Call For Entry – CARNEGIE CRAFT 2013

November 1 – 24, 2013

A Premiere Showcase of Excellence in Craft

DEADLINE: Saturday, October 26, 2013

The Carnegie Craft Juried Biennial Exhibition is an event that shows a
wide range of talent from Ontario-based craft practitioners.

Carnegie Craft 2013 is open to both emerging and established professional craftspeople.

Material categories that will be considered by the jury include
ceramic, wood, textile, metal, glass and mixed media. This is a great
opportunity to show your work, and to be considered for one of eight
awards! During the evening of the opening reception on Friday, November
1st, winners of the following awards will be announced: $1,000 for Best
in Show, two $500 Awards of Excellence, and five media-specific awards.

Entries to be submitted to the Carnegie Gallery –
Friday Oct 25th 3-7pm and Sat Oct 26 12-4:30
Up to 3 items may be submitted for jurying with a fee of $20.00 per item. Entry fees are non refundable.
Jurying and notification of results on Monday Oct 28.

Download an entry form:

Carnegie Craft 2013 Call for Entry

The Carnegie Gallery | 10 King St. West, Dundas, ON | [email protected] | 905-627-4265

technical tuesday: fail

Sigh, it’s been one of those mornings folks. Long whiny story I’ll spare you from, but it ended with me coming back to the studio to find a fail message on my kiln….maybe the kiln was just trying to sympathize with me today….

Regardless, now I need to problem solve. The firing went fine, it fired off last night, I stopped the program once it said complete so that I could see the temperature to know when I could open it. All was good, 500 and some degress left, I went to bed. So what transpired over night? I can’t get the fail message to clear and there is no error code to look up. So what is it then? Broken thermocouple. I guess too many firings, too much work. Overloading my wee kiln. Oh well. It’s not like i’m in the midst of getting a huge wholesale order done or something…..oh wait, I am!!!

I hope everyone else’s day transpires without any FAILS.

: )

call for entry: Qantas SOYA Craft & Object Award

Related fields/disciplines

All styles welcome. Functional. Experimental. Manufactured.
Handcrafted. Conceptual. Furniture. Appliances. Accessories. Objects.
Ideas. Innovations.

Mentor

Marc Newson

SOYA Craft & Object Design Award

The Qantas Spirit of Youth Awards offers object designers and
craftspeople aged 30 and under the chance to accelerate their creative
careers with a ticket to anywhere in 2013 – $5,000 in Qantas flights to
see you jet away to where inspiration and opportunity dictate. You’ll
also be offered a professional mentorship with iconic Australian
Designer Marc Newson, and did we mention $5,000 cash?!

Deadline October 8th

http://www.soya.com.au/competition/craft-object-design-2013/

emerging artist (hot mud edition): Maaike Charron

“Books Acquired January 1 to June 30 2013” 2013 photo by Amanda Larner.

“Cup 326: City of God, by Saint Augustine”

“Cup 204: The Wild Road, by Gabriel King”

Cup 76: Come, Thou Tortoise, by Jessica Grant”

“Cup 61: Lords and Ladies, by Terry Pratchett”

 

A Library of Teacups Artist Statement

A Library of Teacups was an exhibit of handmade ceramic teacups, shown at the Craft Council of Newfoundland and Labrador Gallery from October 13th to November 10th 2012.

Books and tea are two of my great loves in life, and they go together swimmingly. I made a one-of-a-kind teacup inspired by each book I own–just over 450. The idea was to fill the room with a towering, borderline overwhelming display of pottery. I wanted it to feel like walking into a library—books don’t talk, but they have presence and personality, and they will tell you stories if you listen.

Why teacups? Because (much like books) they lend themselves to individuality, to standing as one in a herd of many. There is a cultural expectation of uniformity for household food vessels. Plates and bowls must match. Glasses must be identical to one another. Even single items like serving platters or salad bowls are often chosen for how well they complement other dishes, or even the rest of the kitchen. Students and other fledgling adults may scrape and scramble for a few years with the family hand-me-downs and a few odds and ends picked up from Value Village, but once settled away into careers and respectability—once settled in a Real Kitchen—the motley dinnerware is replaced with the standard, regimented vessels.

But mugs and teacups have largely escaped the dictates of décor. What kitchen does not have a riotous cupboard or two of chipped, mismatched and utterly beloved mugs? Who doesn’t know the cracks in the bottom of their favourite coffee cup better than the lines on their face? The deeply personal and individual act of cradling a cup of tea is best carried out, it appears, with the assistance of a personal and individual teacup. And the enjoyment of a good book is best enhanced by a cup of tea.