
Our on-site housing, the BMO Artist Lodge, is available for artists to rent. Rooms cost $550 – $650 (CDN)/month. For more information on accommodations, click here.
Employment Opportunities Available for Long-Term Resident Artists:
Upon acceptance as a Long-Term Artist in Residence, individuals will receive detailed job descriptions and further information regarding the application process of these positions.
For more information contact [email protected]
De 2 à 8 mois, entre le 2 septembre 2019 et le 3 juillet 2020
515 $ CAD par mois
Dates limites de candidature: le 15 avril 2019 et le 15 septembre 2019
POSEZ VOTRE CANDIDATURE DÈS MAINTENANT
Les frais incluent
Responsabilités de l’artiste :
Notre hébergement sur place, le BMO artiste Lodge, est disponible pour les artistes. Les chambres coûtent entre 550 et 650 $ CAN par mois. Pour plus d’informations sur l’hébergement, voir: http://medalta.org/creativity/artistlodge/
Opportunités d’emplois pour les artistes en résidence de longue durée
Les individus qui se verront offrir une résidence de longue durée recevront l’information nécessaire au processus d’embauche aux emplois disponibles.
Pour toute information, vous pouvez contacter [email protected]
Find more info HERE.
This is me circa 2010 during a month long residency at Medalta in Medicine Hat. Little did I know that when the director Aaron Nelson called me and asked me to pull together a group of artists for a month that I would not only have a life changing experience, but that a piece of my heart would forever belong to Medalta Artist in Residence Program. I’m sure many of you out there have had similar experiences at different places around the world, colleagues that become friends, friends that become family; and precious time in a studio with other artists that invigorates and renews your creative practice. Medalta and it’s vibrant community have been so good to me. I’ve had the opportunity to return to Medalta on a number of occasions to visit with other artists, to teach and to jury exhibitions.
So it’s with their future sustainability in my heart and mind that I’m posting today about a fundraiser they are currently doing to upgrade their Soda and Salt Kilns. These kilns are over ten years old and have seen better days in their lifetime of producing beautiful pots for international artists. Here’s me back in 2010 firing the soda kiln during my residency there.
And here is the state of the kilns currently…
Medalta needs to raise $12,000 in the next month in order to rebuild these kilns and have them up and running for new residents and workshop attendees. If you have the ability to do so, I encourage you to donate today and help them out. Who knows you might find yourself there as a resident someday! Or did you know you can rent the kilns as well??? (well you can rent the new ones in the future that is!)
Here’s the link to DONATE to their campaign.
And here is Medalta’s website if you want to learn more about them or get in contact.
A call for artist in residence for 6 weeks, beginning in February 2020
October 1, 2019
Emerging to mid-career artists who would benefit from a focused period of time to concentrate on work within the context of an educational environment in a rural bucolic setting.
Portfolio, 10 images, CV, statement and proposal of how work time will benefit artistic practice.
Included in the Residency are: Six weeks of focused work time; stipend of $2,500; accommodations: studio space, access to studio-specific equipment (including access to photo and video cameras and editing lab), and some studio supplies.
Artist is responsible for: Transportation to/from site of residency as well as any other miscellaneous travel and meals.
Six-week studio practice, limited interaction with public via open studio, artist talk, and interaction with students to include either workshop or critique. Details to be finalized upon acceptance.
Studios include: papermaking, printmaking, darkrooms (silver and handmade), Mac lab (including scanners, inkjet printers), video editing lab, photo studio, ceramics studio, woodshop, book arts studio, and sculpture located on both both campuses of College of St. Benedict and Saint John’s University.
Visiting artists will be housed in an apartment at the Collegeville Institute near the campus of Saint John’s University.
The Collegeville Institute was designed by the world-class architect Marcel Breuer, and consists of a lakeside cluster of ten apartments and an administrative center. The apartments vary in size from one to three bedrooms and are assigned according to family needs. The apartments are fully furnished, with central heating, air conditioning, brick fireplace, and wireless Internet. A community kitchen, lounge, library, chapel, and laundry are also available.
Visiting artists will be able to work in a spacious loft studio at the Art Center, Saint John’s University, where they will have access to art studio classrooms and labs for printmaking, video, sculpture, and photography. The 918 sq. ft. studio has a high ceiling, excellent natural lighting, movable furnishings for working and storage, adjustable spotlights, a sitting area, a sink, wi-fi and Internet access, restrooms nearby, and 24/7 access. A 4.8′ x 6.6′ barn door into the adjacent gallery does permit transporting larger work into the space by a portable lift, but because the studio is upstairs and otherwise accessible only by a spiral staircase, there is limited access.
Learn more and apply at https://www.csbsju.edu/art/sister-dennis-frandrup-artist-residency
The Banff International Curatorial Institute (BICI) Fellowship program supports established curators, arts writers, cultural critics, researchers, and artists in focusing deeply on the development of their work. The program allows for self-directed research over an extended period of 12 weeks, within the creative and intellectually stimulating environment of Visual Arts at Banff Centre. Up to four participants will be selected by an international jury for this unique, fully scholarshipped program.
In addition to focusing on their own practice, participants will engage with other artists-in-residence in Visual Arts programs to grow their networks and expand their research. They will visit studios, join reading groups, share knowledge through presenting research in progress, as well as engage with each other and Banff Centre’s curatorial and artistic staff.
The BICI Fellowship allows visual arts professionals to develop work and pursue critical research. Scheduled programming is light to allow for self-directed project development as well as opportunities to connect and collaborate.
Participants may work on the continuation of an existing project, the early development of a substantial new project, create work towards a confirmed external publication or exhibition, or conduct research involving BICI publications and Banff Centre’s permanent collection and archives. Projects and research that are timely, socially relevant, and of high artistic merit will be considered.
Participants can attend talks and presentations by faculty and guests of Visual Arts programs and Walter Phillips Gallery, and expand networks by connecting with artists from around the world. Participants will also have a private office or studio space, accessible 24 hours a day. In addition, the program offers funding to cover tuition, accommodation, and an on-campus meal plan.
The BICI Fellowship is open to mid- to- senior-level curators, arts writers, cultural critics, researchers, and artists exploring original topics within visual arts. Artists working in practice/material-based studio research are welcome to apply.
Applicants should have an established exhibition/publication record, have completed formal training in visual arts at the post-secondary level, or have equivalent experience and recognition from their peers.
Deadline to apply is Sept 4th, 2019
Full details HERE.
Open to emerging and established visual artists in ceramic or overlapping interdisciplinary practices. Applications are accepted on-line only.
The program provides ceramic artists the ability to work in a supportive community environment of like-minded individuals, to share their expertise and vision, to inspire excellence and create work at the highest level in a nurturing and creative environment.
The residency is a multi-faceted experience that will include opportunities for teaching, community outreach, interaction with other artists, and studio care, and will culminate in an exhibition of new work.
Professional Development, Opportunities & Obligations
The Resident Artist Program offers individuals the opportunity to further develop their work, and to establish professional practices and standards. Both Centers offer the support of their staff and facilities to help Resident Artists reach the next stage of development in their careers.
The Caetani Centre, ACNO & VCAC will facilitate workshops, receptions, and public programming based around the participating artist’s work. All organizations work together to provide additional opportunities for public educational programs, artist presentations, and feedback from other artists and mentors. The artist may propose additional events and community programming if they choose.
As a relatively new program, the Caetani Centre is interested in feedback and constructive criticism, and requests that the participant submit an exit survey upon completion of their project.
Artists-in-Residence are requested to leave a piece of art in the community, if possible.
Exhibition Opportunity
Residents will have the opportunity to exhibit their work in the Vernon Community Arts Centre’s Lobby Gallery, with technical support from the VCAC. Curatorial support is provided by the Caetani Center, and the artist will contribute to and receive a small publication about their residency and exhibition.
Selection of Applicants
The program is open to both emerging and established artists. The ideal candidate should have a minimum of post-secondary training completed or in progress with a major in ceramics, be self-directed and able to work independently. Preference is given to candidates who have demonstrated artistic excellence as well as interest in experimentation and innovative techniques.
The successful CeramAIR Resident has a genuine commitment to working with clay, a willingness to work with the local community, and a desire to grow in the development of their own work. They bring a high level of professionalism and competency to the studio that enriches the quality of our programs and facility.
A selection committee composed of arts professionals will review and select candidates for the program. Selection is based on the body of work presented, cv and project proposal.
Full details can be found HERE.